Creed

In very understandable fashion, Hollywood legend Sylvester Stallone is protective of his legacy, of his movies, of his iconic characters. No character from Stallone's career is more iconic than Rocky Balboa, the boxer from Philly and the Italian Stallion himself. He had been approached about playing Rocky again, turning the offer down until he saw the script for this movie, 2015's Creed. He made the right call if you were wondering. It is a gem.

An angry young man, about 12 years old, Adonis Johnson is taken in by Mary Anne Creed (Phylicia Rashad), the widow of the late fighter Apollo Creed. Since his own mother died some years before, Adonis has bounced around the system going from group home to group home with a couple stints in juvy. Now, he's got a chance to amount to something. He learns he's the illegitimate son of Apollo, his father dying before he was born. Adonis (Michael B. Jordan) grows up, tries to lead his own life, all the while boxing on the side and teaching himself as he goes with some natural talent kicking in along the way. In his late 20's with some wins to his name, Adonis decides he wants to pursue boxing full-time, leaving behind everything he knows in Los Angeles to move to Philadelphia where he hopes to train and make something of himself. First up in Philly? Trying to convince Rocky Balboa (Stallone) himself to train him. That may be easier said than done.

From what I've read, Creed director/writer Ryan Coogler (Aaron Covington co-writing the screenplay) had approached Stallone previously about revisiting/rebooting Rocky from a different angle. Finally, Stallone saw a script he didn't just like but LOVED. With some gentle nudging from his wife, Rocky himself chose to come back again as the Italian Stallion. Here's the finished product. Long story short? It works so freaking well. If you're going to reboot a beloved series and one of the most beloved characters ever, this is how you do it. It isn't good. It's great.

What works so well is the respect Coogler, Covington and Jordan have for the franchise without being too nostalgic. Yes, it's cool seeing Rocky back on the streets of Philadelphia, but 'Creed' is able to find that perfect middle ground in between. It isn't too new. It isn't too nostalgic. Rocky is a hugely important character, but it's not his movie. It's young Adonis and aging Rocky. Coogler films in Philadelphia (necessarily and appropriately), giving the story a gritty, authentic feel. While it is polished, it is not overly polished. The camera is there through the training, through the fights, through the dialogue, and it's right there with the characters. It seems simple, but it gives you that feeling you're right there with the action. When you're down in the trenches, you feel the twists and turns far more than when you're watching from a distance.

Michael B. Jordan is an actor I've been aware of for several years, but this is the first role I'm actually seeing him in. Consider me a huge fan. What a great, subtle but heated and intense part for the young actor who is definitely on the road to bigger and better things as an actor and a movie star. I think the biggest compliment I can give to this performance is that -- like the film itself -- it feels very real. The emotions don't feel forced or awkward or twisted. This is a young man in his late 20's and is trying to find himself, find some answers about who he is and who he wants to be. As well, Adonis has to live up to his family name, something he doesn't want to be tarnished because of something he does or doesn't do. In a very nice touch, we also see his developing relationship with Bianca (Tessa Thompson), a singer who lives in his building who's slowly losing her hearing. A ton of chemistry between the duo in a very believable relationship.

The heart of the movie though is the father-son, mentor-student relationship that develops between Adonis and Rocky. It is heartbreakingly perfect. Though they are at different points in their lives, they're also looking for the same thing; friendship, and more simply, a friend. I thought it was an appropriate choice not to stereotype Rocky or make him a cliche. This is the Rocky we know, just an older Rocky now in his late 60's. He's lost his wife and best friend but still runs his Italian restaurant in south Philly. When he meets the persistent Adonis, he resists at first at his request to train him but ultimately gives in. What results is spot-on. Sports cliches, training montages, it could all be overdone or too much, but Stallone's commitment to the part levels it. This feels like an authentic relationship from the moment we see the two together, and without giving away any spoilers, the way the Adonis/Rocky relationship grows is perfect for the tone of the story.

'Creed' doesn't focus on a long, long cast. It picks its characters and goes. Rashad is excellent in a smaller part as Adonis' adopted mother and Apollo's widow. Tony Bellew is excellent as "Pretty" Ricky Conlan, a British fighter, the pound-for-pound best boxer in the world, with Graham McTavish as his trainer. Also look for Wood Harris and Ritchie Coster in key supporting parts.

Ready for a surprise (relative)? 'Creed' doesn't feature a whole lot of time in the actual boxing ring. Sure, there's training sequences as Adonis develops his boxing ability, but there's really only two fights (and one's relatively short, if effective). What's that mean? When we are in the ring, there is some FREAKING ENERGY. I won't spoil it, but Coogler keeps that camera moving without much in the way of editing. Very few cuts, but the camera is there shoulder-to-shoulder with our fighters. It's an impressive job shooting a sport that would probably be a lot easier to shoot with said hyper-fast editing.  As for that final fight, Coogler makes a brilliant choice. We haven't heard the Rocky theme to this point, but at an absolute perfect moment....oh, well, it's good. I'm getting chills just thinking about the moment.

Pretty much nothing to complain about here. Too many good, memorable, spine-tingling moments to mention, and I don't want to spoil them if you haven't seen the movie. Michael B. Jordan is excellent and an incredibly believable boxer/athlete. Sylvester Stallone steals the movie, reprising his Rocky role in a performance that will no doubt earn him a Best Supporting Actor nod and hopefully win it. He deserves it. The performance is that good. The whole movie is. I can't recommend it enough, for fans and non-fans of the Rocky series. Loved it.

Creed (2014): ****/****

Predator 2

Released in 1987, the original Predator is one of the best action movies of all-time. The Magnificent Seven meets Alien, it's a gem, an almost perfect movie for what it set out to do. But wait...there's more! Sequels! I'd never sat down and watched the first sequel in one sitting, but I can check it off my list now. The first of several sequels, here's 1990's Predator 2.

It's 1997 and it's a scorching hot summer in Los Angeles. The never-ending heat wave is made that much worse by a drug war between warring factions that threatens to tear the city apart, both sides fighting for turf and not too interested in who gets caught in the crossfire. Right in the middle is an overworked, shot-up police force trying its best to keep the peace. Among those officers is Lt. Mike Harrigan (Danny Glover) who with a small team of officers tries to take the fighting to the drug factions. Some weird crime scenes have been popping up though -- no spent bullets, horrific wounds on the dead, bodies skinned and hung up like trophies -- that no one can rightfully explain. What the hell's going on? Is a new hired killer tearing both sides apart that Harrigan and the police have no idea of? No, well...sorta. The enemy they're fighting is nothing of this world...

The killer of course is the Predator, a big-game killer from a far-off galaxy, a space traveler who goes from planet to planet and solar system to solar system killing for sport, for trophies, for the love of the hunt and kill. Last we saw he was somewhere in central America dispatching Arnold Schwarzenegger's team of specialists, but now he's made it to Los Angeles! Semi-spoilers I guess. There's a brief mention of the first movie but nothing heavy, and this 1990 sequel works fairly well as a stand-alone action flick. Does it help to see the first one? It certainly doesn't hurt but it is far from a deal-breaker.

I liked this sequel from director Stephen Hopkins but didn't love it. It's dumb, mindless, shoot 'em up fun and completely unnecessary other than the fact that the idea and concept behind the Predator is so freaking cool. Released in 1990, the sequel is set in the not so distant future of glorious 1997 where the only major difference seems to be some higher tech pistols and automatic weapons. The heat wave covering the city is a nice touch, giving the story a boiled over, sweaty look as everyone tries to survive the heat. That's kinda the entire movie. Gritty, in your face, violent, not too polished, fun and pretty dumb. Alan Silvestri returns to do the soundtrack, the Predator theme thankfully making a repeat performance. Not nearly as good as the first one but not bad for an unnecessary sequel. More of a guilty pleasure than a genuinely good movie.

Danny Glover is a Just Hit Play favorite, and the late 80's and early 90's are a big reason why. We're talking Lonesome Dove (my all-time favorite Glover part), the Lethal Weapon series, and a couple Disney classics called Angels in the Outfield and Operation Dumbo Drop (CLASSICS. GO SEE THEM). Here, he's in tweaked Lethal Weapon mode but hold the Mel Gibson. Glover's Harrigan is a veteran cop who plays by his own rules (yeah!) to get the job done. He's perennially pissed off and curses a blue streak the entire movie. No-nonsense, all business and sick of his streets getting shot up and littered with bodies on a daily basis. His crew includes Ruben Blades, Maria Conchita Alonso and Bill Paxton in full-on hamming it up mode. I would have liked some more scenes among the team, but some good supporting parts.

Only sorta crazy Gary Busey shows up as Keyes, a government agent who arrives on the scene and pisses everyone off immediately. Sorta, he's not telling the whole truth of why he's there, but it's Gary Busey in perpetual angry, in your face acting mode and that is ALWAYS entertaining. Also look for Robert Davi, Calvin Lockhart, Adam Baldwin, Kent McCord and Morton Downey Jr. in other supporting parts.

Probably the most appealing aspect of this 1990 sequel is the development of the Predator. SPOILER We see the Predator killed at the end of the 1987 original, but obviously he was not the only one of his kind. It's a whole breed of killers, going wherever their prey takes them. In this case, it's drug war-torn L.A. in the midst of a heat wave. The budget is somewhat limited so the special effects are okay at best, but the knowledge of a futuristic, other-worldly killer who moves among us so effortlessly to kill is a GREAT villain. Where there was Arnie in the original, there's pissed off Danny Glover in the sequel, an incredibly capable cop who always gets the job done. In other words, a more than worthy adversary for the universe's most brutally effective big game hunters. Kevin Peter Hall returns to play the Predator, a physically imposing, terrifying villain.

The action and shootouts are pretty consistent throughout, finally building up to the Predator vs. Glover's Harrigan in a drawn-out chase/fight scene that dragged on a little too much for my liking. It's still cool, leading to a finale with some cool twists about the Predator culture and most importantly, its past. So in the end, good sequel that's pretty entertaining. There have been five Predator movies, and I especially liked the attempt at a reboot in 2010 Predators. Where will it go? Who knows for sure so soak up the ones you can.

Predator 2 (1990): ** 1/2 /****

X-Men: Days of Future Past

I have my favorite series. I love the Bond movies, love the Fast and Furious series and will watch just about any western out there. Some series, well, they just weren't on my radar. Take the X-Men series. I wasn't a comic book reader as a kid and never got into the successful Marvel series. So as a 30-year old movie nerd, I'm catching up. I've really enjoyed where the X-Men franchise has gone in recent years, including the highly successful and very positively reviewed 2014 X-Men: Days of Future Past.

In the not too distant future, a group of mutants is constantly on the run as robots known as Sentinels mercilessly hunt them down. This small group meets with a small group of fellow mutants -- the few remaining members of X-Men -- and come up with a desperate plan to ensure (or at least try) their survival. Wolverine (Hugh Jackman) will be sent back in time to 1973 hoping to turn the tide of the past and naturally, the future. His objective? Stop Mystique (Jennifer Lawrence) from killing a man, an act that will ultimately doom all of the X-Men and mutants. His only hope is to find Charles Xavier (James McAvoy) and Erik Lehnsherr (Michael Fassbender) and get the two enemies to put their horrific differences aside and work together to stop Mystique before they're all doomed. Can time-traveling Wolverine pull it off?

As I do from time-to-time, I hedge my bets. That's an awful plot description I've just provided you with. Like real bad. It's a whole lot of characters, series history, always confusing time travel, stars from two different timelines within the same series and my general lack of knowledge from the X-Men franchise. A winning formula for a review, ain't it? AIN'T IT? All jokes aside, it's an excellent film, one well worth seeking out.

I loved 2011's X-Men: First Class. A ton of fun, great cast, cool history-bending story, not much more you can ask for. This sequel amps things up in a big way. It brings the two timelines together, combining the first three movies of the series with the recent quasi-reboots. For this X-Men nube, it can be confusing at times, but it is always interesting. I won't get in-depth about my issues because much of my general sense of huh?!? comes from not knowing who everyone is. Director Bryan Singer returns to the series and keeps things going at an extremely high level. It's a series that ain't going anywhere either with the next release coming in 2016 supposedly. Color me psyched to see where it goes.

The beauty of these movies is the casting. Superhero movies aren't just MOVIE STAR movies anymore as both this series and the Avengers/Marvel universe has shown. These casts are filled with FREAKING actors and lots of them! McAvoy, Fassbender, Lawrence and oh yeah, Jackman comes back?!? It's crazy. All characters capable of carrying a movie by themselves work together to form a great ensemble. Jackman is the heart, the steadying force throughout as Logan, Mr. Wolverine himself, now traveling through time to save the world (and yes, it's that cool). Also reprising their roles are some huge names from the original trilogy including Patrick Stewart as Xavier, Ian McKellen as Magneto and Halle Berry as Storm, among several other familiar faces who make some quick appearances at the beginning and end of the movie.

The heart of the rebooted films is the trilogy of stars, McAvoy, Fassbender and Lawrence with Nicholas Hoult also returning (thankfully) as Hank McCoy, better known as Beast. No one is a cardboard cutout of a character, each of them feeling like a flesh and blood human...uh, mutant. I especially liked McAvoy as Xavier, tortured over his failures as his body too starts to fail him. He saw what could have been and is wasting away only to be reminded by Wolverine what still could be. Fassbender is criminally good at being Magneto, a villain you just can't get a read on. He's so impeccably cool and suave and a continuing great addition to the franchise. Lawrence is excellent too as Mystique, driven, stubborn and obsessed with doing what she believes is right. It's thankfully not a love interest but this triangle is fascinating to watch as they try to work together but...come on, that ain't gonna happen now, is it?

Who else to look for? Let's throw Peter Dinklage as Dr. Bolivar Trask, a brilliant scientist, engineer and weapons developer, Ellen Page as Kitty Pryde, a mutant with the ability to bend time and conscious, and a very cool part for Evan Peters as the future Quiksilver, helping Wolverine and Co. with an elaborate prison breakout. There's many other X-Men/mutants to mention as well, but most of them are given little explanation or background. I looked them up, and they're all parts of the X-Men world but with little to no regard for who/what they are, I struggled to keep them straight.

 Maybe the coolest part of these new X-Men movies is their general comfort level. I loved the Avengers movies, but let's be honest, they're schizo, over the top debacles of excess (and the better for it). The X-Men movies have a lot of the same ingredients but never goes for BLOCKBUSTER mode. These are movies content with characters, well-written story, some fun with history (including a great what-if about Magneto and the Kennedy assassination), and some....some explosions, much of it saved for the finale at the White House with President Nixon's life on the line. These are movies content to be a little different, and they're the better for it. I didn't love the movie -- and I had some issues with the ending -- but I liked it a lot. Definitely looking forward to seeing where the franchise goes from here.

X-Men: Days of Future Past (2014): ***/****

Mission: Impossible - Rogue Nation

I remember watching the first Mission: Impossible with my parents way back when it hit VHS (yeah, I'm old) and being thoroughly confused and entertained. I never thought it would become a franchise such as it has, especially after the big gaps in years in between the first and second sequels. Yet...here we sit. It's 2015, and the series is going as strong as ever. Case in point? The recently released Mission: Impossible - Rogue Nation, beautifully schizophrenic and action-packed, a movie that dares you NOT to like it.

For most of a year, IMF (Impossible Mission Force) agent Ethan Hunt (Tom Cruise) has been on the trail of a dangerous organization that seems to have its hand in everything. Their name? The Syndicate. Try though he might though, Ethan can never quite get his hands on the organization until finally, the Syndicate comes after him instead. With the IMF disavowed by the CIA and the U.S. government because of some of Ethan's more aggressive methods, Hunt now finds himself a fugitive on the run, turning to some old friends for help in not only staying alive but also bringing the Syndicate to justice. On top of any number of other problems, he has a new wrinkle to deal with. A mysterious agent, Ilsa (Rebecca Ferguson), who seems to be playing all sides against each other, and she seems to be after the same thing Ethan is. Who's who? Who can be trusted? What crazy action sequences can be filmed in the process?

I love these movies. Released four years ago, M:I Ghost Protocol took the series/franchise to a crazy level as one of the most ludicrously entertaining action movies I've ever seen. Naturally, I was slightly kinda sorta interested in seeing this newest venture. The verdict? Not quite as good as 'Ghost,' but pretty damn close and really freaking good. Nice work, director Christopher McQuarrie! It earned across the board positive reviews and is raking in the dough in theaters as we speak. And not surprisingly, as Cruise admitted last week, there will be a sixth M:I movie. No way I'd miss out on that. The series is just too good, too fun, too entertaining to pass it up.

There's just something perfectly straightforward about these movies. They cut away any excess fat and go to work. These are action movies on steroids full of gadgets, car and motorcycle chases, exotic locales, large and small-scale fight scenes, improbable stunts, great characters, and bad guys you just know can't and won't win in the end. The Bond movies are some of my all-time favorites (and always will), but it can be refreshing to watch a movie like this that is trying to blow your socks off. Literally, 'Rogue' wants you jumping out of your seat at some of the stunts. So is the story somewhat derivative of the original? Are some of the premises tweaked and twisted from the other movies? Yeah, but you're having too much fun to give a damn. 'Rogue' clocks in at 131 minutes, but that time absolutely flies by.  There are better movies out there, deeper and darker with more story, but in terms of pure fun, you'll be hard-pressed to find one better than this.

That Tom Cruise fella, he's still as cool as ever. As one of his most famous/iconic characters (up there with Maverick I'd say), Cruise seems to have shaken off his off-screen, personal issues (G-O-O-D) and just focused on the movies again. He's always been a daredevil, an adrenaline junkie, and he takes that to the max here. That well-advertised shot of Cruise hanging off the plane? That's actually him, that's actually a plane taking off, and N-O, there's no CGI involved. HE STRAPPED HIMSELF TO A PLANE AND IT TOOK OFF FOR GOODNESS SAKE! That's Cruise, and that's the incredible energy, focus and seemingly, pure joy he's brought to the franchise. His Ethan Hunt isn't tortured or in emotional turmoil. He's a secret agent, a damn good one, and he's going to get the mission done no matter how impossible. Cruise brings all that charisma and energy and it shows with scene-in and scene-out.

Now let's give Cruise credit. He's the star, the face of the franchise, but this isn't a dictatorship. Through all the movies, he's welcomed in other stars who end up being perfect fits, whether as good guys or bad guys. The scene-stealer here is Rebecca Ferguson as Ilsa, an agent with too many secrets to mention. Her chemistry with Cruise's Ethan is spot-on, sexually charged a bit but never too much, and as an action counter, she more than holds her own (and looks good doing it). I'm hoping this is a character who's in the franchise for the long haul. Because it is an action movie, we need some testosterone, and we get it via Jeremy Renner's Brandt, Ving Rhames' Luther, and Simon Pegg's Benji, the smart-mouthed, one-line slinging tech expert. Pegg is excellent as Ethan's sidekick of sorts with Renner and Rhames not given as much to do but still cool because they're Jeremy Renner and Ving Rhames.

One of the more underrated parts of 'Rogue' is the screenplay from the director himself, McQuarrie. Because we can't have just action scenes (Okay, Mad Max could), there are at least a couple scenes of exposition, setting up a character, or a mission or an objective. The scenes of the team piecing things together are excellent, especially one at a Moroccan desert bar when everything has blown up and nothing gone according to plan. These are the brief slow-down scenes that every movie needs. As an audience, we get to catch our breath (even for a second), and on-screen, the cast gets to show off their excellent chemistry. Oh, that Alec Baldwin guy gets a solid supporting part, chewing the scenery as only Alec Baldwin can. Also look for Sean Harris (as the villain), Simon McBurney (of British intelligence), Tom Hollander (the Prime Minister) and Jens Hulten (as the bad guy's brutal enforcer).

Seriously though, guys....the action. My goodness, the action. The opening scene -- Cruise hanging off a plane taking off -- is quick and hard-hitting, smacking you in the face to get things moving. 'Rogue' never goes too long with a follow-up, whether it be a car/motorcycle chase (my personal favorite), an impossible heist at an underwater vault, a fight to the death with gunmen everywhere at a Vienna opera, and over and over. It never gets repetitive and is always done in expert fashion. This is a crew, a director, a cast, everyone involved, who knows what they're doing. As far as action movies go, there are few equals to the caliber of what's on display here.

Could the villain have been stronger? Sure. I would have liked more Renner and Rhames too, but you know what? None of my complaints are enough to even remotely turn me off from this movie. Cruise and Ferguson and Pegg and that action -- THE ACTION -- just continue to take this franchise forward and into the stratosphere. Where will it head next? On the shoulders of the ageless Tom Cruise and that winning formula, I'll be there for the whole ride until they one day decide they've had enough. Go out and see this flick now!

Mission: Impossible - Rogue Nation (2015): *** 1/2 /****

Ted 2

I loved 2015's Ted. It's filthy, raunchy, disgusting, stupid, smart and mixed all together, it's a gem. It's also a pretty good stand-alone film. In other words, it don't need any sequels or follow-ups or reboots or any rejigger of any sort. But here we sit, and it got a sequel. Hitting theaters last weekend to mixed reviews and an underwhelming box office performance, here's 2015's Ted 2.

It's been a year since Ted (voice of Seth MacFarlane) has married Tami-Lynn (Jessica Barth) and....well, everything isn't all right in the world. In the midst of a seemingly never-ending fight, Ted and Tami decide the best alternative is to have a baby to save their marriage. Other than the obvious issues of Ted being a teddy bear and not being able to...ya know, reproduce, they quickly hit a roadblock in court. A judge rules that Ted is not a human being. Instead, he's a piece of property. Now with the help of his best friend, John (Mark Wahlberg), and a like-minded young lawyer, Sam (Amanda Seyfried), Ted has to prove without a reasonable doubt that he is in fact, a person, a human being, and not just a little kid's toy. Let the road-tripping, weed-smoking shenanigans begin. No one and nothing is safe...

As I mentioned in my first Ted review, MacFarlane can be a pretty divisive guy, whether it be his humor, his directing, his animated shows...basically everything. I think when it comes to pure humor, he has few equals right now. He manages to find that generally pretty perfect of really smart and truly dumb while all keeping it incredibly entertaining. Sure, there have been misfires along the way, but the laughs are almost always there. Well -- and here comes the twist -- they're not there as much anymore. Just because I loved the first movie so much, I wanted to love this unnecessary but hopefully entertaining sequel just as much. I didn't, and it wasn't even close. There are laughs (no doubt about that), but there are just as many and maybe more misfires along the way.

My worry was this sequel would be more Million Ways to Die than the original Ted. Lovely premise, horrific, so not funny execution. 'Million' was one of the worst movies I saw last year to the point I almost walked out. The unfortunate part is Ted 2 falls somewhere in between with some great laughs that get bogged down in running bits and repetitive scenes that don't get laughs and don't have much energy. Case in point; Patrick Warburton returns as Guy, John's co-worker, this time in a relationship with Rick (Star Trek's Michael Dorn). They joke about weird sexual preferences, beat up nerds at Comic Con (over and over again) and genuinely don't provide many laughs, but the script keeps going back to them. Then, he brings it back around with Warburton (The Tick) and Dorn (Worf) dressing up as their past characters. It can be infuriating how equal parts clever and dumb one script can be.

When the movie succeeds and produces genuine, out-loud laughs, is when the focus is on Ted and John and all their stupid, mind-blowing antics. MacFarlane's voice work is -- as usual -- pretty flawless as we see all the different sides of Ted, MacFarlane bouncing among them with ease from scene to scene. Wahlberg too shows off his funny side, often times playing the straight man while Ted gets the bigger laughs. I'd love to see Wahlberg do his thing on camera with no one sitting next to him as the scenes are filmed. This is a great buddy dynamic as we see in their scene where they sing their made-up words to the Law & Order theme song, their efforts to steal Tom Brady's semen (Yeah, just go with it), and their rapid fire dialogue that reflects two friends that go way, Way back. Two great characters, a movie at its strongest. I just wish there was more.

And that's where the script issues seem to come in. There doesn't seem to be much of a script. The first hour is definitely stronger, but things fall apart in the second half. There's no real pointed direction where things are going, just scenes thrown together that kinda have something to do with the ones preceding them. That wouldn't be an issue if there were more laughs, but there simply aren't. Amanda Seyfried seems kinda out of place and quite the forced love interest for Wahlberg's John. At one point, she sings a campfire song in a nice nod to Three Amigos, but it falls short. As does a pot-smoking montage in a law library, too many Breakfast Club comparisons to mention. These scenes just don't play well to the point the theater was almost dead silent. By the time Giovanni Ribisi shows up -- Yeah, Donny is back! -- and starts dancing and being weird, I'd kinda checked out already.

Just like he proved with 'Million Ways,' MacFarlane is someone some very talented people want to work with. On top of all the above-mentioned names, we also get appearances from the always reliable Morgan Freeman, Mad Men's John Slattery, an expanded part for Barth as Tami, less Sam Jones (unfortunately), sinister John Carroll Lynch, a downbeat doctor in Dennis Haysbert, and a hysterical one-scene appearance from Liam Neeson who's got some questions for Ted at the grocery store and Patrick Stewart returning as our smooth voiced narrator.

When I laughed, I LAUGHED. Ted's appearance on the stand at his trial is priceless. A running bit between John and Ted taking awkward pictures of each other is priceless, and their encounter with Patriots QB Tom Brady is a gem. I just wish there had been more of those laughs. Any comedy is going to have its hit and miss laughs, but all you're usually looking for is more hits than misses. This one comes out about even. If you enjoyed the first one, you'll enjoy this one, but this sequel isn't on par unfortunately.

Ted 2 (2015): ** 1/2 /****

Jurassic World

So 22 years have passed since the original Jurassic Park was released back in 1993. Glowing reviews, ridiculous box office, an instant fan favorite and classic, it is a great movie that was fresh and innovative and creative and smart and funny. Now I love a good movie franchise, but this particular one had two okay but definitely not great sequels, The Lost World and Jurassic Park III. For years though, another sequel had been in the works that was supposed to get back to basics, and now we get it. Here's 2015's Jurassic World.

For many years now, InGen has its dinosaur theme park -- Jurassic World -- up and running on Isla Sorna much to the delight of visitors from all over the world. The InGen and park staff though is constantly trying to do bigger and better, to amaze visitors who put down a pretty penny to come and visit the park. Now though, InGen may have gone too far. With the island packed with visitors, the park's operation manager, Claire Dearing (Bryce Dallas Howard), is readying for a visit from her nephews who she hasn't seen in years. That reunion is about to be thrown into chaos though when InGen's and Jurassic World's new genetically-engineered dinosaur goes on the rampage. No one on the island is safe with the park's trainer and quasi-dinosaur expert/specialist, Owen Grady (Chris Pratt), one of the few hopes of getting things back under control. Is it too late though? Has mankind gone too far in creating something that simply shouldn't have been created? Let the body count blow up in the meantime!

Yeah, 22 freaking years since Jurassic Park originally hit theaters. I was eight years old! It's an interesting franchise because maybe more than most film turned franchise, 'JP' is a pretty perfect stand-alone movie. It genuinely doesn't need a single sequel, much less three. Still, all three are entertaining, and this most recent venture is genuinely good in that perfect summer blockbuster fashion. From director Colin Trevorrow, 'World' isn't a straight remake of the original, but it's almost the same movie. That's not a bad thing. It is pretty dumb with some questions popping up here and there, but it kept me entertained throughout its 124-minute running time. The 2015 film year is shaping up to be a doozy, and this is a big reason why. Grab some popcorn and sit back and enjoy!

The formula is pretty simple, and those who saw the original or read Michael Crichton's novel know what's coming. Introduce a bunch of people, slightly humanize them, build up unbearable tension about dinosaurs that couldn't possibly escape, let those dinosaurs escape and let the carnage loose! Pretty straightforward, ain't it? I'll delve into the cast in a bit, but the coolest addition to the franchise is indominus rex, a new genetically engineered dinosaur that's mostly tyrannosaurus rex but with some DNA from this animal and more DNA from that animal (Twists as to what are actually pretty good). This is one cool dinosaur, or quasi-dinosaur I guess. It is a killing machine, able to detect thermal signatures while also masking its own. Oh, also, it kills for sport more than for eating so there's that! 'World' doesn't take too long getting this genetically-mutated killer out and about, and the movie's at its strongest when dealing with its newest, most bad-ass character.

Now that's not to say that Chris Pratt's Owen Grady isn't a cool character. He is. Pratt is one of the biggest rising stars in Hollywood right now, and he's clearly having some fun here. Part Dr. Grant, part Ian Malcolm, Pratt's Owen trains the velociraptors or as much as one can train raptors (one of nature's all-time deadliest creations). He is the necessary very cool lead character who must lead the way to survival, being a bad-ass at every opportunity. Case in point? He leads his semi-trained raptors in a hunt....while he's riding a motorcycle. Yeah, it's pretty cool. Howard is the all-business, no-nonsense park operations manager, spending the whole movie in high heels and seemingly always on the run. Give them credit though, through all the chaos I thought Pratt and Howard had some pretty good chemistry.

The rest of the characters are pretty cut and dry. Not too much development, just get to know enough about them to decide if they'll be eaten or not. Irrfan Khan plays the ridiculously rich owner of the park, Vincent D'Onofrio is the InGen security head obsessed with turning the raptors into weapons used in combat, Ty Simpkins and Nick Robinson as two brothers visiting the island (Claire's nephews), Jake Johnson (an excellent, funny, scene-stealing part) and Lauren Lapkus as operations room employees who see everything blowing up, Omar Sy as Barry, Owen's right-hand man and fellow dinosaur wrangler, Judy Greer as the boys' worrying mom back home, and returning from the original Jurassic Park, BD Wong as Henry Wu, the genetic engineering genius who created the new and improved dinosaurs.

I did have issues with this flick. None of those issues derailed my enjoyment, but I would have liked some answers. Other than a few clever wink-wink moments, nothing is really mentioned of how the disaster that happened on Isla Nubar in Jurassic Park...well, did nothing. Jurassic World seemingly opened up a few years later with a ton of financial backing, and yeah, nothing happened about all those deaths. I didn't need anything spelled out word-for-word, but I would have liked some explanation. Also, the attempt to humanize the dinosaurs -- especially the raptors -- sounds cool and it does work in doses, but I felt like the script hit the audience over the head with the premise more and more in the second half. Meh, not a huge deal. Oh, look, Chris Pratt is on a throwback motorcycle leading raptors on a hunt!!! Cooooooooooool.

Most criticisms here are going to go belly up. Yeah, I had complaints. Yeah, I groaned a couple times because characters are too stupid for their own good. But this is what a summer blockbuster should be. A ton of fun, a ton of excitement, and some good, old-fashioned dinosaur action. Fans of the original will appreciate some nods in that direction, and also and more importantly, putting the T-Rex back into the hierarchy it deserves, something Jurassic Park III tried to dismantle. Not a classic, but well worth a watch for an action-packed, genuinely fun two hours.

Jurassic World (2015): ***/****

Furious 7

When I think back to the first time I watched 2001's The Fast and The Furious -- probably about 13 years ago -- I remember liking it but not loving it. I can safely say I never thought that six movies later the franchise would be stronger than ever, and that I also would be disgustingly excited for each new entry. I've been counting down the months, weeks and days until the latest franchise entry. Maybe you've heard of it, a little movie released in theaters this past weekend, Furious 7.

Having put their mission in England and Spain behind them in putting away Owen Shaw, Dominic Toretto (Vin Diesel) and his crew of street racers and drivers have moved on. Well, that's the plan at least. Having moved back to his old stomping grounds in Los Angeles, Dom, friend and partner and crime, Brian O'Connor (Paul Walker), and his sister, Mia (Jordana Brewster) barely survive an explosion from a bomb sent their way by Shaw's older, more dangerous brother, Deckard (Jason Statham). Worse than that? Their friend, Han (Sung Kang), has already been killed by Deckard who has vowed to dispatch anyone involved in the attack on his brother. As if the younger Shaw hadn't been good enough, now Dom, Brian and the crew are going up against the very best. Their best hope of getting Shaw before Shaw gets them? Teaming up with a government agent who knows the perfect way to bring that confrontation into reality.

Let's start with the uncomfortable. Star Paul Walker tragically passed away in November 2013 as filming was in high gear for this action-packed sequel. His death left the production in a troubled state. Should they continue on or abandon the project? How would the Brian character be treated in terms of a send-off? In stepped Walker's brothers Caleb and Cody who helped stand in for their brother in scenes that hadn't been filmed yet. Some brotherly look-a-likes, some quick CGI work, yeah, it stands out at times the scenes Walker wasn't there, but it's never distracting. Is it a difficult movie to watch at times knowing it will be Walker's last? Hell yes, but it is a fitting send-off for an incredibly likable actor and movie star.

The movie itself, well, it continues on without missing a beat. In steps director James Wan, replacing Justin Lin who had directed the last 'Fast' entries starting with 'Tokyo Drift.' I was a little wary, but Wan follows the formula that's made these movies so successful and amps it up quite a bit. The biggest compliment I can give here is that this is the type of fun, ridiculously over the top entertainment that movies SHOULD be. These movies are F-U-N from beginning to end. 'Furious' is the longest such entry at 137 minutes, but it never even remotely feels long. The pacing and story actually fly by. It's far from the most pointed story and drifts along with crazy action sequences filling in the blanks, but you go along for the ride. Pun intended by the way. This is a popcorn movie at its absolute freaking best.

Yes, the action is ridiculous and will be discussed later. I have thought and continue to think that the heart of these movies is the characters. Seven movies in, you're familiar with them. You like them and you're rooting for them. That starts with Vin Diesel as Dominic Toretto, the team's leader, a philosophizing, growling street racer who holds family and loyalty above all else. Mess with his family and brace to incur his wrath. The most important relationship is between Dom and Walker's Brian, a brotherly relationship that has gotten better and deeper with each passing movie. These aren't the youngsters of 2001's original film. They're a little older, a little wiser, but they're still two of the best, most skilled drivers around. Their dynamic throughout is the real heart of the movie, two friends off-screen who allow that friendship to carry over onto the screen.

But wait, there's more! Basically the whole team is back. Unfortunately Dwayne Johnson isn't around much for his part as muscle-bound, one-liner spewing Agent Hobbs. He's there at the beginning and end but not the middle. When he's there, it's prime stuff. He just brings an energy to the character no matter how long he's around. Along with Brewster's Mia, Michelle Rodriguez, Tyrese Gibson, and Ludacris are all back. Rodriguez's Letty is slowly getting her memory back and gets some surprisingly effective scenes with Dom about their past. Tyrese as fast-talking jokester Roman Pearce and Ludacris as tech and hacker extraordinaire Tej provide some comic relief, a one-two punch who consistently get laughs from their bickering back and forths. Kang and Gal Gadot make quick appearances in footage from the previous movies and in a cool touch uniting the seemingly disjointed timeline of the franchise, Lucas Black reprises his role from Tokyo Drift as young driver Sean Boswell. Just a fun cast who are familiar with their characters and continue to bring them to life.

What would a successful franchise be without some fresh blood? Expanding on his surprise appearance at the end of 'F+F 6,' Statham has some fun as Deckard Shaw, a brooding, menacing villain who isn't given much to do other than pop up and wreak havoc at the least opportune time. I wish he was given more to do, but it's Statham in villain mode. That's rarely a bad thing. Other new faces include Nathalie Emmanuel as Ramsey, a world-class hacker, Djimon Hounsou as an international terrorist and Tony Jaa as his brutal enforcer, and UFC fighter Ronda Rousey as a bodyguard who tangles with Rodriguez's Letty. My favorite new part? Kurt Russell having a blast as Mr. Nobody, an incredibly capable, dangerous government agent who teams up with Dom and Co. to bring Shaw to justice. Russell is smiling almost every scene he's in, and it looks like he's genuinely having some chaotic fun.

Most movies would be hard-pressed to improve on the action of its two predecessors, Fast Five and Fast and Furious 6. '7' manages to do just that. The action is flat out, over the top, ludicrously nuts, never possibly exist in this reality type of action. Car chases in abundance, Statham taking on Hobbs early and then Diesel in the finale, Rodriguez and Rousey tearing each other up (in some classy gowns at that), it is all NUTS. It works though because the story and characters commit. It never plays out like a spoof. So yes, there's cars dropping out of a plane and parachuting to take down an armored convoy. Yes, the attack is nuts. Yes, Dom and Brian crash from one skyscraper to another....and another in Abu Dabi. The finale itself is probably about 30 minutes long and just a smorgasbord of excessive action on the streets of Los Angeles. Car chases, fist fights (with wrenches), helicopters and missile-loaded drones....and very few cops in sight. Go along with it and have some fun.

I read heading into this sequel that Wan and Co. filmed a poignant tribute to Paul Walker for the finale. Yeah, about that...it's a perfect, moving ending. And no, those aren't tears in my eyes. I'm allergic to something, anything, whatever. Don't Judge Me!!! The final scene and a quick montage of Walker's involvement in the series is beyond a perfect send-off to the very popular movie star and actor. If this is the end of the series, so be it. This was a more than worthy finale. If it isn't -- supposedly there's at least 2 more sequels coming -- I'll welcome them with open arms. This is that rare series that has gotten better in the second half of its run. Judging by the box office money on opening weekend, I'm not the only one to feel that way. It made $400 million this weekend internationally. 400 MILLION!!!! That perfect popcorn movie and a fitting finale for Paul Walker's Brian O'Connor character.

Furious 7 (2014): ****/****

Horrible Bosses 2

With the comedy genre maybe more than any other successful genre, I think the sequel can be a dangerous thing. What was funny about the first one? Can that success and formula be duplicated? Are things tweaked too much or not enough? I'm looking at you Hangover trilogy. Would anyone be truly sad if that series had ended after the first flick? Nope, it's a classic. So what about this follow-up? Let's see where 2014's Horrible Bosses 2 stands.

After avoiding the debacle that was trying to kill their bosses at work, Nick (Jason Bateman), Kurt (Jason Sudeikis) and Dale (Charlie Day) have moved onto bigger and better things. In fact, the trio of friends have gone into business together, developing a shower product that seems ready to take off on the market. They just need a buyer, and they seem to have found one in Bert Hanson (Christoph Waltz), a powerful executive with a catalog featuring an open spot for their product. Well, he did. He takes advantage of these business novices and leaves them high and dry, stealing their product right out from under them. They've invested all their money into the business, and now they are just days away from the company and their product being foreclosed on. What to do? The three wannabe crooks head back to a life of crime. No, it's not murder this time around. They're going to kidnap Hanson's son and get enough money to pay off their loan with the ransom. What could possibly go wrong?

Released back in 2011, Horrible Bosses was a solid, funny comedy with a cool premise and a fun cast. I gave it 3 stars but still can't quite put my finger on it. The first movie was really funny but missing that special something. I'll be giving this 2014 sequel the same rating -- 3 stars -- but it's better. From director Sean Anders, 'Bosses 2' feels more comfortable in its own skin. It's a funny premise again where just about everything that can go wrong will go wrong. But here's the guts of it. I laughed a lot at this one. I laughed out loud. I laughed a lot more than I did with the original. I still struggle to review comedies at times, but this one's easy. I was entertained throughout and a goofy premise and fun cast provides some great laughs. And in sequel mode, it tries something different, not necessarily going for status quo. Yes, kidnapping is different than murder, and that's what I'm counting as different. Deal with it.

This one's pretty simple. Do you like Bateman, Sudeikis and Day? Do you like them working together? If you answered 'Yes,' then you're safe. If you answered 'No,' then this might not be the movie for you. Their on-screen chemistry is easy and funny and does a good job showing three friends who have been friends forever. They've got a rhythm when they talk, inside jokes like Dale insisting he always sits in the middle of the backseat ("I always sit in the middle!") and a history that's far before anything we see in either movie. Bateman is the quiet, usually frustrated leader, Sudeikis the kinda off the wall sidekick, and Day (to quote It's Always Sunny) is the wildcard. You just have to go along with things. Forced to take drastic measures, this trio of friends decides kidnapping (or 'kidnaping' maybe) is their best option. Let's do this!

The rest of the cast is excellent as well, bringing back some familiar faces while introducing some fresh blood. Waltz is underused as the money-minded, calculating businessman so the best addition to the cast is his son, Rex, played to perfection by Chris Pine. One of the big rising stars in Hollywood, Pine just brings this crazy, frenetic energy to the part, especially when he takes the lead in his own kidnapping. His chemistry with the kidnapping trio is perfect throughout, especially their scene planning how to pull it off. Returning from the original are Jennifer Aniston as Dale's former boss, a sex addict who takes a keen interest in what Dale and Co. are up to, Jamie Foxx as "Motherf****r" Jones, the trio's criminal muse, and Kevin Spacey as Nick's former boss, now locked up but still offering advice to the bumbling crooks. Cool to see those three back for more shenanigans.

The humor at times is pretty dirty, and a handful of times the seeming improvisation tries too hard. They're going for a big laugh, and it just isn't there, especially when the three friends throw their voices to call with ransom demands. For the most part though, the dead on arrival laughs are over pretty quickly, getting back to the goofy fun. I liked the whole movie a lot, but felt like it really hit its stride in the last hour when Pine's Rex gets involved with the kidnapping plot. Their brainstorming session is a great montage, and when we see how their plan is supposed to work....well, we know it won't. The actual kidnapping and ransom drop is dumb and fun and goofy. Stay tuned through the early parts of the credits too for some good laughs as we see all the flubs during filming.

Definitely worth seeking out. Fun cast, very funny sequel.

Horrible Bosses 2 (2014): ***/****

Captain America: The Winter Soldier

So those Avengers movies...they seem to be kinda popular judging by the money they're raking in at the box office. I thought The Avengers was great. I loved the first Iron Man but thought the movies progressively went downhill with the sequels. As for the two Thor movies, I thought Thor was a great lead character, but the movies itself were disappointing. So what's that leave? That's right, my personal favorite, Steve Rogers himself. He returns by his better known name in 2014's Captain America: The Winter Soldier.

With the epic battle in New York in the rear view mirror, Steve Rogers, a.k.a. Captain America (Chris Evans) himself, is working for SHIELD. He takes on countless missions around the world, anything and everything that threatens national and international security, often with Black Widow (Scarlett Johansson) working with him. Captain America and the Black Widow pull off one dangerous mission in the Indian Ocean, but it has dangerous repercussions. It actually exposes a breach within Shield and now Captain America is made to look like a traitor to everything he has defended for all these years. With all of SHIELD's resources on his trail, he's now on his own as he tries to stop a diabolical plan that could kill millions while also proving his innocence. His biggest obstacle? A mysterious, seemingly in destructible assassin dubbed the Winter Soldier.

A plot description for an Avengers movie is pretty unnecessary. Without hearing a word about the story, you either know you will or won't be seeing this flick. From directors Anthony and Joe Russo, 'Soldier' is another gem, another worthy addition to the Avengers franchise. Apparently I'm not the only one who thought so as the most recent Captain America earned over $700 million internationally at the box office. All the ingredients are there -- great cast, epic action, well-written script, some well-placed humor -- but there's a reason the Captain movies are my favorite. They're big, giant blockbusters, but they're more than that. These are genuinely smart movies. I don't know if I can say the same for either Iron Man or Thor entries.

It all starts with Chris Evans reprising his role as Captain America. He's long been one of my favorite actors, and this is obviously his biggest and most recognizable role. I love how they've developed the Steve Rogers character. It's been a couple years since the Avengers, and Steve/Captain is still adjusting to the 21st Century after six-plus decades being frozen in a glacier. His chemistry with Johansson's Black Widow/Natasha is evident in all their scenes together, and it's definitely cool to see individuals among the Avengers get some time to themselves, not just as part of the group. Also cool? Like you needed to know, but Samuel L. Jackson is back as Nick Fury, SHIELD's tough, efficient leader. Throw these three epically cool characters together, and you've got quite a lot of heroes to lead the way.

Also returning with varying amounts of screentime are Cobie Smulders as SHIELD agent Hill, Toby Jones, and Hayley Atwell as Peggy Carter, Steve's possible love interest from the 1940s, now a grandma struggling with health issues. 

How about some fresh blood too?!? When I saw that Robert Redford was part of the cast, I almost lost my mind. Robert REDFORD?!? Here he plays Alexander Pierce, a powerful senator backing the defensive efforts of SHIELD who has a long history working with Fury. It's a cool part, one that adds another dimension to the already enjoyable story. Anthony Mackie is a welcome addition to as Sam Wilson, a para-rescue vet who forms a quick friendship with Steve when things hit the fan. Frank Grillo and Callan Mulvey play members of a strike force working with SHIELD while Emily VanCamp plays Steve's neighbor holding a key secret. Some cool parts to add to an already very talented cast.

So go figure, but this Captain America movie has some pretty cool action sequences. Crazy, right? I don't want to give away too much because the various twists and turns should come as a surprise and not be spoiled in a review. The action though is pretty solid, from a smaller scale scene early on where Captain, Widow and a Strike force team take out a group of commandos holding hostages to chases sprinkled throughout the story. I thought the coolest was Jackson's Fury trying to evade an ambush on the streets of Washington D.C., just an effortlessly smooth extended sequence that some cool tricks up its sleeve. And the finale? Yeah, pretty nuts, a gigantic battle in scale and size in the skies in and around Washington. The finale in The Avengers set the bar pretty high in that department, and 'Soldier' does its best to reach those heights.

Just a good movie with a lot to recommend. This is a blockbuster -- $700 million!!! -- that's got a brain. Even the Winter Soldier (Sebastian Stan) isn't an out-and-out villain, but a tortured baddie forced into something he had no control over. There's a pretty major twist near the halfway point that I didn't love, but it does work when all things are considered, both for this movie and the Captain America and Avengers franchise going forward. Highly recommended, an easy flick to sit back, watch and appreciate.

Captain America: The Winter Soldier (2014): *** 1/2 /****

The Expendables 3

I've enjoyed both the previous Expendable movies, The Expendables and The Expendables 2, knowing full well they're not particularly good movies. It's the rare franchise where things get better with each progressing flick. Then came the third entry...pretty much panned by critics and not embraced by audiences as much. Well, most of the audience. I happened to love it for all its insane goofiness and over the top everything. Here's 2014's The Expendables 3.

Having rescued a former member of the team from a heavily guarded train, Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham) and the Expendables move onto their next mission, but there is far more awaiting them than they expected. Sent to knock off an international arms dealer, Barney is stunned to find out who the dealer actually is. His name is Conrad Stonebanks (Mel Gibson), a former member of the Expendables and a co-founder of the group with Barney who's long been believed dead after going rogue from the group. The team is all shot up and not in a good place to go after Stonebanks, but Barney wants nothing more than revenge on his former partner turned lunatic enemy. He sees the writing on the wall though and doesn't want to see his fellow mercenaries get killed in the process. Instead of going forward, Barney disbands the group and assembles a younger group of fiery mercenaries looking to prove themselves. Can they get the job done and not get killed in the process?

The first two Expendables movies are far from perfect, but the second one was definitely better than the first. Things were allowed to breathe a little bit and some fun characters were added to the mix. This third entry struggled at the box office, some attributing that to a PG-13 rating instead of an R-rating while others pointed to a bootleg getting a release weeks before the wide release. You know what? WHO CARES?!? These are movies meant for action-hungry fans who love over the top shootouts, a ridiculously cool cast, one-liner one after another, and villains you just love to hate. Nothing groundbreaking for director Patrick Hughes' film, but it is most assuredly not trying to break any new ground. Having written the screenplay for the first two, Stallone again handles that department and doesn't disappoint.

Stallone will never be accused of writing anything Shakespearean or all-time classic, but who the f*** cares? The man knows how to write a good, old-fashioned shoot 'em up, dammit! He tried to accomplish a lot with the first two flicks, but here? Here?!? It's like he challenged himself to amp things up to even more ridiculous levels. Much of the cast returns with quite a few BIG names joining the mix. It's a longer movie than its predecessors (126 minutes) and features a ton of action from the word 'Go.' It isn't a great movie, but 'Expendables' is damn entertaining. I watched it with a smile on my face and thoroughly enjoyed it from beginning to end. All Stallone wants to do is to put something out there that audiences WANT to see, and I love him for it. About as good as a movie like this can get.

The ensemble and action out of this world star power is at an all-time action high, but the guts of the movie remains that men on a mission, mercenary tough guy mindset. It starts of course with Stallone's Barney and Statham's Lee, bitching and moaning at each other like an old married couple. Those scenes provide some good laughs while also offering some background about the history of the Expendables. Dolph Lundgren, Terry Crews and Randy Couture are back too with Jet Li only appearing in the final 20 minutes in nothing more than an extended cameo. I still feel like people were surprised by how well the Expendables movies did in theaters. For years before the movies there were rumors of all the 1980s/1990s action stars who were interested in starring only to drop out. Since then, a long list of stars have made appearances leaving Lundgren, Crews, Couture and Li with little to nothing to do. Oh, that Arnold Schwarzenegger fella is around too, chomping on cigars and even yelling "Get to the chopper!" How can you lose with that happening?

So Chuck Norris and Jean-Claude Van Damme weren't enough, huh? The casting gets taken to crazy levels here. Gibson is a great addition to the series, his Stonebanks a perfectly evil, sinister, growling villain, injecting a ton of energy. I need more! Replacing Bruce Willis, Harrison Ford is an easy cool as Drummer, the team's CIA holder of sorts. Wesley Snipes and Antonio Banderas join the Expendables too because...well, why the hell not?  Both look to be having a lot of fun in parts that let them ham it up some (or for Banderas, A LOT). As for the new, fresh Expendables, there's Kellan Lutz (former Marine, favors a motorcycle), Ronda Rousey (hand-to-hand specialist), Glen Powell (tech) and Victor Ortiz (weapons). The younger group isn't as interesting, but their inclusion to the story is more of a means to an end. Kelsey Grammer plays Bonaparte, Barney's mercenary recruiter, the recruiting scene something right out of The Magnificent Seven or countless other men on a mission movies.   

Look, there's no point in analyzing the action. It's good, but obviously not as bloody or as graphic as an R-rated version would have been. Blood or not, the body count that piles up is downright gratuitous. The finale alone is ridiculous with every action cliche ever invented seemingly on display. Stallone vs. Gibson, thousands of bullets flying, Lutz doing his best Steve McQueen/Great Escape impression, Ford flying overhead in a helicopter with Schwarzenegger as his machine gunner, and that's just the start. As an action fan, it's almost too much....eh, not really. It's awesome and just a blast to watch. From the action to the cast, the mercenaries busting each other and seeing who's the best, the old vs. new school, the great villain, it is a hell of a lot of fun. An easy-going mess of a movie that I loved throughout. Here's a closing thought to process.

Late in the movie, a helicopter is loaded with some of the most iconic action heroes ever. We're talking Rambo/Rocky, Han Solo/Indiana Jones, the Terminator, Blade, the Transporter, Ivan Drago, and Desperado all flying along. Oh, and Braveheart is below chasing after them. It's just too much to take in! Aaaaaaaaaahhhhhhhh!

The Expendables 3 (2014): *** 1/2 /****

2 Fast 2 Furious

Released in 2001, The Fast and the Furious was a huge success in theaters, making over $200 million compared to just a $38 million budget. It jump-started the careers of much of its cast and kicked off a hugely successful franchise that through six films has made over $2 billion in theaters. Let's dive into the first sequel, 2003's 2 Fast 2 Furious.

Still on the run after letting Dom go back in Los Angeles, Brian O'Connor (Paul Walker) is making a name for himself as a street racer in Miami. He's gotten into trouble now and is back on the radar of several different law enforcement agencies, including the FBI and U.S. Customs. If Brian takes on a dangerous assignment for both the FBI and Customs, his record will be wiped clean. The assignment? Help put together a case against smuggler and Argentinian drug lord, Carter Verone (Cole Hauser). With authorities closing in on his circle, Verone needs drivers to help transport piles of drug money under the cops' noses. Brian needs help if he's going to pull off the job and get out alive. He seeks out a childhood friend who's he fallen out with, an ex-con and skilled driver, Roman Pearce (Tyrese Gibson). Can they pull the job off?

Okay, let's get this out of the way. I love the Fast and Furious franchise. Always have. Always will. So all that said, this ain't a good movie -- by a long shot -- but I love it just the same. Of all the movies, this is probably the guiltiest pleasure. How many movies can you hear Paul Walker say 'Forget about it, cuz.'? It tries to be incredibly hip and street and just so cool. Seriously, try a drinking game where anyone says 'cuz' or 'brah.' You'll be drunk for days.

Building on the surprise success of the first Fast/Furious movie two years earlier, '2 Fast' doesn't mess too much with the winning formula. Director John Singleton knows not to bite the hand that feeds so keep things simple. That formula? Some supremely cool cars from street and drag racers to some throwback classics, or as Brian and Roman say several times 'American muscle,' some cool characters and lots of scantily clad ladies all over the place. It ain't rocket science so don't overthink it, right? The races are edited in crazy, hyper fashion as the cars fly by, the soundtrack is littered with some then timely rap and hip-hop songs, and everything is easily digested in 107 minutes. You realize how far the movies have come since these early entries, a roguish, cheap quality that rises up to be pretty entertaining.

Otherwise occupied filming XXX, Vin Diesel -- star of the first Fast/Furious with Walker -- was unable to participate in this first sequel. The winners of that decision/unavailability? Paul Walker and Tyrese Gibson. A whole bunch of 'brahs' and 'cuz' lines aside, the biggest appeal of '2 Fast' is the Walker and Gibson pairing. Any screen they're in together, it plays like two friends hanging out and talking. It doesn't feel forced in the least. The character backstory provides some fun fireworks too, the duo growing up close friends but having a falling out when Brian decides to become a police officer. Just the same way Diesel and Walker played off each other so well in that brotherly fashion, Walker and Gibson do the same. You're rooting for them, two talented drivers backed into a less than ideal situation with all sorts of outside forces closing in on them.

Who else to look for? Walker is the only main cast member to make the jump from the original to the sequel so we've got some fresh meat! I've always liked Cole Hauser (wish he was in more movies), and he's having some fun as Verone, clearly doing some sort of slightly subdued Tony Montana impression. Eva Mendes sexes it up as Monica Fuentes, the deep undercover agent working to take Verone down, and flirting some with Brian in the process. Also joining the franchise is Chris 'Ludacris' Bridges as Tej, a do-it-all race organizer and mechanic while model Devon Aoki plays Suki, the designated sexy female driver. Thom Barry does reprise his role as Bilkins, FBI agent extraordinaire while James Remar plays the cantankerous Agent Markham, always mad at somebody. Also look for Michael Ealy as Amaury Nolasco as rival street racers.

Want some more in-depth analysis? Yeah, I didn't think so. If you like these movies, even this type of movies, you're going to enjoy this sequel. I've recommended to moviegoers that it's worth it to stick with the franchise because it has gotten significantly better, especially most recently with Fast Five and Fast and Furious 6. Those are great fun movies, pure entertainment, but these are pretty cool too. Also worth watching? A short film made with Walker showing how Brian ends up in Miami after the finale of the first movie. Check it out HERE.

2 Fast 2 Furious (2003): ***/****

Sniper: Legacy

Released way back in 1993, Sniper was a moderate success and little more. It received generally mixed to negative reviews and earned only $18 million in theaters. So why did this movie have such a second life? It's 21 years later, and the original Sniper has spawned four sequels, all of them of the straight to DVD variety. They're not especially good but in the guilty pleasure category, they qualify as highly entertaining flicks. Today's review is the newest sequel, 2014's Sniper: Legacy.

Having survived the bloody conflict in Congo (see Sniper: Reloaded), Brandon Beckett (Chad Michael Collins) has become a very skilled sniper in the Marine Corps, building up a reputation for himself as a promising young shooter. He's stationed at a black ops base near the Turkish border when his commanding officer, Major Bidwell (Dominic Mafham), tells him that Beckett's father has been murdered by a rogue military sniper. He can't allow him to go on a mission to take out his father's killer but just the same...he can turn his head and let Brandon do what he chooses. The rogue sniper is taking military personnel out one-by-one, all related to an off the books mission 10 years before in Afghanistan. What happened exactly? Can Brandon find this sniper before he gets caught in his gun sights? The key to it all may be Thomas Beckett (Tom Berenger) and what he actually knows.

As I mentioned in my 'Reloaded' review, I grew up watching the original Sniper on countless airings on AMC and TNT, weekdays and weekends alike. It's not a great movie by any means, but it is an endlessly watchable flick. The sequels aren't on the same level -- even 'Reloaded' was more guilty pleasure than good -- but it's fun watching them just the same. They're all straight to DVD and made on a small-scale, especially in the budget department. The reason for checking this one out is pretty obvious but more on that in a bit. From director Don Michael Paul, 'Legacy' isn't particularly original, mostly cliched, generally pretty dumb...and a lot of fun. It's a turn your brain off 98 minutes where you can sit back and watch some fun, cliched and familiar character archetypes throw some one-liners around and a whole lot of snipers picking off their enemies via headshots. Can't ask for too much more, huh?

Oh, right, the big reason to check this out. Yeah, it's that Tom Berenger fella. The original star of Sniper (along with co-star Billy Zane, who returned in 'Reloaded'), Berenger returned for the first and second sequels but deciding not to do 'Reloaded.' Well, Master Gunnery Sergeant Thomas Beckett is back! Now 65 years old, Berenger isn't the spry sniper from the original. He's rocking some cool white, even Silver Fox-esque hair and he's got a little paunch around the middle, but who cares?!? Beckett is back. Unfortunately Beckett doesn't show up until the 55-minute mark but he makes the most of his screentime. One-liners and smart-ass comments around every corner, he even gets to say the character's most famous line, "One shot. One kill." Berenger never became a huge star, but he's always been one of my favorites, and this is probably his most well-known role. Definitely cool to have him back.

Thankfully 'Legacy' seems content to avoid the pratfalls of the abandoned son and the father who abandoned him backstory. It's almost brushed aside, two tough guys -- Thomas and Brandon -- wanting to talk about it, but this ain't the movie for it! Let's shoot some bad guys! What few scenes they have together, Berenger and Collins are solid together. I especially liked their scene where they discuss some vices and how they ended up where they are. Again, nothing flashy, but solid.

With Berenger not showing up until almost the hour-mark, we've got plenty of chances to meet some other characters. And in the end, this is more of an ensemble which ends up being pretty cool. I really liked Mafham's Major Bidwell, the no-nonsense team leader with the nickname 'Bullet Face' because one of his sniper trademarks was shooting his victims in the face. Yikes! In the big name department, Dennis Haysbert plays the Colonel (no other name provided), possibly a good guy, possibly a bad guy. You'll have to watch to find out! And come on, it's a Major League reunion, Jake Taylor (Berenger) and Pedro Cerrano (Haysbert). That's cool! There's also Mercedes Mason as Sanaa, adding the necessary sexy female sniper to the recipe. 

It's all pretty mindless, dumb and entertaining fun. Things are better when Berenger is around, especially in the final 30 minutes as both Becketts, Bidwell and Sanaa team up to take out our rogue sniper (Doug Allen) and a Syrian terrorist (George Zlatarev) he's working with. There's some cool shootouts sprinkled throughout the briskly paced flick, a whole lot of snipers gunning for their targets. If you like the Sniper movies, you'll enjoy this one. I did. I'm giving it a 3-star rating knowing it's not that good. I'm getting to be a cheap date in my old age. If a movie entertains me, I'm on board and I was entertained throughout here with 'Legacy.' Now how about another sequel pairing Tom Berenger, Billy Zane, and Chad Michael Collins? Heh?!? Get to it, Hollywood.

Sniper: Legacy (2014): ***/****

Omen III: The Final Conflict

Well, evil has grown up. After reviewing the Omen remake from 2006 and the first sequel from the original, it's time to wrap things up with one last review. The original Omen movies were a trilogy and one failed TV movie. I watched part of this one years ago, especially remembering the finale, so here we go with 1981's Omen III: The Final Conflict.

The world has fallen into a costly recession, one that has some calling the current international crisis the 'end of days.' People are looking for answers, for a solution. Waiting to give them that answer and leadership is the C.E.O. of an aid company, a huge corporation with footholds all over the world, one Damien Thorn (Sam Neill), now 32 years old and fully embracing his Satanic makeup. When a grisly suicide leaves the position open, Damien is appointed the U.S. ambassador to England, the same position his father held years before. He has plans for his power position but he has fears, signs pointing to the Second Coming of Christ, that could cripple his plans. The timing is essential for those battling on both sides, both good and bad, as a small order of monks from Italy know Damien's true identity and are doing everything in their power to stop him. Who or what will prevail in the end? Good or evil?

Of the trilogy, only the first one is an above average horror flick to the point I'd say it is a classic. Where do the second and third ones fall? They're pretty good...just not as good. From director Graham Baker, 'Final' wraps things up in pretty cool fashion. It switches up the formula some and doesn't depend on gruesome deaths like Omen II did (even though I enjoyed that flick a lot). Again, these aren't the most plot-driven flicks, but I didn't get caught up in that stuff. It's all building, all developing a character, and this time we get a showdown in the finale between good and evil. 'Final' isn't as good as either of its predecessors, but I still enjoyed it a lot. It wraps things up nicely and even left an opening for the series to continue that never developed. 

If you believe Wikipedia and its countless information -- and I tend to -- the casting for 32-year old Damien was pretty interesting. How about Jack Nicholson? Gene Hackman? Even Marlon Brando? All three were considered for the part before producers decided to go with a lesser known actor. Enter Sam Neill, 34 years old at the time. This is the natural progression for Damien. Having realized who he truly is in 'Damien II,' he's now actively working toward taking what is his. He's embraced his identity. He is the Antichrist, and he intends to rule the world. We get to see his political pull in a startlingly easy encounter with the President (Mason Adams), his pull on his political staff, and in most frightening fashion, his growing number of apostles and disciples. As I've mentioned before, evil...true, pure evil, can be scarier than any serial killer, murder mystery.

And that's an interesting angle of this sequel. Now, I'm not religious much, but this story fascinated me. Again, it's that BIG concept of good and evil. Add in the Antichrist, the believed Second Coming of Christ, and we've got some interesting stuff going on. Neill's Damien gets to chew the scenery several times as he addresses an immense crucifix (Jesus nailed to the cross backwards) about how he will ultimately defeat him. He calls him the Nazarene as if they were on a first-name basis, his cold, icy and calculating stare -- and what looks like some guy-liner -- adding that sinister edge to the story. This isn't a James Bond villain trying to conquer the world. This is the Prince of Darkness, the Devil, Satan himself. Not too many bigger stakes than that. Oh, and those dagger-wielding monks led by Father DeCarlo (Rossano Brazzi)? Nice touch, another enemy for Damien to deal with, even if they are sort of a bumbling bunch.

The cast is pretty small here for this horror sequel. Along with Neill, look for Don Gordon as Harvey Dean, Damien's personal assistant, fully aware of what his boss is and what he aspires to do in the old evil department. Lisa Harrow plays Kate Reynolds, a respected TV journalist trying to get down to the truth of Damien's background, Barnaby Holm playing her son, Peter, possibly a disciple for Damien.

There's some pretty cool moments along the way. I loved the credits sequence as we discover how the daggers that were supposedly lost in Damien II are discovered and end up where they need to be. The monks' attempts on Damien are tense, and Damien's ultimate plan to stop the second coming is particularly gruesome and more than a little unsettling. And then there's the ending, a great final scene that brings everything full circle. Yeah, there's some giant plot holes, but I liked the execution from beginning to end.

Omen III: The Final Conflict (1981): ***/****

Damien: Omen II

So I love the original The Omen. Everybody cool with that? Yeah, I'm not a horror fan, but there's a sick, disturbing appeal -- for me at least -- for movies dealing with Satan, pure evil, and in this case, the Antichrist. A big success in 1976, The Omen spawned two sequels, a TV movie, and a remake that I just reviewed recently. I've seen the sequels, but it's been years so thanks to an AMC mini-marathon, here we are with 1978's Damien: Omen II.

It's been seven years since young Damien Thorn barely survived an attack from his father who was trying to murder the five-year old boy. Now, Damien (Jonathan Scott-Taylor) is 12 years old and living in the Chicago suburbs with his uncle, Richard (William Holden), and aunt, Ann (Lee Grant). Richard is the C.E.O. of Thorn Industries, a company on the verge of some major, lucrative developments. Damien is heading to military school with his cousin, Mark (Lucas Donat), as he heads into his teenage years. His past is his past though, and he's moved on, but now he's starting to have odd feelings, weird sensations (and it ain't puberty!). What is going on? What's behind it all? Certain people keep telling Damien that big changes are coming and that he should fully embrace it. Others are willing to risk their lives to stop him from embracing his future.

Yeah, yeah, yeah, I can be wishy-washy when it comes to sequels. I typically think sequels are pretty dumb...until I like them. That's the beauty of it all here. If you look at the original The Omen, it's a perfect self-contained movie. The ending is slightly open-ended, but there is a creepy resolution including that great creepy final shot. But what happens to Damien? Where does he go from there? And that's where the sequels enter, letting Damien grow up. Director Don Taylor does a solid job developing the story of Damien and letting it breathe. The jump in time forward seven years was a cool choice -- the Antichrist as a teenager, gasp!?! -- and it keeps that incredibly creepy, underplayed vibe. Even composer Jerry Goldsmith tweaks his musical score, not the same score as the original but still perfectly sinister.

This isn't necessarily a smart horror movie, but it is a really good one. Creepy kids are a fixture in the genre, and Damien (here and in the original) is near or at the top of that list. But what about a creepy kid coming of age story? As cheesy and after-school special as that sounds, that's what this movie is. What Damien did in the original flick was never purely evil. Here....yeah, he's starting to realize who he is, what he's capable of, and what he can aspire to. When that aspiration is potentially ruling the world through evil? Sorta terrifying. Scott-Taylor does an excellent job playing Damien, a charming, smart young man. He's got that icy, steely look in his eyes and it is a terrifying premise as we see what is capable in this young man, especially when certain people around him are doing their best to protect him. A solid performance, a solid and interesting character.

As for the rest of the cast, there isn't a ton of star power. William Holden is obviously the biggest name here, and he does a solid, workmanlike job as Richard Thorn, a businessman who knows at least part of his family's past but maybe not the whole thing. His chemistry with Grant is believable, and just by being here, he legitimizes the whole proceedings. Also look for Lew Ayres (in his last role), Robert Foxworth and Nicholas Pryor as Thorn co-workers, all around for different reasons. Lance Henriksen is nicely cast as Sergeant Neff, Damien's platoon leader at military school while Sylvia Sidney and Elizabeth Shepherd play two women who may know the truth about Damien's background and possible future. In a cool connection to the original Omen, Leo McKern returns in a startling open scene as Bugenhagen, an exorcist and archeologist who knows the truth, with Ian Hendry as a friend and possible believer.

I read a topic at the IMDB message board for 'Damien' that cracked me up. It complained about a lack of plot with a reliance of "Hey, Damien is evil!....Ah, I'm dead" scenes. It's actually pretty spot-on. This isn't a plot-driven movie with more of a focus on the character. Now that said, the deaths are pretty gruesome -- if not graphic -- as some sort of evil power seemingly protects Damien wherever and whenever needed. There's some memorable deaths, the scenes full of impending doom and danger with Goldsmith's score doing its thing. Also worth mentioning, 'Damien' was partially filmed on-location in Chicago with some shots on LaSalle Street and some key scenes at the Field Museum including a great surprise ending.

A very solid sequel, one I was glad I could catch up with, especially during the Halloween season. Worth checking out for sure, especially for original Omen fans and horror fans in general.

Damien: Omen II (1978): ***/****