Paul

Way back in 2004, audiences were introduced to Simon Pegg and Nick Frost in 2004's Shaun of the Dead. The comedy duo worked with director Edgar Wright again in Hot Fuzz and World's End, the trio's odd, smart sense of humor resonating with audiences. Pegg and Frost branched out in 2011, starring in Paul, a movie any science fiction fan will get a kick out of.

Lifelong friends with a love of science fiction, Graeme Willy (Pegg) and Clive Gollings (Frost) have traveled from England to San Diego for Comic-Con. That's not all for the trip though, the friends renting an RV and planning a trip across the southwest, hitting all sorts of extraterrestrial spots like Area 51 and Roswell. The trip goes pretty much as planned....at first. One night driving along, the RV crashes and when they get out to investigate, Graeme and Clive are stunned at what they find. An alien is standing in front of them, and he speaks English quite clearly (and with some attitude). The alien's name? Paul (voiced by Seth Rogen), and he's on the run from government agents. Paul has escaped from the facility he's been held at, and he intends to go home to his own planet. He bonds immediately with nerdy Graeme and Clive, but he needs their help. Will his two new friends help him get away and get to his spaceship?

I really do try to be honest with my reviews so here goes. When I saw the trailer for this sci-fi comedy a few years back, I thought it looked dumb. No, that's not enough. D-U-M-B. I avoided it the last couple years, finally caving and getting it on Netflix. The cast proved to be quite the motivating factor in the end! Well, as is so often the case, my complete refusal to listen to the "Don't judge a book by its cover" premise ended up being very, very wrong. I liked this movie from director Greg Mottola (Superbad, Adventureland). A lot. It was funny, surprisingly smart, and pretty sweet in the end -- with some dark, stupid humor mixed in for good measure. Yeah, the pretty deep, very talented cast helps, but there's more to it than that. With Pegg and Frost writing the script, you know you're getting a good final product.

The acting/writing duo actually came up with the idea for 'Paul' when they were filming Shaun of the Dead, and then it was just a matter of time until they could make it. The elements that worked in 'Shaun,' 'Fuzz' and 'World's' all translate here in an easy-going, natural chemistry. It never feels like Pegg and Frost are acting. This plays out like two old friends who know everything about each other -- some think they're gay, much to their surprise -- and are enjoying a vacation they've long talked about. Then throw in Rogen (who's excellent), and we've got quite the trio of characters. An alien who's been on Earth since the late 1940s, Paul is a great character. He's picked up all sorts of human touches from personal interactions to his often dirty conversations. Rogen even provided the motion capture movements for Paul, adding an oddly appropriate slacker look to the alien's actions. I loved the dynamic among the three, that chemistry providing the best laughs and carrying things throughout the 104-minute movie.

As a movie nerd, it was cool to watch this one develop. Pegg and Frost have said in countless interviews this movie was intended as a tribute of sorts to all the science fiction movies they love. It's a tribute to all those great science fiction movies from the 1970s and 1980s. By my count, I saw scenes with nods to Close Encounters, E.T. (obviously), Indiana Jones, Star Wars, Star Trek, Back to the Future and probably countless others I'm forgetting. The ending especially gives a big old nod to Close Encounters and E.T., a pretty cool ending overall. Even director Steven Spielberg makes a voice cameo, Paul serving as his unofficial "technical adviser" as he makes E.T. back in the early 1980s. And in a quick but essential cameo, sci-fi icon and Alien star Sigourney Weaver makes a fun appearance late. Science fiction fans will definitely get a kick out of this one.

There's more to that pretty cool cast that's worth mentioning. Jason Bateman has some fun as Agent Zoil (a kinda-sorta Men in Black), a government agent in pursuit and trying to bring Paul back. Bateman looks to be having a lot of fun in the tough guy part and with a good twist late. He's got two bumbling, inexperienced agents working with him, played nicely by Bill Hader and Joe Lo Truglio. Kristen Wiig puts a fun spin on the love interest, a woman who was raised highly religiously and is beginning to think she's got it all wrong. Her rookie attempts at swearing and cursing are especially good.There's also fun parts for Jane Lynch, David Koechner, Jeffrey Tambor, Blythe Danner, John Carroll Lynch and Jesse Plemons.

If you read some reviews about 'Paul,' you'll no doubt fall into quite the religious quagmire. The script from Pegg and Frost takes some digs at religious folks, those who believe what they believe even if evidence is presented that directly counters what they believe. I lean toward the non-believers side so I wasn't offended, but it's easy to see why some resented this movie's message. The religious characters are loony, crazy, off-the-wall individuals. As well, the action gets ratcheted up to some crazy levels over the last 30 minutes, goofy and over the top but never too much. A very pleasant surprise from beginning to end. Highly recommended.

Paul (2011): ***/****

Anchorman 2: The Legend Continues

So for anyone who lives under a rock, the sequel to 2004's Anchorman hit theaters recently, Anchorman 2: The Legend Continues, raking in some solid if not huge numbers. It's a daunting task making an unnecessary sequel that follows an original film that is considered by many -- myself as well -- to be a comedy classic. Oh, and it's been nine years since the original was released? This sequel isn't the most timely of follow-ups, but director Adam McKay and star and fellow writer Will Ferrell waited until they could devote the right amount of time to actually writing the follow-up. Is it worth seeking out? You bet.

Having left San Diego and Channel 4 behind him, legendary news anchor Ron Burgundy (Ferrell) is living the high life in New York City, co-anchoring the nightly news with his wife, Veronica Corningstone (Christine Applegate). Well, he was living the high life. Called in thinking he's getting a promotion to a national network, Ron finds himself out of a job when Veronica is promoted instead. He's in a bad place now only to receive another job offer, a new news station that will be on television 24 hours a day. Ron is able to assemble his old news team, Brian Fantana (Paul Rudd), Champ Kind (David Koechner) and Brick Tamland (Steve Carell), and heads to New York City to rebuild his reputation. The news world has changed though, and Ron and Co. must adjust. Can they manage it?

There are certain movies where plot descriptions are beyond unnecessary. This is one of them. Do you like Ron Burgundy? Did you like Anchorman? If you said yes to either of those questions, you're going to head out and see this movie, story be damned. Though a sequel had been rumored for years, it finally came to fruition this past year when McKay and Ferrell revealed they had been working on a script, really devoting the time that script deserved to get it to theaters. Some nine years since the original was released, this isn't the most timely of sequels, but it's one that audiences have been looking forward to. We've been carpet-bombed for several months now with ads and appearances from Ferrell as Burgundy, the movie even under-performing some in theaters. If you read nothing else from this review, read this. If you liked the original, you'll like this one. Is it as good? No, but that would be almost impossible to do.

Instead, it uses the similar formula while adding some new wrinkles to keep things fresh and funny. How do they manage? Well, as dumb as the humor may be at times, it's also got some really smart (and funny) moments. Assigned to the graveyard shift on the new 24-hours news network, Ron and the team start to think out of the box. What do audiences want to see? Praise for America, sports highlights of home runs, big touchdowns and ferocious slam dunks, footage of cute animals doing goofy things and anything and everything sexy. Yes, Ron Burgundy can see into the future. Surprise, surprise, the ratings go through the roof, audiences eating up the new approach to the news. There is a subtle smartness here, Ron insisting on more graphics on-screen, showing a car chase live on-air and guessing who's driving and what's going on, even a countdown of the greatest vaginas of the 20th Century. Okay, maybe they're not all smart, but they're funny.

My worry was that the cast would turn their characters into caricatures of themselves, even more so than they already are, but thankfully we avoid that. It's fun to see Ron's development as he starts to realize maybe he's not the great newscaster he thought he was. The story gets pretty ridiculous in terms of a character arc -- really going off the beaten track in the final act -- but above all else, it's for laughs. Single Ron is separated from his wife, but still wants to be close to his son, Walter (Judah Nelson), deals with Veronica's new boyfriend, Gary (Greg Kinnear), a psychiatrist he believes can read his mind, gets semi-controversial with an interracial relationship with his new boss (Meagan Good), plays some jazz flute while ice skating, and eventually, even must fight back from being blind. Yes, you read that right. It's ridiculous. The entire movie is. It commits to being both equal parts really stupid and really smart. Leading that charge is Will Ferrell as Ron Burgundy, again stealing the show.

The best moments have Ron and the reassembled news team up to their usual hijinks, providing the movie's funniest moments. Finding out what Brian, Champ and Brick have been up to is priceless, a recruiting montage providing some great laughs in a scene you'd expect out of a men on a mission movie, not a screwball comedy. The quartet just has impeccable chemistry, each of the three supporting players given their chance to shine. You like the characters, like their shenanigans and can't help but laughs. Also look for James Marsden as Jack Lime, an established star in the news world who goes up against Ron as a new co-worker, Kristen Wiig as Chani, a secretary at the new station who has a budding romance with the equally odd Brick, and even Harrison Ford (yes, Harrison Ford) as Mack Tannen, a legendary newscaster. It's a ridiculously talented comedic cast.

SPOILERS I'm going to mention a couple scenes here -- one more than the other -- that features some good surprises and twists as the movie develops. Stop reading if you don't want to know. SPOILERS Both scenes are updates of iconic scenes from the original, the first being Brian Fantana's epic collection of condoms, one explanation after another bringing the house down, a nice update on his Sex Panther scene. The highlight though is a ridiculously over the top update of the Newscaster Fight (watch it HERE). The star power is nuts, the ante upped in every way possible. Ron and his team must fight the BBC (Sacha Baron Cohen), entertainment reporters (Tina Fey and Amy Poehler), ESPN (Will Smith), MTV (Kanye West), and the History Channel (Liam Neeson), accompanied by the ghost of Confederate general Stonewall Jackson (John C. Reilly). Oh, and Kirsten Dunst keys up the fight as the Maiden of the Clouds. And the Minotaur is fighting with the History Channel. It is truly nuts, completely ridiculous, and it works so, so well.

If there's a weakness here, it's that at 119 minutes, Anchorman 2 is a tad long. Some bits just work better than others. Ron and Co. driving in a Winnebago...well, cruise control driving, is inspired. A later montage of the team building up their new reputation is perfect, Ron and Brian at one point smoking crack on live TV. Other bits aren't as good. I'm looking at you Steve Carell and Kristen Wiig in some truly painful scenes. For the most part though, it works, one scene more nuts than the last. It's not on the level of the original, but it sure is funny. Enjoy it.

Anchorman 2: The Legend Continues (2013): ***/****

Anchorman: The Legend of Ron Burgundy

Oh, how time flies. I remember 2004 like it was yesterday, me a young college student enjoying everything about 2004's Anchorman: The Legend of Ron Burgundy. One of the most quotable movies ever and one of my all-time favorite comedies in general, it's hard to believe it has been almost 10 years since the comedy's initial release. Rewatching it recently in preparation for its sequel (review coming), I had to go back and revisit it, see if it still holds up. Short answer? Yes.

It's the mid 1970s and no one in San Diego is a bigger star than Channel 4 anchorman Ron Burgundy (Will Ferrell). An icon in the city and must-watch every time he's on the news, Ron is riding high, his news team, sportscaster Champ Kind (David Koechner), field reporter Brian Fantana (Paul Rudd) and weatherman Brick Tamland (Steve Carell) ever at his side. The television ratings are high, the city loves them, and it seems no one can take them down. Well, that could change. Channel 4 has hired a new field reporter, Veronica Corningstone (Christina Applegate), who would like nothing more than to become the first female news anchor. Ron and the News Team are going to do their best to make sure she doesn't get to achieve her dream, but there's a catch. Ron really likes Veronica and Veronica really likes Ron. Uh-oh, I sense some late 1970s hijinks on the way.

I saw Anchorman in theaters upon its initial release and loved it. L-O-V-E-D it. From director Adam McKay, co-writing the script with good friend Ferrell, Anchorman is either loved or hated among viewers. You don't hear a lot of folks who came away just liking the movie, mildly enjoying it. It's pretty obvious why. The humor -- to say the least -- is the definition of random, pretty off the wall and while not filthy, low-brow certainly comes to mind. I tend to think there's a brilliance to the randomness here (and in the sequel), the twisted minds of Ferrell and McKay finding that perfect outlet to let out that craziness. A review listing the countless memorable scenes would be incredibly easy because there is one laugh out loud scene after another. It deserves its status as one of the best comedies ever, not to mention a status as one of the most quotable movies ever from Brick's "I love lamp" to Ron's explanation of the origin of the name San Diego and a whole lot of other lines in between.

The movie's epic success (in my eyes) begins and ends with Mr. Ferrell as legendary newsman Ron Burgundy. Thanks to Elf and Old School, Ferrell was a rising star in the comedy world making the jump from SNL to movies, but for me, this was the movie that put him on the A-list map officially and for good. Maybe you love the character, maybe you hate him, but Ferrell makes Ron Burgundy a truly memorable character. He's uber self-confident, a ladies man, a master player of jazz flute, a hard-drinker who favors scotch, epically proud of his perfectly coiffed hair, loves his little dog, Baxter, and knows more than anything else that he was born to READ THE NEWS! There's a certain idiotic charm to Burgundy, a man who is all sorts of confident, but he's really dumb too. That's the beauty of the character, the biggest doofus of all to lead a cast full of doofus characters. A great, truly funny part for Will Ferrell.

There really isn't a weakness in the entire cast. Applegate holds her own in the Boys Club, her Veronica wanting to make a legitimate name for herself, not just because people like her. The Channel 4 News Team is perfect, especially Rudd as the epically smooth ladies man and field reporter Brian Fantana. Koechner and Carell too help hold the group together, four freakishly dissimilar folks who bond through their love of the news, partying and carousing. Also look for Fred Willard as Channel 4's producer, Chris Parnell as his nerdy assistant, Seth Rogen as a cameraman, and Danny Trejo as an angry bartender.

There are certain moments here that rise above that same old, same old comedy formula. On top of the countless lines worth quoting, there are certain set pieces that take this comedy to a special place. One of my favorites? Rudd's Fantana revealing his hidden musk/scent display to Ron, especially the illegal Sex Panther (it's got bits of real panther so you know it's good), is ridiculously funny. Ron trying to impress Veronica on their date is priceless, both sitting in his car overlooking San Diego, Ron citing all sorts of "history" about the city. How they finally got a take without laughing I'll never know. There is no doubt about the best scene though, Ron and the Channel 4 News Team engaging in a brutal street fight with rival news teams. The cameos are priceless including Vince Vaughn as hate-filled Wes Mantooth, second in the ratings, Luke Wilson (3rd ranked), Tim Robbins (PBS) and Ben Stiller (Spanish). Words don't describe how stupid this scene is, and that's why it works. It works because it's stupid, it knows it, and it embraces the stupidity. Also look for Jack Black in a quick cameo earlier.

Maybe more than any genre, comedies are subjective because senses of humor can be so all over the place. This is that special kind of bizarre humor, but it works. How could a movie narrated by legendary newscaster Bill Kurtis not be good at least a little bit? Enough talking, it's a classic. Brace yourself for the laughs and lots of them. Stay tuned tomorrow for a review of the Anchorman sequel.

Anchorman: The Legend of Ron Burgundy (2004): ****/****

Sex Drive

If we listen to everything movies teach us, teenagers apparently like to have sex and aspire to have as much sex as humanly possible. So I hear, I could be wrong. But with that premise, we've gotten a lot -- a lot -- of teen sex comedies, some better than others. It's a sub-genre all to itself, one that audiences are quite familiar with. In other words, you've got to do something new/surprising to be effective. Take 2008's Sex Drive, a flick that seems pretty been there, done that in its raunchiness. Brace yourself though....it's good, really good.

Having just graduated high school, 18-year old Ian (Josh Zuckerman) is a virgin and trying his best to lose that virginity. He has a crush on his longtime friend Felicia (Amanda Crew), but she seems to see him as nothing more than a good friend she can talk to about anything and everything. Ian is also talking to a girl from Kentucky, Ms. Tasty, online although he's pretending to be a muscle-bound football player. One night, Ms. Tasty tells Ian he should come visit her, and because he drove all that way, she'll have sex with him. Ian is wary of driving all that way, but his ladies man friend Lance (Clark Duke) convinces him otherwise. They "borrow" Ian's brother classic 1969 GTO and hit the road, but Felicia tags along -- even if she doesn't know the real intention of the road trip. Chicago to Knoxville, Tennessee? What could go wrong?

With movies like Superbad and the American Pie series (among countless others), the teen sex comedy is nothing new for audiences. 'Drive' is actually based off a novel by Andy Behrens (a Yahoo Sports writer), and I for one can say I was very surprised to hear that a sex comedy was based off a novel. Reviews are solid for Behrens' novel though with director Sean Anders obviously amping things up in his flick. There are touches that feel too familiar, but the teen sex comedy road trip buddy flick is just that, familiar. Ian, Lance and Felicia run into all sorts of eccentric horny people and various craziness on the road, but you knew that going in. None of this is intended as a negative or a dig at the movie. It's all very funny, the laughs treading that fine line between awfully stupid and just goofy that is funny.

Through all the sex jokes and general raunchiness, the heart of this flick is in the characters. The best example I can come up with is Superbad where we (well, I did) liked the main characters, making the hijinks they get into more fun to watch. That's especially the case with our teenage trio -- in the film at least -- as they steal a classic car and head south. Zuckerman is really good as Ian, your typical average high schooler who leans toward the nerdy side. Sometimes it's a little exaggerated, but 'Drive' gets the awkwardness of high school right on all levels. Duke is a scene-stealer as Lance, a chubby, pretty normal looking guy who has nonetheless turned himself into a ladies man with his ultra-confidence. Mostly though, he's a good friend to Ian, genuinely looking out for him. Crew is solid too as Felicia, the girl of Ian's dreams who may or may not like him too. Uh-oh, didn't see that coming!

Following the genre formula, we do meet some rather zany personalities along the way. 'Drive' doesn't have much in the way of star power, but Anders and John Morris do a really good job writing a screenplay off Behrens' novel, especially throwing a long line of kooky supporting characters at the viewer. Let's start with James Marsden as Rex, Ian's older brother who's a gearhead and convinced his little bro is gay. When his car gets stolen, he's understandably a little upset. Seth Green is another scene-stealer as Ezekiel, an Amish mechanic who can't pass up a good chance to lay some sarcasm down. Alice Greczyn is Mary, an Amish girl who takes a liking to Lance and vice versa, Katrina Bowden is the girl of Ian's sex dreams, Ms. Tasty, Charlie McDermott and Mark L. Young as Andy and Randy, two motor-mouthed teenagers who are always on the lookout for a hook-up, Michael Cudlitz as a pissed-off pursuer on the highway, and David Koechner as a wayward hitchhiker.

There's no point in overanalyzing this one. It's from a familiar sub-genre, but it does plenty to distance itself from the pack. Different characters and situations should seem familiar. If you've seen any other teen sex comedy, you've seen some of the predecessors to this one. The humor can be pretty raunchy -- especially the unrated version -- and there's random bits of nudity sprinkled in throughout the movie. I liked it a lot though. It is goofy from beginning to end, but the characters are at least remotely believable and sympathetic, and the laughs are there throughout. Definitely give this one a try.

Sex Drive (2008): ***/****

Hit and Run

Over the 1970s and 1980s, a sub-genre of flicks came along that audiences ate up. They weren't road movies in the typical sense, but instead on steroids a bit. Think of movies like Smokey and the Bandit, Cannonball Run, The Getaway, Midnight Run and many others along with TV shows like The Dukes of Hazzard.. What if you combined all those movies? Then you'd get the oddly appealing, very entertaining 2012 flick Hit and Run.

Living in a quiet California town, Charles Bronson (Dax Shepard) has been dating his girlfriend, Annie (Kristen Bell), for almost a year. They've got a great thing going, impressive considering Annie knows Charlie is in the Witness Protection Program after testifying against several bank robbers he witnessed robbing a bank. There's a problem though. Annie has been offered her dream job in Los Angeles, and she doesn't want to leave Charlie behind. Knowing how much it means to her, he decides to go with to L.A., but ah, there are more layers to discover. Annie's ex, Gil (Michael Rosenbaum), suspects Charlie is up to something and starts to dig into his mysterious past. As they head for L.A., someone from Charlie's past (Bradley Cooper) is on their trail. What hasn't he been telling Annie?

I'll give credit where it's due. Dax Shepard has come a long way from being Ashton Kutcher's henchman on MTV's Punk'd in 2003. He's transitioned that supporting part on a prank show into a legitimate actor on film and television. That's not all. On top of his acting, Shepard also directed (with David Palmer), produced, and wrote the script for this flick with a retro, throwback feel to it. He shows a knack for doing all those things well, a solid directorial debut.

The biggest appeal is that retro/throwback feel to so many similar flicks from the 1970s and 1980s. Yes, there is a story -- however shallow and/or simplistic -- is a means to an end. It's nothing more than to get the story going toward a never-ending, fast paced series of car chases with lots of badass cards and funny, cool one-liners. I find that very appealing. 'Hit' isn't trying to rewrite the formula or carve out a niche for itself as a new end-all, be-all flick. It's goal is simple. It wants to entertain the hell out of you, and for me, it succeeds in a big way. Some of the humor can be pretty low-brow while other times it's surprisingly smart, but who am I kidding? You don't go into a movie like this expecting to see anything groundbreaking. Just sit back and enjoy the very cool, very fast cars gunning across the country after you.

Maybe a little surprising for me was that the story is actually pretty good here. A real-life couple outside of acting, Shepard and Bell have a very natural, easy-going chemistry with each other. Maybe they're just being themselves, but they're a believable enough couple. Their couple/relationship story works because of the general craziness of Shepard's Charlie's past. (Sidenote: He chose Charles Bronson as his Witness Protection name because his real name, 'Yul Perrkins,' wasn't tough enough). I suppose this is a semi-SPOILER, but Charlie/Yul didn't just testify in a bank robbing case....he turned on his former bank robbing accomplices (including Cooper). Charlie and Annie are forced to figure out how important they are to each other, and oh yeah, some bank robbing thugs with guns are after them. It's kinda goofy, kinda sweet, and always funny.

Pretty much across the board, the casting here is....shall I say oddly appealing? Cooper shows off his versatility as the Hurley-wearing, dreadlock-toting bank robber Alex Dmitri in a surprisingly funny part. Joy Bryant and Ryan Hansen play Neve and Alan, two other members of Alex's crew. Completely out of left field, the usually shrill, annoying Tom Arnold is a scene-stealer in a good way as Randy, a U.S. Marshal with Witness Protection assigned to watch over Charlie. His general clumsiness and nerves provides some good laughs as well as his ability with a pistol. There's also a funny sub-plot with Gil's gay brother (Jess Rowland),  a cop and his partner (Carly Hatter). Also look for Beau Bridges in a funny part as Charlie's Dad with Kristin Chenoweth, David Koechner, and Sean Hayes all making quick appearances. Even Jason Bateman makes a one-scene cameo.

No real point in analyzing this one too much. It's funny, entertaining and has a lot that certainly looks like they're having a hell of a lot of fun. I went in with low expectations for this one, but I liked it a lot. Surprisingly good flick with a lot of laughs.

Hit and Run (2012): ***/****