Field of Dreams

I love baseball and everything about it. The Chicago White Sox to the fantasy leagues, going to games to listening on the radio and watching on TV. It is and hopefully always will be my favorite sport. Naturally then, baseball movies have to be the best, right? My list starts with a classic, 1989's Field of Dreams.

Ray Kinsella (Kevin Costner) is a 36-year old man who owns a farm in Iowa and lives with his wife, Annie (Amy Madigan) and their young daughter, Karen (Gaby Hoffmann). One day while he's out in the expansive cornfields, Ray hears a voice tell him multiple times 'If you build it, he will come..." He doesn't know what to make of the voice and its mysterious message. What could it possibly mean? After hearing the voice repeat itself several times over several days, Ray thinks he's figured it out. Somehow, some way, Ray is supposed to build a baseball field in his cornfield. His reasoning? He thinks if he builds that field, his father's hero, Shoeless Joe Jackson, will get a chance to redeem himself for his actions with the 1919 Black Sox. He builds the field and waits...and waits but nothing happens. Then one night as he mulls over their future with Annie, a man appears out on the field. It's Shoeless Joe Jackson (Ray Liotta) himself. That's only the start though. There's much more to come.

Ask 100 sports fans 'What's your favorite sports movie?' and who knows? Maybe you get 100 different answers! I don't know if it is my favorite, but it's certainly in the conversation with Hoosiers, Rocky, and a whole bunch more I can rewatch over and over again. The TV description of the 1988 film from director Phil Alden Robinson (he also wrote the Oscar-nominated screenplay) describes it as 'Capra-esque' -- as in Frank Capra -- and it's an incredibly apt description. It's an American story of family, baseball, hopes and dreams, and without being heavy-handed, believing in something mystical, something bigger than us that doesn't necessarily need to be explained. You just take it on faith and go for a ride.

I like The Natural, love Major League and The Sandlot, and swear by any number of other baseball flicks, but 'Field' is up there at the top. Why? Maybe more than any other baseball movie, it loves and respects the game. It appreciates the history, the unspoken connection people have with the sport, and maybe most importantly, the simple beauty of the game. In a late monologue, James Earl Jones explains the power of the game in one of the movie's most effective scenes. Far earlier as Ray meets Joe Jackson, the famous Shoeless expresses his personal love of the game in a simple, eloquent, authentic monologue. The story loves the history of the game, especially the 1910's and early 1920's. Watch it for that love and respect, the classic uniforms, those famous players, the infamous 1919 Black Sox, and so much more.

Who better to lead the way through our mystical baseball story than Crash Davis himself, Kevin Costner? Just a year off Bull Durham (another excellent baseball flick), Costner returns to the sports/baseball genre and delivers -- for me -- one of his all-time best roles. He's a 30-something farmer who knows little about farmer looking for some answers out of life. Instead, he gets a mysterious voice imploring him 'If you build it, he will come.' Costner's Ray doesn't always know where the road will take him, but he believes. Simple as that, he believes. He believes something good is down the road, and that him building a baseball field in the middle of his cornfield has a higher meaning. It has to, right? When everything seems to scream at how illogical the whole thing is, Costner sticks with his gut and keeps believing. Madigan is excellent as his ever-supportive wife, Annie, with him through thick and thin, while 6-year old Hoffmann is equally solid.

Three supporting performances help take the movie from really good into the classic stratosphere, Ray Liotta (relatively unknown at the time) as Shoeless Joe Jackson, James Earl Jones as reclusive writer Terence Mann, and Burt Lancaster (in his final role) as Doc Graham, a former baseball player who became a doctor in his Minnesota hometown. I don't want to give away too much -- for the 6 people who haven't seen this movie by now -- but these performances are pristine. They're perfect. Liotta brings some edge to Shoeless, the mysterious ex-ballplayer who was banned from baseball even though evidence indicates Jackson did nothing wrong. He's got some cards up his sleeves for sure. Jones as Mann makes it look so freaking easy. Based on J.D. Salinger, Mann has retired from public life and is looking to live a quiet, peaceful life. His chemistry with Costner is pitch perfect from scene-to-scene, dramatic and funny. And, oh yeah, Burt Lancaster, a halfway decent actor in his own right (I guess). He's on-screen for maybe 4 or 5 minutes and steals every second he's in. Three great performances.

Also look for Timothy Busfield as Mark, Annie's brother in the real estate business who's trying to convince his brother-in-law to...ya know, not be nuts, and Frank Whaley as Archie 'Moonlight' Graham, a much younger version of Lancaster's Doc Graham. Dwier Brown has a quick but brutally effective part as John Kinsella, Ray's father. As for other players from the '19 Black Sox who show up, look for some familiar faces who make the most out of their quick, but highly effective parts.

The movie itself is a road picture once things get going, the story of a journey both for Ray but also the people and individuals he meets along the way. We see how Ray's decision to build the baseball field affects one person after another, somewhat like the universe is laying out the groundwork for him -- testing him of sorts -- and seeing if he'll follow along. As for the movie itself, it is a visually subtle but very good-looking movie. Always seems to be shot at sunset with all sorts of beautiful light. If not that time of day, that field o' dreams always is bathed in sunlight without a cloud in sight. Composer James Horner (one of the all-time bests) delivers an Oscar nominated-score that is an additional character there all along the way for the story.

So what is baseball best suited for? As 'Field' shows, it is a sport often shared between father and son, the crux of the story here itself. This is a sport with the subtle, charming ability to bring people together. That sentiment leads to one of the all-time great endings ever with a ridiculously strong final 20 minutes. It's one memorable moment after another, one great line after another, all of it leading to one of the more iconic closing shots ever if you ask me. Is it heaven? No, maybe not, but it's a perfect sports movie and just a great movie all-around. Must watch for sports fans and non-sports fans alike!

Field of Dreams (1988): ****/****

Eddie the Eagle

Sports and underdog movies go together like peanut butter and jelly, like salt and pepper. As a sports fan and a moviegoer, there's something warm and inspiring about those stories of people who just shouldn't be able to do what they do. Are they box office gold? Not usually, but they often enough find their niche with audiences sooner rather than later. The latest entry into the underdog genre is a good one, 2016's Eddie the Eagle.

Eddie Edwards (Taron Egerton) is a 22-year Brit who's always had one dream; he's long wanted to be an Olympic athlete. He's overcome some physical ailments growing up and has bounced from hoping for the Summer Olympics and then doing an about-face for the Winter Olympics. After narrowly missing out on making the British team as a skier, Eddie decides to go for it as a ski jumper...except he's never worked as a ski jumper...at all. Eddie moves to a training site in Germany and starts from the ground-up. After some painful but affirming jumps, Eddie seeks out the help of Bronson Peary (Hugh Jackman), a former US champion who's fallen on some hard times. Bronson thinks Eddie is nuts to continue with the training but when he sees his stubborn new student just isn't going to quit, he gets on-board, hoping to help Eddie from not dying on the slopes. Their biggest goal? Getting Eddie to qualify for the 1988 Calgary Olympics.

One piece of advice if you're going to see this sports-themed story. Don't read too much about Eddie 'The Eagle' Edwards and his story/background. If you feel like ignoring my advice, check it out HERE. I wanted to go in fresh, go in clean, and I enjoyed it that much more because of it. Even if it is a familiar story of an underdog, not knowing exactly where it's going pays off some big dividends.

Have you seen Rudy? Rocky? Cool Runnings? Hoosiers? Countless other flicks I'm missing? If you answered 'Yes,' then you know exactly what you're getting into with 'Eagle.' That's not a bad thing. If you liked those movies, you'll like/love this story from actor-turned-director Dexter Fletcher. There is simply something charming and reaffirming about underdog sports stories. You can call it cliched, stereotyped or cheesy, but as a sports and/or movie fan, it will always be fun to see those stories, especially when they're based on true stories, like here. The story sticks to the truth -- mostly -- and does condense some parts of Eddie's life and training for the sake of a streamlined movie. The gist of it is there though, a strong-willed athlete who doesn't grasp the concept of 'You can't' or 'You shouldn't' because he wants nothing more than to obtain his goal of being an Olympic athlete. Can't we all get on-board with that?

Last seen saving the world from a diabolical mastermind -- in Kingsman: The Secret Service -- Taron Egerton jumps head-first into the titular role of Eddie the Eagle. In a meatier role than Kingsman, he gets to show off his range a bit and doesn't disappoint. For one, he did some work to get Eddie's look down. Egerton is a good-looking kid but with some poofy hair, a goofy mustache, his glasses, you buy him as a pretty close dead-ringer for the real-life Eddie. Go ahead. Google it. The physical mannerisms, the face scrunch, the physical ticks, the squint, Egerton does a heck of a job. Just as a performance, it's excellent. It's likable. It's sympathetic. 'Eagle' hits a home run in the most necessary part of the sports underdog story. You need to like him as a viewer. You need to root for him to achieve his goals. Double-check in that department! Looking forward to what's next for Egerton, a very talented young actor.

What does a good underdog need the most? A tough-talking coach who won't take no crap! In steps Wolverine himself, Hugh Jackman. His Bronson Pearcy is a combination of Eddie's real-life coaches so don't check the history books (or Wikipedia) for his name. Jackman does what he does best, throwing his crazy amounts of energy into the role, providing a great counter to Egerton's Eddie. His falling out in the ski jumping community left a nasty taste in his mouth but now he has his surprising chance to return. Egerton and Jackman have a pretty perfect chemistry, easy-going, believable and always entertaining together. They play well off each other in a relationship that has its fair share of ups and downs through their training. Pointless but cool tidbit? Egerton and Jackman filmed a greeting that aired before the movie which I thought was a nice touch. Didn't look scripted or overdone, just two friends talking about a movie they're proud of being a part of. Pretty cool.

Not a huge cast overall, but a good one just the same. Jo Hartley and Keith Allen are excellent as Eddie's parents, equal parts supportive and frustration as Eddie continues to chase his dream. Christopher Walken has a small part -- but a welcome one -- as a former coach of Bronson's who's a figurehead of sorts in the skiing community. Also look for Tim McInnerny, Edvin Endre, Iris Berben and the then the always welcome as always Jim Broadbent as a BBC TV commentator.

'Eagle' follows the familiar formula of the underdog rising to the occasion. We get some fun training montages set to a fun 1980's themed soundtrack -- the score itself sounds like a cheesy 80's electronic score -- and all those nice little touches. My suggestion is simple. Go along for the ride. The ski jump footage is obviously CGI at points, but it is fun. Fun. There's some great moments, especially in the final act as Eddie runs through roadblock after roadblock, one person after another trying to stop him. No spoilers here, but it's pretty unnecessary. The movie wouldn't be here if there wasn't a happy ending. But just because you know where it's going doesn't mean you can't enjoy that ride. That's what works so well, what works so well in all sports underdog stories. You know what the end game will be and you still enjoy it.

An easy movie to recommend. Give it a shot!

Eddie the Eagle (2016): ***/****

We Are Marshall

So what's better than a sports movie? A sports movie with underdogs! As a movie lover, there are few things better than rooting for the underdog against some behemoth favorite. And wouldn't you know it? Most of the best underdogs are the real ones. Take the true story of the 1971 season for the Marshall Thundering Herd football team. A remarkable story, one that was turned into one of the most underrated sports movies around, 2006's We Are Marshall.

It's November 14, 1970 and the Marshall football team has just lost a late-season game to East Carolina. Flying back to campus in Huntington, the plane crashes just a mile short of the runway, killing all 75 people on-board including the coaching staff and most of the team. It is a tragedy that rocks the campus and college town, leaving the administration to decide if the next football season should be suspended. Following raucous, loyal support from the fans, Marshall decides to go forward with the upcoming season, hiring a little-known but energetic coach, Jack Lengyel (Matthew McConaughey), to build the program up from nothing. With just a trio of players remaining from the team, Lengyel has his work cut out for him as one barrier and roadblock after another awaits. As Jack says though, sometimes it's more than just about winning. It's about giving it your all.

What a crazy, incredible true story. Director McG turns in a gem, an excellent sports story that hits all the right notes. It's difficult watching this in 2016 without thinking "How would a tragic incident like this play out in '16?" Like so many other sports movies tend to do, 'Marshall' actually does a good job of sticking to the truth, to the real-life people and events that developed following the plane crash. Maybe some smaller, quieter moments are tweaked and twisted, but the history and guts of the story are spot-on. That really appeals to me because McG and Co. aren't pandering to the audience for emotional responses. It's a heartfelt story about how the people, the students, the families, the football players coped with such a horrific. life-taking incident.

This is an interesting leading part for star Matthew McConaughey, featuring some of the best of his work. He plays Jack Lengyel, a coach who takes on the gargantuan task of starting a program from the ground-up with just three returning players, no coaching staff and lingering doubts about if they should do this. McConaughey brings a ton of energy to the part, and that's what Marshall needs. Quirky, funny, and very real, it is an excellent performance. He's taking on this difficult job for all the right reasons, which we see in a couple of the movie's most effective scenes. In the football scenes, he throws himself into the action with reckless abandon and it shows, adding something necessary to the proceedings. This isn't a part that will go down as one of McConaughey's best, but I certainly think it should. He's rarely been better.

Watching the new coach arrive, we see how he interacts with so many different people in so many different ways. In a movie featuring several very strong performances, Matthew Fox is a scene-stealer as Red Dawson, a coach who was supposed to be on the doomed plane but changed plans last second. Now, he's dealing with horrific amounts of survivor's guilt. His scenes with McConaughey are heart-breaking, funny, and like two brothers getting to know each other. Next up, Anthony Mackie (a favorite here) as Nate Ruffin, a star player who wasn't on the plane and now feels he must start up the team again as if it is his calling. He pushes and pushes himself through injury and the pain of losing his teammates. And last but not least, David Strathairn as Marshall President Donald Dedmon, tasked with making the decision to not suspend the football team and then back Jack in his crazy plan to get the team going again. Three excellent supporting parts.

Because this isn't a movie just about football, also look for Ian McShane as the father of one of the players who died in the accident. His son was engaged to a cheerleader, Annie (Kate Mara), who similarly struggles with what to do in the wake of the crash. January Jones and Kimberly Williams-Paisley have thankless roles as the coaches' wives.

Running 131-minutes, 'Marshall' covers a ton of ground with a lot of characters, but things never feel too rushed. We go from the crash to the aftermath to the coaching hire to building the team, practice through the first two games. The football -- from the practices to the games -- has a great energy, especially the movie's last game as Marshall looks to do the impossible. The soundtrack? A drum-heavy college marching band playing as the different plays develop, drumming in step with the on-screen action. It's a cool, stylish moment that anyone who's ever been to a college sport event with a marching band will definitely appreciate. The soundtrack itself is heavy with some classic 1970's rock, adding another welcome, nostalgic layer to the story.

A gem, one that as I read some critics' reviews, I see I may be on an island with my love of 'Marshall'! I'm a sucker for sports movies across the board, but this one is really, really good. Highly recommended.

We Are Marshall (2006): *** 1/2 /****

Southpaw

I love sports movies. There I've said it. I came to a not-so-surprising but still somewhat surprising revelation after recently watching 2015's Southpaw. I've thought of it before, but it hit me square in the face this time around. All boxing movies are remakes of Rocky to one extent or another. That isn't necessarily a bad thing, but it do make things a tad predictable at times...

From nothing to greatness, boxer Billy Hope (Jake Gyllenhaal) is the light heavyweight champion of the world. He grew up in the system and made something out of himself because of his boxing ability, which his 43-0 record attests to. Billy loves his wife, Maureen (Rachel McAdams), and their daughter, Leila (Oona Laurence), more than anything. It's the point in his career though where Billy doesn't win as easily, taking far more of a pounding in the ring than he used to. Still, he believes and his manager believes that his best days are still ahead of him. That plan and hope for the future though is ripped apart when tragedy strikes his family, putting Billy into a tailspin that causes him to lose everything, including his daughter. He sinks to rock bottom and has nowhere to go but up. Where will he hopefully find his redemption? Back in the ring, going back to the basics of the sport he love(d) so much.

What is it about boxing stories that work so well in film? My thought is the underdog status that hovers above the sport. Boxing is a sport that can chew up its competitors and spit them out in an instant. One loss, and that's potentially it. Your career could be over, your chance at a title belt gone because of one punch, one fist landed. So what do folks love so much about that premise? The redemption factor, a second chance, an opportunity to prove what you're capable of, fighting back against the sport that seemingly wants you to fail. When those second chances turn into success stories...yeah, it makes for a good movie.

From director Antoine Fuqua, 'Southpaw' is a really solid, familiar and well-acted boxing story that certainly shows the impact of Rocky some 40 years since the original's release. It's not that 'Southpaw' isn't good. It is. It's really good, but no matter what I did I couldn't help but feel I'd seen the movie already. First off, the trailer (I'll include the link below as always) gives away a HUGE FREAKING TWIST so don't watch it. Fighter is at the top of his game, he tumbles, must climb back up. Whole scenes felt duplicated from Rocky, from Million Dollar Baby, from Warrior and plenty of others I'm probably forgetting. Now the beauty of that quasi-duplication is that what it's mimicking (or following in footsteps) are damn good to classic movies. So yeah, that's my biggest complaint. It isn't original. If you've watched sports movies, you've seen Southpaw...but it's good, really good.

Man, Jake Gyllenhaal is the absolute best. I don't know if there's a more talented actor currently working in film. He follows up his best performance yet -- last year's Nightcrawler -- with another excellent performance, bringing to life the rags-to-riches-to-rags Billy Hope, a fighter who's made something out of himself with the unwavering support of his wife, Maureen (an excellent part for McAdams). For starters, Gyllenhaal got into extreme physical shape and certainly looks the part of a champion boxer. He looks natural and believable in the ring, a vital part of any sports flick, a believable athlete in the lead. More than that though, it's an acting performance dripping with intensity, rage and tension, a man not too far from going over the edge and constantly pulling himself back to try and make things right. There are some huge, gutting, absolutely draining moments that Gyllenhaal shows (again) what a great actor he is. Can't wait to see what he's up to next!

What does a good underdog need? A coach who isn't gonna take his crap, who instead is gonna push him to his limits and then keep going. In the Mick role, Forrest Whitaker is a scene-stealer, a great match to Gyllenhaal as Tick Wills, a gym owner who works with kids in the city and a former boxer himself who saw his fighting career cut tragically short. He's worn down, beat up by the world but keeps on going. The movie's most effective moments are these two beat-up fighters just talking, shooting the breeze, feeling each other out. Their chemistry is pretty flawless developing a relationship with some extreme highs and lows. Along with McAdams and Laurence (a very talented young actress), look for 50 Cent in slimeball mode as Billy's boxing manager, Naomie Harris as a social worker, Beau Knapp as a friend of Billy's who on his training team, and Skylan Brooks as Hoppy, a teenage fighter Billy works with at Tick's gym.

As emotionally effective and heartfelt as the more emotional scenes are, 'Southpaw' is at its most comfortable in the gym and in the ring. The fights are well-choreographed and brutal as a high-level fight should be. You grimace as the punches land, as the blood starts to flow and the fighters try to punch their way through a fight. Billy's principal rival -- in more ways than one -- is a tough, fast-talking Colombian fighter, Miguel 'Magic' Escobar (Miguel Gomez), outfitted with a brutal punch but the fundamentals and footwork to match it, an all-around specimen. The finale packs the biggest wallop, both in terms of the adrenaline-pumping fight but also the emotion wrapped up in it. Like the best sports movies, you find yourself rooting for our guy, for Billy to come through, to put his demons aside and do what he couldn't. Excellent ending full of excitement as one round turns to two and on and on. Oh, and the training montage is superb. You need a superb training montage.

Nothing flashy, but an excellent cast -- especially Gyllenhaal and Whitaker -- with a familiar but extremely well-told underdog boxing story. Highly recommended. Now bring on the newest flick in the Rocky franchise, Creed!

Southpaw (2015): ***/****

Friday Night Lights

There have been many, MANY football movies over the years and plenty classics from Remember the Titans to Rudy, We Are Marshall to Any Given Sunday. I've got a favorite though, and it isn't especially close. I watched it in theaters when I was in college, read the book soon after and have rewatched the film many times since. But it had been awhile so I was very glad to catch up with 2004's Friday Night Lights.

It's 1988. It's west Texas, and hopes are high in the town of Odessa where the local high school, Permian, has an epic tradition of success on the football field with the Panthers. Expectations are especially high this year for head coach Gary Gaines (Billy Bob Thornton) for the upcoming '88 season. The team is incredibly talented, returning a bunch of veterans, but most importantly star running back Boobie Miles (Derek Luke), a no-doubt future star in college and possibly the NFL. That seemingly perfect season though is undone almost immediately as Miles seriously hurts his knee in the Panthers' first game. Now, Gaines and the entire team must band together to figure something out, to turn things around and do it quickly. It isn't just pressure from within though. The entire town is putting a pressure over the team and program that hangs above the players and coaches like a dark cloud. Can they overcome?

'Friday' is based off the book of the same name by author H.G. Bissinger. He followed the team throughout the 1988 season, eventually writing the book that went on to become a lightning rod for good and bad. The book became more than just a story about sports, but about a west Texas town madly in love, devoted in obsessed fashion to their Permian Panthers. It delved into racism, politics and all sorts of deep-seeded topics. The movie streamlines much of those topics, zeroing in on the football, the head coach and the players who feel so much pressure to win and win big. Emotionally effective, often uncomfortably realistic, it's a gem.

Actor-turned-director Peter Berg has quietly built himself more than a solid reputation behind the camera over the years. This is his best work that I've seen. He films with confidence, giving the film a visual look that's incredibly appealing. During the football action, it is always on the move, with the players and coaches in quick, hard-hitting sequences. The colors are almost washed out, emphasizing Permian's iconic black and white -- simple, straightforward and classic -- uniforms. There are some touches that add that late 1980's feel but never to the point where you feel like you've been hit over the head with the idea. Just some jean jackets and bad hairdos and we're moving on. And also, the soundtrack from Explosions in the Sky, a post-rock band from Texas, the music quasi-trance, quasi-electronic but blending with the story in almost effortless fashion. An underrated, highly memorable score.

Three performances stand out from a uniformly positive cast. Thornton is a gem as Coach Gaines, a talented, bright coach who feels the weight of the town on his shoulders. A snide dig here, a menacing throwaway comment here. He pushes his players and pushes but knows when to pull back a little. Next up, Lucas Black as Mike Winchell, the QB who struggles with pressure and is just a nice, quiet kid who happens to be a good football player. Gaines and Winchelll's relationship is fascinating, coach-quarterback with a touch of father-son mentality. Black is a subtle scene-stealer here, Winchell always being my favorite. Last but not least, Luke as Boobie Miles, the star running back with confidence and cockiness to burn. It's only after his injury we see the true Boobie, including a heartbreaking scene with his uncle, L.V. (Grover Coulson).

The focus is on a handful of players so also look for Don Billingsley (Garrett Hedlund), the fullback who struggles with fumbles, Brian Chavez (Jay Hernandez), the safety who's already been accepted to Harvard, Ivory Christian (Lee Jackson), the almost silent defensive end dubbed 'Preacher,' and Chris Comer (Lee Thompson Young), the third string running back thrust into a far bigger role when Boobie goes down. Also look for Connie Britton as Sharon, Gary's wife who supports her husband through thick and thin.

As a sports movie, 'Friday' is epically successful. What helps it rise above so many other like-minded sports movies is the portrayal of the town and the pressure placed on these high school football players, just teenage boys when it comes down to it. It is almost a cult, an obsessed following begging the kids to win...but it's more than begging. It is an obsession that pushes everyone involved with the program to the brink. Any and every sports team ever WANTS to win, but that is an inward pressure. This is a community that lives and dies with the Panthers, almost defying them to lose. We see that in most frightening fashion in Don's father, played to creepy perfection by Tim McGraw.

Too many good moments to mention. The football scenes crackle with energy and adrenaline. Thornton's Gaines delivers one great speech after another, especially in the finale pre-game. My favorite has him quietly delivering a message to Winchell before a key turning point, smiling and stating "There ain't no curse." Boobie's breakdown with his uncle is heartbreaking as we finally see who he is, not all the sports cockiness. Mike's continuing struggle to live up to expectation, and my goodness, that ending. Just too perfect. If there's any advice I can offer, it's this. Don't go looking on Wikipedia for the true story. If you haven't seen it, go in fresh and enjoy the ride throughout. A sports classic.

Friday Night Lights (2004): ****/****

Million Dollar Arm

It's that time of the year again, the best sports time of the year! For the sports fan in your life, there's March Madness mixed in with the home stretch of both the NBA and NHL regular seasons before the playoffs begin. What am I forgetting? Hmm, I'm drawing a blank. Oh, right! It's baseball season! If that isn't as good a time as any for a baseball-themed movie, I don't know what is. I missed it in theaters last year, but here's 2014's Million Dollar Arm.

A longtime sports agent with a solid reputation, J.B. Bernstein (Jon Hamm) has hit a bit of a rough patch. Check that, an EPIC rough patch. The firm he started with a friend and fellow agent has lost almost all of its clients, most of them to retirement, others for various other reasons. The money is running out quickly and the threat of completely losing his business is becoming more and more likely.  He's got to come up with something unique and by pure, dumb luck, J.B. might be onto something. Watching cricket one night, the agent begins to question if he could turn a cricket player from India with no baseball experience into a major league baseball pitcher. It sounds crazy, but maybe just perfectly crazy enough to work. He finds a sponsor who gives him an impressive budget and just a year with which to make the transformation. Traveling to India with limited time, can J.B. pull it off?

Over a two or three-month span last year, I saw the trailer for 'Million' in front of every single movie I saw. EVERY movie. Inevitably, whoever I was with would usually say 'Hey, that movie looks like you.' I took it as a compliment. Sports? Yes, I approve. Baseball? Yep, my favorite sport. Underdog story based on a true story? Yes and Yes, count me in. I enjoyed this movie after a somewhat slow start. Is it anything particularly new or groundbreaking? That would be a big N-O. Still, if you like sports movies, you'll get a kick out of this one.

From director Craig Gillespie, 'Million' is in fact based on a true story, the real-life Bernstein developing his reality contest dubbed 'Million Dollar Arm.' If I have any recommendation, it's this; don't read into the story that inspired the movie. Go in with a clean slate and enjoy the screenplay as it develops. I don't want to go into too much detail, but there is a cookie-cutter feel to the underdog sports movie. It covers a lot of ground and feels a little forced at times but never goes too far overboard. It's the type of story you wouldn't believe if you didn't know it was based in reality. From California to an extended trip to India and then back to sunny California and Arizona, 'Million' is a solid, good, old-fashioned sports flick. Nothing less. Nothing more.

Now as it heads into its final season, I'll admit I've never seen an episode of AMC's Mad Men. Therefore, I don't have a huge background with Mr. Don Draper himself, Jon Hamm. I thought he was very good in The Town but that's about the extent of my knowledge. How about here as agent J.B. Bernstein? It's a good part, not a great part, the character limited by a script that sticks to the cliches when the chips are down. Hamm's Bernstein's is a single, smooth, charming ladies man who finds his single life thrown upside down when his business starts to struggle. We try to humanize him through normal, attractive, perfect fit for him even though he can't see it renter of his backyard bungalow, Brenda (Lake Bell in adorable, every girl mode). This possible love interest teaches him to feel, to be nice to people, to not always look out for himself. Yeah, it's that type of subplot. So while it isn't always Hamm's fault, it does become an issue.

So six paragraphs in, you might think this is going to be a negative review (It sure reads like one). I liked this one a lot, but not because of the Bernstein character who I found generally unlikable. If more focus would have been placed on the Indian cricket players, I think the movie becomes that much stronger. We meet Rinku (Suraj Sharma, of Life of Pi) and Dinesh (Madhur Mittal), two young Indian men with no real baseball experience who are athletically inclined enough they can throw a baseball semi-accurately around 85 mph. Transplanted to America because of that skill, it is the definition of a fish out of water story. With some help from a baseball-loving translator, Amit (Pitobash), who travels with them, they try to adjust, try to learn English and baseball and a new culture, not exactly an easy thing to pull off. In these moments, the movie is at its strongest.

A movie through the boys' eyes would have been fascinating. Instead, we get a movie about the boys through the eyes of J.B.. It is a formula that works, but the story could have been stronger with some tweaks here and there. I really liked Bill Paxton as Tom House, the USC pitching coach trying to introduce the boys to all the nuances of American baseball, and also liked Aasif Mandvi as Aash, J.B.'s friend and fellow agent. Alan Arkin isn't around for long other than to be a crotchety, curmudgeonly old man as Ray, an experienced baseball scout who's past his prime but still has the eye for that special talent. Also look for Darshan Jariwala as Vivek, J.B.'s office manager of sorts who introduces him to all the ways of doing business in Indian fashion.

'Million' does have some surprises up its sleeve in the second half, and things definitely pick up for the better as a potential tryout with MLB scouts approaches. Yeah, there are too many moments that are for the Disney-crowd, family and all that sugary sweet stuff. Still, it is a tried and true formula that when handled correctly....man, it just works. If you like sports movies, you'll like this one. Remember to stick through the credits as we see the real J.B., Rinku and Dinesh in some great pictures. I like Sharma and Mittal a lot, the two actors able to humanize their parts without resorting too much to any sports cliches. Nothing flashy but a good movie just the same.

Million Dollar Arm (2014): ***/****

Foxcatcher

Well, it's that time of the year again. AWARDS SEASON!!! Last week, the nominations for the upcoming Academy Awards were released and appropriately set the Internet on fire with one opinion after another spewing its thoughts. This and that deserved a nomination. This and that didn't deserve a nomination! One that picked up two acting nominations and one directing, here's 2014's Foxcatcher.

With an Olympic gold medal from the 1984 Olympics to his name, wrestler Mark Schultz (Channing Tatum) is struggling to get by in life. He lives in a small, poorly furnished apartment and lives in the relative shadow of his older brother, Dave (Mark Ruffalo), who similarly won at the '84 Olympics. Growing up, Dave cared for and helped raise Mark so they've always been close, but Mark wants to break out on his own and create a name for himself, not just Dave's brother. Courtesy of the extremely wealthy and quirky John duPont (Steve Carell), Mark just might get that chance. du Pont asks Mark to come train for the upcoming World Championships and '88 Olympics at his expansive home, Foxcatcher Farm. Mark is encouraged by his benefactor's drive and patriotism and agrees, leaving Dave and what he knows behind him. Can he finally be remembered as his own man, not just as the younger Schultz brother?

Some advice from your loyal movie reviewer. If you want to see this movie and don't know the true story, DON'T look into it. Go in unaware. I was aware of the names and some vague things here and there but wasn't sure of where things end up. I recommend you do the same for a stronger viewing experience. That said, I won't give away any major spoilers so continue reading!

This next statement won't sound too positive but here goes just the same. A few weeks ago, I reviewed The Imitation Game, an incredible true story with some great performances that for lack of a better description can be dubbed 'Oscar bait.' From director Bennett Miller (also directed Moneyball and Capote, he likes one-word titles) and based on a true story, 'Foxcatcher' has that same feel, in a good way! Dark, unsettling and foreboding, it is all about the personal drama. This is about the characters and their interactions and their relationships. Miller films his story in almost documentary fashion. He moves the camera as little as possible and uses very little music. Basically, anything that could take away from the very real, often very uncomfortable human drama is thrown by the wayside.

And that's where the Oscar bait comes in. 'Foxcatcher' provides some juicy parts for its three leads, Tatum, Ruffalo and Carell. Again, don't read too much into the real-life people. Just go along for the ride. The odd thing? Both Ruffalo (Best Supporting Actor) and Carell (Best Lead Actor) picked up acting nominations, but I thought Tatum's was the strongest performance of the three. I've come around on Mr. Tatum from a pretty boy actor who couldn't act his way out of a paper bag to an actor who carries the movie for the first hour. Physically, Tatum brings a brooding energy to the part while also bringing Mark Schultz to life. He's looking for support, for someone to have faith in him...besides his brother. It's a fascinating character as we see the depths he'll go to mixed with his persistent nature, his natural talent, and his deep-seeded flaws. Credit to Channing Tatum who continues to show off his dramatic side.

'Foxcatcher' is unique in its storytelling and its portrayal of its main characters. Carell picked up the Best Lead Actor nomination, but at different points, each of the three main actors gets a chance to lead the movie. It's Tatum's movie for the first 60 minutes, Carell's for the next 45 and Ruffalo closes things in the final 30. Carell plays against type in a big way -- no laughs in sight -- as John E. du Pont, a quiet, quirky man who inherited the du Pont fortune and is used to getting his way in everything. His relationship with Tatum's Mark is fascinating to watch develop, just two guys looking for approval from a parent figure. Ruffalo is excellent as Dave, a world-class wrestler looking out for his wife and kids and his brother. Yeah, he's a big brother to Mark, but it's more than that. He's a coach, a brother, a father figure, a sparring partner, a sounding board, all of it. Three excellent performances all around.

With a movie that runs 134 minutes, one of those three is on-screen in just about every scene. There are some other supporting parts worth mentioning including Sienna Miller as Dave's wife, Vanessa Redgrave as John's equally quirky mother, not too forthcoming with ya know, emotions, and Anthony Michael Hall as John's assistant who knows how eccentric his boss can be and tries to warn Mark of that exact thing.

Talk about a movie that I just wasn't sure where it was going or what it was building to. Again, DON'T read too much about the real-life inspiration. Now that said, it doesn't take a genius to deduce that where it's going, well, it ain't going to be too pleasant for at least some of those involved. Boy, was I surprised though. It's that of movie though. All about the drama where you appreciate the roles and the performances, but it isn't necessarily going to be a movie you revisit again and again. Watch it and then read about the true story. Miller's story takes some liberties with timing -- and lack of telling the audience -- in the final act with an ending that was disappointing. It isn't the most well-paced movie, and all the sudden, ta-da! It's over! Still worth it though for the acting performances on display. Curious to see if either Carell or Ruffalo picks up some momentum heading into February's Oscars.

Foxcatcher (2014): ***/****

Draft Day

So the National Football League has been getting a lot of negative press lately if you haven't heard. Ray Rice, Adrian Peterson, commissioner Roger Goodell, and that's just the start. A series of domestic violence involving wives and children, a major sports commissioner lying and those are just the ones dominating the headlines. So how about some good timing? It didn't exactly tear up the box office -- making just $29 million -- but can you imagine if 2014's Draft Day had been released this fall as opposed to this past spring? We're talking bad timing of mammoth proportions.

 The 2014 NFL Draft is just hours away and teams around the league are scrambling to make the right move, to make a big move, to make a splash. High on that list? The Cleveland Browns, slotted in at No. 7 and with a lot of tough decisions ahead of the franchise, especially general manager Sonny Weaver Jr. (Kevin Costner). The morning of the draft, Browns owner Anthony Molina (Frank Langella) all but threatens Sonny to hit a home run with the coming draft or get fired. What to do? Sonny has options, especially with the Seattle Seahawks call him offering the No. 1 draft pick. The asking price is pretty hefty -- three first-round draft picks -- but Sonny feels backed up against a wall. It's a tough call, but he pulls the trigger. The Browns have the No. 1 pick in the draft, now less than 12 hours away. With his job hanging in the balance, what will Sonny do? Who will he pick?

So why exactly did this sports flick flop at the box office last spring? Well, it reeks of being backed by the NFL and all its support. There are times it feels shoved down our throats about getting an inside look at the inner-workings of an NFL front office. From director Ivan Reitman, 'Draft' is a movie shot in swanky offices, conference rooms with dry-erase boards and lots of scouts, and one team office after another. It's dumbed down for even the most casual football fans -- "Seattle.....Home of the Seahawks" -- and never feels forced. It clocks in at 110 minutes and is enjoyable throughout. Just beware of all those real NFL cameos from Goodell to Chris Berman and Mel Kiper Jr. Potentially nauseating? Yes, basically at all times, but I liked it a lot just the same.

It's not the spectacle that works though. It's the smaller moments. Those windows where you feel you're actually getting an insight into an NFL team prepping for a draft. Sonny and the Browns are focusing on three players, the can't miss QB from Wisconsin, Bo Callahan (Josh Pence), the freakishly athletic LB from Ohio State, Vontae Mack (Chadwick Boseman), and the dual-threat RB from Florida State with some law issues, Ray Jennings (Houston Texans RB Arian Foster), who's got ties to the Browns via his father (Terry Crews), a former Browns superstar. Why does a team ultimately decide on their player? What detective work goes into it? Is it talent, character or drive? There are a couple great scenes where you feel you're getting some inside info, especially one trick several teams use concerning their playbook with potential rookie QBs.

Who better to lead an NFL franchise from the general manager spot than Kevin Costner? Trick question. No one. No one is better than Costner. It's been cool to see Costner jump back into regular acting roles from Jack Ryan to 3 Days to Kill to Man of Steel. He seems at ease in everything he does, bringing that cool, calculating charm to the screen with each role. Yeah, the personal drama with his salary cap analyst/girlfriend (Jennifer Garner) and his angry mom (Ellen Burstyn) and ex-wife (Rosanna Arquette) don't work as well as the football drama but that's to be expected. Costner is cool even if he's dealing with some hammy, forced personal and family issues. He's a G.M. trying to piece it all together with about a thousand different options at his disposal. Welcome back, Kevin Costner. We're glad to have you!

Also look for Denis Leary as the a-hole new head coach, Tom Welling as the Browns' incumbent quarterback, Sam Elliott as Callahn's college coach at Wisconsin, Patrick St. Espirit and Chi McBride as the Seahawks' GM and President, Kevin Dunn as a Browns official, Sean Combs as Callahan's all-powerful agent, and NFL/Cleveland legends Jim Brown and Bernie Kosar appearing briefly as themselves.

Things get a little goofy at times once the draft comes around in the final act. There's an epic case of luck as Weaver makes a decision that should have doomed his career as a G.M. and possibly the Browns as a franchise too in terms of player personnel. Is it a cool ending? Sure, Costner gets to flex his muscles with one twist after another. A little too tidy? Oh, yes, very much, but it works. Oddly enough....it's not too far from what the Browns actually did in the 2014 draft. Did this movie see into the future?!? Meh, that's too much thinking involved. It's a good, not great movie, that's an enjoyable way to pass two hours. An easy flick to watch and be entertained with.

Draft Day (2014): ***/****

Miracle

When things are handled correctly, it's hard to beat a good, old-fashioned sports flick. Oh, and the story is based on a true story? Yeah, things just get a little bit easier. Sometimes it ends up being the craziest, no way in hell this could possibly happen angles of the story that end up being the most effective. Case in point, the story of the 1980 U.S. Olympic hockey team that captivated viewers, eventually earning a film adaptation with 2004's Miracle.

It's early in 1979 and the upcoming 1980 Winter Olympics in Lake Placid, New York are fast approaching. For years, the Russian hockey team has rolled through opponents like a buzz saw, destroying opponents left and right. The United States Olympic Committee is trying to do something about that epic winning streak, hiring a former player turned college coach at Minnesota, Herb Brooks (Kurt Russell), to put together a winning team that can make some noise at the upcoming Olympic games. Brooks takes the job but intends to go about putting the team together in his way, regardless of what the U.S.O.C. really thinks or wants. With little expected of the American team, Brooks decides on his team at tryouts and goes to work. His methods are tough, his players bristling at times at his authority, but Brooks isn't interested in making friends. He's interested in making this American hockey team something special, a team that could be on a collision course with the Russian powerhouse. 

Whether you're a hockey fan, a sports fan, or maybe even hate sports, this is a story that resonates. Audiences typically eat up underdog stories, and this is one of the all-time greats in U.S. sports history. Read about the true story HERE with more details. I've never been a huge hockey fan, and that's a big reason it took me most of 10 years to actually watch this. It was worth the wait, director Gavin O'Connor's film more than delivering the goods. 'Miracle' covers a lot of ground from Brooks' hiring to his choosing the team, their training to the actual Olympic games. Unless you've been under a rock for years, you no doubt know how the movie will end, but O'Connor's film does a good job keeping us interested (knowledge of the finale or not), building that momentum right up until the famous semifinal matchup with the powerhouse that was the Russian National team. It's nothing flashy, nothing we haven't seen in sports flicks before, but it is very good from beginning to end.

Kurt Russell is the Man. That is all. He hasn't worked a ton in film over the last 10-plus years, but this is one solid performance. He sinks his teeth into the part of Herb Brooks, the U.S. hockey team's head coach who goes about motivating his team under some unique circumstances. He isn't interested in being a friend to his players, even a casual acquaintance. Brooks is interested in one thing and one thing only; Winning. Russell's Brooks wants a team of hockey players, not a team of hockey stars and on-ice divas who make the game all about themselves. He pushes and pushes his players, knowing what it will take to pull off the impossible. The trick becomes, has he pushed them too far? I loved the performance from Russell (especially his late 70s/early 80s apparel. Those COATS!), the biggest and most important part that brings the real-life Brooks to life. Also look for Patricia Clarkson as Brooks' wife, struggling with the time commitment, and Noah Emmerich and Kenneth Welsh as his assistant coach and team doctor.

If I had an issue with the story, it is that with the focus on Brooks and the team, we don't get to know enough of the players, their history and their backgrounds. Yes, there's 20 players and there's no human way to introduce all of them, delve into all those back stories. Still, an effort for a little more depth would have been excellent. The biggest focus is on Eddie Cahill as Jim Craig, the U.S. team's goalie struggling with some personal and family issues.  Also look for Patrick O'Brien Dempsey, Michael Mantenuto, Nathan West, Kenneth Mitchell, and Eric Peter-Kaiser as the more visible of the U.S. team members.  

My counter to that previous statement is to shoot holes in said statement. Brook's intention as a coach was to bring a team together. Truly bring a team together, the players putting their egos aside for the sake of the team and for their country, the United States. In that sense, the focus of the film is on the team effort, not the individual effort. We don't necessarily need to know a whole lot about the players. As sappy or cheesy as it sounds, this is a movie patriotism and national pride, a story that if you didn't know it was true....you'd think this was some schmaltzy Hollywood script. So in the end, it is both good and bad. The effort is solid, a team's effort to win the Olympics, not the individual players, but I definitely would have liked a little more character development among the U.S. team members. Now that said.....U-S-A, U-S-A!!!

With sports movies sometimes, the biggest weakness is usually....well, the sports. The portrayal of said sport can be a tad rough and/or forced at times. I thought the hockey sequences were great here, whether it is the brutal training the U.S. team goes through (the painful 'Again...' scene following an Olympic warm-up, watch HERE) to the actual games, especially an early game against Sweden that comes down to the wire. The best sequence is of course, the epic showdown with Russia that gave the film its title, broadcaster Al Michaels infamously yelling 'Do you believe in miracles?!?' as the clock winds down. The game is one big drain on your adrenaline, so many up and down moments as the momentum switches back and forth. The actual gold medal game is an afterthought, the focus instead on the semifinals with the Russians. A very enjoyable sports movie, full of a handful of great, memorable moments and featuring an underrated performance from star Kurt Russell.

Miracle (2004): ***/****

Mr. 3000

Maybe more than any other sport, baseball loves its numbers, records and milestones. Cal Ripken's streak of games played, Hank Aaron's home run record, Cy Young's wins total, Nolan Ryan's strikeouts, Pete Rose's hits total. There are certain milestones that if you reach during your MLB career, you become a legend, an icon, and usually, a Hall of Famer. It is the driving force behind this 2004 comedy, Mr. 3000.

It's the 1995 MLB season and the Milwaukee Brewers are in the midst of a pennant race. Their star player, first baseman Stan Ross (Bernie Mac), though is focused on bigger and better, or at least more personal things. He's edging ever closer to getting his 3,000th career hit, a mark that will put him in an elite club in baseball history. When Ross gets that historic hit, he shocks everyone, retiring in the middle of the season with the Brewers poised to make a big playoff run. Some nine years pass, and Ross is edging closer and closer to being voted into the Hall of Fame, just a few votes needed to put him over the top. Not so fast though, a clerical error is found in his stats. Stan doesn't have 3,000 hits. He has 2,997 career hits, putting his Hall of Fame status in serious doubt. His only alternative? Almost a decade out of baseball, Stan signs with the Brewers late in the season -- a disappointing season at that -- with hopes of chalking up three more hits, getting him back to 3,000 and back into the Hall of Fame conversation.

I love baseball. Love just about everything about it. So baseball movies? Yeah, I'm already in line with everything from Field of Dreams to Major League, The Sandlot to Bull Durham. Even the bad movies can be good in a guilty pleasure sort of way. And that's where Mr. 3000 falls. From director Charles Stone III (he also created and starred in the Budweiser 'Whassup?' commercials), '3000' just isn't a good movie. Is it mildly entertaining? Yes. But as a quality story, nope, no way. It's an easy movie to sit back and kinda turn your brain off. As a baseball fan, it has a handful of good moments but mostly drifts along. I'll give it credit where it's due. The ending provides a twist of sorts, but it is definitely hinted at so if you're paying attention early, you should see what's coming. That said, it still works for the characters and story.

You know what I like in movies? A likable character. No, not 4 or 8 or 15. I settle for one likable character, and this movie has N-O-N-E. The Stan Ross character is a crossbreed between Barry Bonds (a lovable, cuddly player if there ever was) and Charles Barkley (who's become a fan favorite and very likable after retiring courtesy of his TV gig) so we're intentionally not supposed to like him but come on. Give us something here. Bernie Mac was a very funny comedian, but talk about an awful character. All about himself to the point of being stereotypically over the top -- he actually rips his 3,000th hit ball away from a little kid -- that even when he goes through a character "arc" you're not really rooting for him. He tries to get back together with a past love (Angela Bassett), an ESPN reporter who blatantly roots for him in the press box, but even that can't humanize him too much. His more redeeming moments come when Stan realizes how much he's done wrong, but the script requires him to quickly punt on that thought when Jay Leno wants him to come onto his show. Screw practice, let's go talk to Jay Leno!!!

So unlikable main character? Check. Let's flesh things out with more unlikable characters! Chris Noth is the slimy Brewers GM who sees a chance for some $ while Michael Rispoli plays Stan's only friend, Boca, a former teammate who now works as a bartender at Ross' bar. Why are they friends? Because....yeah, that's never illustrated. His Brewers teammates include T-Rex Pennebaker (Brian White), a preening, me-first slugging outfielder, Fukuda (Ian Anthony Dale), a Japanese pitcher learning to curse in English, Fryman (Evan Jones), the likable catcher, and Minadeo (Amaury Nolasco) and Skillet (Dondre Whitfield), the bickering middle infielders who compete over everything. Paul Sorvino is silent for 89 minutes of a 104-minute movie, not speaking until almost 90 minutes in, as the Brewers' old school manager.

Not a truly bad movie, but pretty close. It is mildly entertaining, and that's all. The baseball scenes don't scream out authenticity, and Bernie Mac doesn't exactly look like a baseball player at any point. You're not really rooting for anyone, and even the ending provides a cop-out after that semi-decent twist in the final game of the season. A pretty meh movie overall.

Mr. 3000 (2004): * 1/2 /****

North Dallas Forty

Football at all levels, everything from the NFL to NCAA to high school and Pop Warner, is at an all-time high in terms of popularity. Over the last few years, football has been in the news for an ever-increasing amount of negative news, much of it related to the dangers of the sport. This isn't anything new, but the purely impressive numbers are mounting at dangerous levels. Years ahead of its time and based on a bestselling novel, here's 1979's North Dallas Forty.

A wide receiver for the North Dallas Bulls, Phil Elliott (Nick Nolte) is past but his prime but still a very reliable player who the team counts on in go-to situations seemingly week in and week out. He's coming off an especially strong performance, hauling in the game-winning catch, but football is a week to week sport. With his friend and the team's quarterback, Seth Maxwell (Mac Davis), Phil has come to rely on painkillers to survive from game to game, not to mention the recreational drugs, increasing drinking and meaningless sexual encounters. It's becoming a lot to handle for Elliott, the receiver questioning his career choice, the business behind it, and the possibility of that career coming to an end quicker than he would have liked. The next game is fast approaching, and the Bulls need a win more than ever. Can Phil pull it together again?

Yowza, what a good movie, a sports movie that isn't often mentioned as one of the genre's best. It certainly deserves to be mentioned in the conversation. Based off the bestselling novel from Peter Gent (a former wide receiver), 'North' is a not-so thinly veiled dig at the Dallas Cowboys of the late 1960s when Gent was with the team. It is a hell of a story, a damning, indicting look at something fans take for granted at times. What goes on in this 1979 could be shocking for audiences currently, much less 30-plus years ago. This is honest, uncomfortable, funny, depressing and one of those brutally underrated movies -- kudos director Ted Kotcheff -- that has an air of authenticity that could only come from someone who's been in the locker rooms, the practice fields, the training room and the postgame parties. You feel like you're getting a window into something dark and disturbing. It's not just something we watch as fans on the weekend, but a cutthroat business with money as the bottom line.

With Nolte leading a strong ensemble cast, 'North' offers more than a few memorable moments. The opener sets the tone immediately, Nolte's Elliott waking up and going through his morning routine. He can barely make it to the tub to soak in the water. Yeah, the game-winning catch is glamorous, but at what cost? I loved the excesses of the postgame party, the Bulls celebrating with a raucous, out of control blowout. As big and crazy as the party is, the pregame moments in the locker room are just as effective. We run the gamut of preparations, some quietly readying themselves, others psyching themselves up for the game. None of these moments feel overdone or forced, and it would have been easy for the story to take that extra step forward to over-the-top. In ways that just watching the games never do, you get a sense as a viewer what it means to survive as a professional football player through the ups and the downs.

Who better to play the gravely-voiced veteran wide receiver who's hanging on to what he loves -- playing football -- better than Nick Nolte? I submit that no one is better. Nolte delivers a great performance as Phil Elliott, a skilled receiver who doesn't have the most ability but works at it religiously, relying on some of the best hands in football. It's great seeing his development (the story takes place over a little week) as he weighs the pros and cons of what he does for a living. His friendship and working relationship with Davis' Seth provides some great human moments as well as some that just make you cringe. We see the difference too between the star quarterback (Davis, a singer, holding his own as a character if not a football player) who the team so desperately depends on, and the far-more replaceable wide receiver. This is a business, a lesson we learn all too harshly.

Who else to look for? A very strong ensemble as we see the players, coaching staff of the Bulls, the owner and management, anyone and everyone. Playing a variation on legendary Cowboys coach Tom Landry, G.D. Spradlin plays Bulls head coach B.A. Strothers, an authoritarian leader, with Charles Durning as his rah-rah, get in your face coordinator. Steve Forrest is slimy and smooth as Conrad Hunter, the Bulls' owner who wants a championship for Dallas, Dabney Coleman as his brother and general manager. Dayle Haddon plays Charlotte, a woman removed from the sport Phil falls for while Savannah Smith Boucher is a far-more casual sexual acquaintance. Bo Svenson and John Matuszak are terrifying as two of the Bulls offensive linemen, embodying the concept of football players as modern-day gladiators.

As the movie develops though, it's the business of the sport and football that takes the spotlight. We see snippets of a game, just a few plays on one drive in a key game between Dallas and Chicago, the plays shot almost in complete darkness so we can't see the stands (and fans, probably cheaper this way). It's quick and effective without overstaying its welcome. I was genuinely surprised by where the story went in the final 15 minutes, an appropriately dark finale that works on basically all levels to show how ridiculous the sport and the business can be. A classic sports movie that deserves far more of a reputation. Now if Nolte's Phil would just stop wearing that stupid cap....

North Dallas Forty (1979): ***/****

Trouble Along the Way

John Wayne was a cowboy, a cavalry officer, a marshal, a soldier, an officer, a tough guy, any and all. Name most of his Wayne's most famous, iconic roles, and odds are, you can peg it as one of those descriptions. I've seen most of Wayne's non-serial movies, and I can't think of too many comedies or dramas away from the wild west, a war situation or some sort of historical epic. Well, I found one, and I liked it a lot, 1953's Trouble Along the Way.

The longtime rector at St. Anthony's University in New York City, Father Burke (Charles Coburn) has been given some bad news. His small Catholic university is seriously in debt, and the order of brothers has decided to close the school and relocating the priests on the faculty while allowing its students to transfer to other universities. Not willing to accept the news, Father Burke goes about thinking of ways to raise money to keep St. Anthony's open. One of his best ideas? Reinvigorate the football program which has fallen on some tough times. A successful football team will no doubt bring in tons of money to the university, right? Burke finds his man to coach the team in an ex-coach with a checkered past, Steve Williams (Wayne), a single father who's fallen on some tough times as he tries to care for his young daughter, Carol (Sherry Jackson). Williams has his work cut out for him and not a lot of time to do it in. Can he pull it off?

I've watched John Wayne movies since I was a kid, but this was one of his few movies I haven't seen a second of this 1953 drama from director Michael Curtiz. It was available on Netflix, but that ominous 'Very Long Wait' kept staring back at me. Well, courtesy of Turner Classic Movies and a John Wayne marathon, here we sit. It's a good movie for all the right reasons, reminding me at times of a Frank Capra flick. 'Trouble' is an old-fashioned story that you can comfortably call 'cheesy, sappy, cliched and familiar,' but you know what? Those are good things here. Filmed in black and white at Pomona College and assorted Los Angeles high schools, 'Trouble' plays like a sweet throwback in the wayback machine to a simpler time, a Happy Days and Leave it to Beaver time. A cool change of pace.

John Wayne was all of those things above over a long, distinguished career so if for absolutely nothing else, it's pretty fun to see him in a far-more family role. His tough guy single dad is raising his daughter like a tomboy, father and daughter bonding through sports and football and billiards. Wayne has a great chemistry with Jackson's Carol, a talented young actress who doesn't force things. It's a natural performance, a rarity when you consider how bad some child actors were (especially in the 1950s). There's also a possible love interest in Donna Reed's character, Alice Singleton, a court officer sent to investigate if Carol should stay with her Dad or move in with her mother (oh no, family drama!). Thankfully, 'Trouble' allows most of the pratfalls here involving that budding relationship, keeping it in the background and developing it slowly. The Duke is excellent in the fatherly role, a change of pace but in a good way.

Beyond Wayne and Reed, Charles Coburn is the best supporting part as Father Burke, the idealistic, sweet old priest who wants nothing more than to have his St. Anthony's remain open, helping students struggling with money with an education. His fellow priests include Tom Tully and Dabbs Greer with Leif Erickson and Douglas Spencer as the two priests who bear the bad news to Burke. Marie Windsor plays the over the top evil, manipulative ex-wife of Steve's with Tom Helmore as her rich new beau. Also look for Chuck Connors and former NFL player Bill Radovich as Steve's assistants.

Now all that said -- and I did enjoy this movie -- there are some moments that will no doubt make some viewers cringe. Politically incorrect 'Trouble' is not, especially some scenes between Wayne and Reed, Wayne's Steve "analyzing" how Alice came to the job with a wrap-up compliment of 'And you've got nice legs.' As well, any sports fan will get a kick out of the 1950s-era college rules. The script has some fun with Steve's background, a coach who's been run out of a handful of college coaching jobs using some questionable players with eligibility issues. The school completely turns a blind eye to his coaching tactics. A dealbreaker it is not, but it certainly adds another fun, entertaining level to the story.

An interesting change of pace. Definitely worth a watch, especially for John Wayne fans.

Trouble Along the Way (1953): ***/****

Grudge Match

Raging Bull and Rocky, two of the greatest movies about boxing ever, and sports in general really. Both films have stood the test of time and both deserve the status they have earned as true classics. As for the stars, yeah, I guess Robert De Niro and Sylvester Stallone are pretty cool. So 30-plus years after those movies hit theaters, the two stars are united in an interesting quasi-follow-up, 2013's Grudge Match. What's the verdict?

In the mid 1980s, boxers Billy 'The Kid' McDonnen (De Niro) and Henry 'Razor' Sharp (Stallone) become huge fan favorites with their ever-growing rivalry. McDonnen wins the first fight, Sharp winning the rematch soon after. When a third fight is brought up, Sharp decides to retire instead, leaving the potential for a grudge match just hanging in the air. Sharp retires to work in a factory while McDonnen continues to fight, becoming a spokesman and product pitchman while opening up his own bar in Pittsburgh. Some 30 years later though, that decisive third match is a distinct possibility as Dante Slate Jr. (Kevin Hart), the son of the promoter who worked with both fighters in the 80s, offers them a handsome payday if they agree to fight once more. This isn't just a rivalry anymore though. These two guys hate each other to the point they can't even be in the same room together. Can they hold it together long enough to train for the fight?

My first response when I saw this trailer last fall was simply "No.....just no." I didn't think it looked good in the least. It looked cheesy, cliched and just trying too hard to reclaim past magic from both stars. You know what? I was right on all accounts. You know what else? I was right, and I don't care in the least. Going in with pretty low expectations basically across the board, I ended up liking this sports comedy from director Peter Segal a whole lot. It is cheesy and cliched, but it embraces those aspects rather than trying to avoid them (or worse, trying to avoid them but actually embracing them). 'Grudge' struggled in theaters last Christmas, recouping its 40-plus million budget and little else, as waves of negative reviews convinced people to stay away. Familiar -- maybe too familiar -- it is, but I liked this one as a harmless entertaining sports flick that offers some good laughs.

Come on now, it's Robert De Niro and Sylvester Stallone. With their respective roles in Raging Bull and Rocky, both actors deserve an all-time space in the Sports Movie Hall of Fame (Look it up, it exists. I swear). Now obviously the drama just isn't as big here. The lead parts aren't so dramatically heavy. People forget sometimes, but Stallone can freaking act when he wants to. De Niro has done more fun movies over recent years than heavy dramatic parts, those choices earning him some hate on any number of message boards. What's wrong with two legendary movie stars and actors having some fun? Of the two, De Niro represents himself well. It's a goofy, over the top story with goofy, over the top characters, and De Niro commits to the part. Stallone looks to be sleepwalking at times, but their scenes together have an enjoyable, funny chemistry. Their bitching and moaning at each other provides some great one-liners in the movie's best moments.

It can't all be old guys busting each other though, can it? Unfortunately not. We get some family drama thrown into the mix, some of it providing some good moments, but mostly, it's just too familiar and cliched. Much of the drama comes from Kim Basinger as Sally, Razor's girlfriend who slept with Billy years before right in the midst of their boxing rivalry. The result of that hook-up? Billy has an estranged son, B.J. (Jon Bernthal), who will now help train the old man while also introducing him to his grandson, the type of movie kid that speaks like no kid ever. Alan Arkin gets the fun, flashy supporting part as Razor's former manager and trainer, "Lightning" Conlon, now relegated to a nursing home. Hart too is pretty funny, his scenes with Arkin offering some memorable lines. Even LL Cool J makes an appearance as a gym owner and trainer. Good cast, decent parts.

Nothing too out of the ordinary here with an enjoyable, familiar formula. We get a couple sports training montages as our two 50-something out of shape fighters get back into shape, editing that in with the less interesting personal drama. The best moments come from Stallone and De Niro reigniting their rivalry with one whackier situation after another. The stop-motion video game capture scene goes especially well, Razor and Kid beating the crap out of each other. I also liked their skydiving gimmick gone horrifically wrong.

Is this especially smart humor? No, not by a long shot, but it is fun. The final fight is nothing too flashy, going for a safe ending. The end credits have some good cameos too from boxing personalities, fighters, on-air commentators and some ESPN sportscasters. An entertaining movie, one that's easy to sit back and watch for a couple hours. Nothing more, nothing less. If you're looking for something more, go watch Raging Bull and Rocky again. And how about that poster, not enhanced at all?

Grudge Match (2013): ***/****

Rush (2013)

So do we have any auto racing fans out there? Nascar, Formula One, dirt track races, drag racing, anything? I've never been a fan, never been able to sit down and watch a race on TV from beginning to end. On the other hand, I love racing movies from older gems like Grand Prix and Le Mans to more current movies like the Fast and the Furious series. Released in theaters last year to basically uniformally positive reviews and a decent box box, 2013's Rush is one of the best racing movies out there.

It's 1970 and two young drivers, James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Bruhl), are trying to make it from Formula 3 racing to the Formula 1 circuit. The two racers are complete polar opposites, James a smooth, charming ladies man with an incredible knack for racing, Niki the perfectionist who works incessantly at being the best driver he can be. Going down vastly different routes, both James and Niki make it to the pinnacle, finally getting to Formula One. Niki even wins the 1975 World Championship at the circuit's best racer. It all seems primed for the 1976 season, Niki signed with Ferrari while Hunt works with McLaren, both drivers at their prime with the best possible cars to drive and staffs to keep the cars driving at an optimum level. Can this rivalry be pushed too far though? How far will each man go to ensure a win?

What a really, really good movie. One of the most positive things to take away from this movie? Ron Howard is directing! He's had a relative rough patch of late recently, movies that didn't seem up to his talents like The Dilemma or the Dan Brown movies, The Da Vinci Code or Angels and Demons. Even considering his career films, 'Rush' seems like a bit of a departure for Howard, but that's a positive. A big positive. There is a hard-edge here to the story from the personal interactions to the intensity, even smaller things like language or nudity (Hemsworth does a nude scene. You're welcome, ladies). The story from Peter Morgan's script is a nice fit for a 123-minute long movie. It covers almost six full years but hits the necessary moments without feeling rushed, much of the focus on the 1976 season. There's not one high-reaching thing 'Rush' does well, one huge thing that sets it apart from the field. It just does a lot of things really well.

Nowhere is that more evident than the two leads, Hemsworth and Bruhl, and for different reasons. Making a name for himself as Thor in the Avengers movies, it's hard to believe Hemsworth has only been in the public eye for a handful of years. Bruhl is a less well-known actor probably most known to American audiences because of Quentin Tarantino's Inglourious Basterds. Their on-screen chemistry is the heart of the movie. It's not a hatred between the two men, just an intense, palpable rivalry that at times brings out the best and worst in them. Within sports, rivalries fuel it all, and when it is individuals more than teams -- especially in a film -- it works better. Bruhl even picked up some Oscar buzz for his performance here but ultimately didn't get a nomination for his past as Niki Lauda. SPOILERS Don't read the Wikipedia biography if you don't want to know where the movie heads. SPOILERS

It just works, the pairing between Hemsworth and Bruhl. The two men are different, but they've got more in common than they probably want to admit. Watching a movie about either man would have been intensely interesting so seeing the Formula 1 season play out between the two of them is even better. I'm struggling to explain it, but it's just a good dynamic. They don't hate each other -- maybe intensely dislike -- but for the most part their confrontations are hard-edged and brutal...with smiles on their faces. Through it all, there is a mutual respect that grows between the two men, something grown out of a profession that is inherently dangerous (Lauda's narration claims 2 drivers die a year) as the drivers live on the edge with each race. They push each other to the absolute limit, their intense desire to win becoming obsessive. It wears on their persona lives, their relationships, everything. Kudos to Hemsworth and Bruhl.

The focus is almost entirely on that duo, Olivia Wilde making an almost cameo-like appearance as Hunt's wife, and Alexandra Maria Lara as Marlene, Niki's wife who questions if he can ever be invested in a marriage. Pierfrancesco Favino is solid as a rival Ferrari driver, but the rest of the cast is almost entirely background. We meet some of the backers, the pit crew, but nothing in depth.

What works so well beyond the casting is the racing sequences. Stylish and edited at a freaky fast pace, these sequences are still easy to follow. Because 'Rush' covers so much ground, there's only that one big race, most of the build-up a quick, hard-hitting race that isn't wasting any time. The finale is a gem, the race for the World Championship coming down to one final go on a rainy, almost suicidal course, Nurburgring. The races have an almost washed-out look that stylistically works surprisingly well. Howard filmed on many of the courses where the story is set, acquiring a bunch of vintage cars. The 1970s setting definitely adds to the proceedings as does composer Hans Zimmer's score. There wasn't one huge theme that stuck out for me, but it's a great score that adds a lot to the racing sequences. I was impressed especially because it tries to do so much as a score, not just big, booming epic music.

An excellent movie all-around. Well worth tracking down. Without any knowledge of the actual history, the story surprised me, especially one decision Lauda makes that greatly affects everyone on the circuit, including Hunt. Crazy to think this actually happened, Howard more than doing it justice.

Rush (2013): *** 1/2 /****