The Martian

I'm gonna tweak an intro I like to use from time-to-time. I've used it before talking the ocean and huge bodies of water but am twisting it up a bit to outer space concerning a film in theaters that's raking in the dough and piling up positive reviews. Rightfully so as well. So what's scarier than outer space? How about being trapped in outer space millions of miles and months and potentially years away from rescue? Yeah. Pretty...freaking...scary. So goes 2015's The Martian.

It's two-plus weeks into a NASA mission on Mars when a horrific storm forces the six-man crew to abort ahead of schedule and head back to Earth. In the evacuation though, one member of the crew, Mark Watney (Matt Damon), is struck by a piece of flying debris and swept away. The Ares crew leaves before they too are lost, suspecting that Mark was killed in the accident...but he wasn't. With the crew having left Mars behind, Mark wakes up the next day, wounded, running out of oxygen and very much on his own. All he has is a habitat that isn't intended for long-term living and with stockpiles of supplies but only to a point. If he intends to survive, he's got some serious work to do. A potential rescue is at least four years away -- it takes awhile to get to Mars -- and that's only if he can somehow get in touch with NASA. If he can. First things first, Mark has to provide for himself with the food and water (even rationed) scheduled to run out long before any potential rescue arrives. The clock is ticking...

'Martian' is based off a best-selling novel by Andy Weir. I read it this past spring and I loved it. LOVED it. Mark Watney quickly climbed onto my list of all-time favorite characters. At different points reading Weir's novel, I felt physical ill I was so nervous, my eyes teared up with extreme worry about Mark's fate and what I took away most, I laughed out loud over and over again. It's one of the best books I've read in years, funny, emotional, smart and dramatic, all rolled into one. So how about the movie...

It's a gem. Director Ridley Scott is at the helm of an excellent, almost great movie. I don't have any huge flaws to call into question, but I can't call 'Martian' an all-timer. It's just really, really good from beginning to end. Scott has had a string of so-so to meh to not very good movies, but this is the veteran director at the top of his game. It can be daunting adapting any novel, but the effort here is spot-on. Filming was done in Wadi Rum in the Jordanian desert, giving the film a startling, far-off look to the "location" shooting on "Mars." I really liked composer Harry Gregson-Williams' score, unassuming and quiet that more than suits the action. We don't need aggressive, in-your-face music telling you how to feel. You need quiet, companion music that underplays the emotions and action.

When I read Matt Damon had been cast as Mark Watney, I was skeptical -- a little -- because the character is in his late 20's and though it suited Damon regardless of age, something didn't seem spot-on about the choice. Well, I'll admit when I was wrong. Mr. Jason Bourne himself was a perfect choice. Part of the appeal of the Watney character is his response to his isolation and potential death. We see him break down in a couple instances, but this is a man who takes every problem as it comes and attacks it head-on. He never gets too down no matter how hopeless or impossible it seems. It's one of Damon's best performances, showing off what a versatile talent he is. You're rooting for him from the start and that never lets up. Intelligent, funny, stubbornly persistent and quite sure he's going to survive no matter what's thrown at him, an excellent part for Matt Damon.

Damon's Watney is -- not so surprisingly -- on his own during his time on Mars. In other words, it's kind of a one-man show during those scenes. Here, Scott uses some cool style points. In the book, it was quite acceptable that Watney kept a diary of all his day-to-day activities. Short of narration playing over his actions throughout the entire run-time, that wouldn't work here. Instead, Watney films video diaries, keeping us updated on one fiasco or success or observation after another. Damon injects the character with the same energy and dark sense of humor and stubborn hope that Weir's novel presented. It's a straigthforward call on style, but it works. The days pass with a simple 'Sol 18' and so on appearing on-screen, a sound effect like a radar ping playing over it. Not aggressive in the style department, but it works in subtle, underplayed fashion.

Now of course, 'Martian' isn't a one-man show. The overall cast is excellent, Damon on Mars and the expansive rescue effort playing out back on Earth with the Ares crew also traveling back to Earth. Lots of potentially excellent parts and they don't disappoint. Jeff Daniels, Chiwetel Ejiofor, Kristen Wiig, Sean Bean, Benedict Wong, Mackenzie Davis and Donald Glover lead the NASA rescue effort in a variety of roles. The "surviving" Ares crew includes Jessica Chastain, Michael Pena, Kate Mara, Sebastian Stan and Aksel Hennie. If that's not a cast powerful enough to melt your face, well, I don't know what is. There isn't a weak link, but I especially thought Daniels, Ejiofor, Bean, Wong, Chastain and Pena did especially good jobs bringing characters to life that could have been cardboard cutouts. What a cast!

It's hard not to watch Scott's 'Martian' and not think of countless other science fiction films. For every comparison you can make from similarly-themed movies like Gravity or Apollo 13, you get the sense that while familiar, Scott's film is carving out its own niche and heading out on its own. I thought Gravity was excellent as a visual medium -- a true experience of what being in space is like -- but I never felt emotionally connected with it. That isn't the case here. It's a spectacle movie, an astronaut wasting away on Mars while a rescue effort is mounted, but it connected far more with me emotionally. That's a credit to Weir's novel, the screenplay adaptation, Scott's directing and an amazingly talented cast. An all-around excellent film. And one more thought...

I liked -- maybe loved -- the humanity of 'Martian.' The trailer introduces the concept that often times when a man/woman, men/women are in trouble, people come to help, to rescue, to save. Racial and cultural differences are set aside, all in the hope of helping those that so desperately need it. It's a highly effective storytelling technique here as billions of dollars are spent to bring one man home. That's where this story is so effective emotionally. You're rooting for Mark, you like him, and you want him to survive. What drives him? He's stubborn and man, he does not want to die on Mars. Watney has some great narration late as a potential rescue effort draws nearer, a man doing a long list of firsts on a planet that is untouched by human hand (or feet). Very well-written, well-executed and well-delivered lines by Mr. Damon.

Reading Weir's novel, Mark Watney became one of my favorite literary characters, and Damon more than does him justice. A heck of a movie that succeeds on basically every level you could ask for. Highly recommended for a great sci-fi spectacle, a moving story with some very high highs and some very low lows with a ton of dark humor sprinkled in here and there. Go see it and read the book too!

The Martian (2015): *** 1/2 /****

Paul

Way back in 2004, audiences were introduced to Simon Pegg and Nick Frost in 2004's Shaun of the Dead. The comedy duo worked with director Edgar Wright again in Hot Fuzz and World's End, the trio's odd, smart sense of humor resonating with audiences. Pegg and Frost branched out in 2011, starring in Paul, a movie any science fiction fan will get a kick out of.

Lifelong friends with a love of science fiction, Graeme Willy (Pegg) and Clive Gollings (Frost) have traveled from England to San Diego for Comic-Con. That's not all for the trip though, the friends renting an RV and planning a trip across the southwest, hitting all sorts of extraterrestrial spots like Area 51 and Roswell. The trip goes pretty much as planned....at first. One night driving along, the RV crashes and when they get out to investigate, Graeme and Clive are stunned at what they find. An alien is standing in front of them, and he speaks English quite clearly (and with some attitude). The alien's name? Paul (voiced by Seth Rogen), and he's on the run from government agents. Paul has escaped from the facility he's been held at, and he intends to go home to his own planet. He bonds immediately with nerdy Graeme and Clive, but he needs their help. Will his two new friends help him get away and get to his spaceship?

I really do try to be honest with my reviews so here goes. When I saw the trailer for this sci-fi comedy a few years back, I thought it looked dumb. No, that's not enough. D-U-M-B. I avoided it the last couple years, finally caving and getting it on Netflix. The cast proved to be quite the motivating factor in the end! Well, as is so often the case, my complete refusal to listen to the "Don't judge a book by its cover" premise ended up being very, very wrong. I liked this movie from director Greg Mottola (Superbad, Adventureland). A lot. It was funny, surprisingly smart, and pretty sweet in the end -- with some dark, stupid humor mixed in for good measure. Yeah, the pretty deep, very talented cast helps, but there's more to it than that. With Pegg and Frost writing the script, you know you're getting a good final product.

The acting/writing duo actually came up with the idea for 'Paul' when they were filming Shaun of the Dead, and then it was just a matter of time until they could make it. The elements that worked in 'Shaun,' 'Fuzz' and 'World's' all translate here in an easy-going, natural chemistry. It never feels like Pegg and Frost are acting. This plays out like two old friends who know everything about each other -- some think they're gay, much to their surprise -- and are enjoying a vacation they've long talked about. Then throw in Rogen (who's excellent), and we've got quite the trio of characters. An alien who's been on Earth since the late 1940s, Paul is a great character. He's picked up all sorts of human touches from personal interactions to his often dirty conversations. Rogen even provided the motion capture movements for Paul, adding an oddly appropriate slacker look to the alien's actions. I loved the dynamic among the three, that chemistry providing the best laughs and carrying things throughout the 104-minute movie.

As a movie nerd, it was cool to watch this one develop. Pegg and Frost have said in countless interviews this movie was intended as a tribute of sorts to all the science fiction movies they love. It's a tribute to all those great science fiction movies from the 1970s and 1980s. By my count, I saw scenes with nods to Close Encounters, E.T. (obviously), Indiana Jones, Star Wars, Star Trek, Back to the Future and probably countless others I'm forgetting. The ending especially gives a big old nod to Close Encounters and E.T., a pretty cool ending overall. Even director Steven Spielberg makes a voice cameo, Paul serving as his unofficial "technical adviser" as he makes E.T. back in the early 1980s. And in a quick but essential cameo, sci-fi icon and Alien star Sigourney Weaver makes a fun appearance late. Science fiction fans will definitely get a kick out of this one.

There's more to that pretty cool cast that's worth mentioning. Jason Bateman has some fun as Agent Zoil (a kinda-sorta Men in Black), a government agent in pursuit and trying to bring Paul back. Bateman looks to be having a lot of fun in the tough guy part and with a good twist late. He's got two bumbling, inexperienced agents working with him, played nicely by Bill Hader and Joe Lo Truglio. Kristen Wiig puts a fun spin on the love interest, a woman who was raised highly religiously and is beginning to think she's got it all wrong. Her rookie attempts at swearing and cursing are especially good.There's also fun parts for Jane Lynch, David Koechner, Jeffrey Tambor, Blythe Danner, John Carroll Lynch and Jesse Plemons.

If you read some reviews about 'Paul,' you'll no doubt fall into quite the religious quagmire. The script from Pegg and Frost takes some digs at religious folks, those who believe what they believe even if evidence is presented that directly counters what they believe. I lean toward the non-believers side so I wasn't offended, but it's easy to see why some resented this movie's message. The religious characters are loony, crazy, off-the-wall individuals. As well, the action gets ratcheted up to some crazy levels over the last 30 minutes, goofy and over the top but never too much. A very pleasant surprise from beginning to end. Highly recommended.

Paul (2011): ***/****

The Secret Life of Walter Mitty

What do you think of when you hear the name Ben Stiller? Most people -- including myself -- think of comedies, Zoolander to Tropic Thunder, Dodgeball to There's Something About Mary and plenty others in between. I've always been a fan, but Stiller is better to me when he underplays parts. Yeah, his over the top roles, like Dodgeball, are funny, but he's at his best with underplayed genre. Take 2013's The Secret Life of Walter Mitty, a great part for Stiller and a great part in general.

A negatives analyst working at Life Magazine, Walter Mitty (Stiller) is the best at what he does, working with all the pictures Life uses over his 16 years with the magazine. With the changing times in the media, magazines and technology, Life is in for a change too, the iconic magazine going to an online-only format. A longtime photographer who's held in international regard, Sean O'Connell (Sean Penn) has sent Life and Walter a roll of film with one picture, Frame 25, that's perfect for the cover of the last print edition. There's a problem though. That one frame is missing, and Walter's bosses want and need that picture. Where could it be? The mysterious Sean isn't exactly easy to track down. A middle-aged man who doesn't feel like he's accomplished a whole lot with his wife -- daydreaming and zoning out all the time -- Walter decides this is his chance. This is his opportunity to get out in the world and find that possibly historic single picture. Can he find it in time?

Sometimes critics really throw me off. 'Mitty' has across the board mixed reviews, Rotten Tomatoes totaling 49%, Metacritic a 55% . Heading into movies, I really try not to read reviews, wanting to go into each new movie with a clean slate. Well, let's say this. I really don't want to read those reviews now, having seen the recent release. Why? Because they're wrong. That's all. I didn't like this movie, even really like it. I loved it. I loved the story and the message and everything really. Thankfully, it seems audiences are ignoring the critics (oh, wait, I'm a critic...ah, my head hurts!) and going out and seeing the movie. As I write this review, it has earned over $100 million in theaters and possesses a 7.7 rating at IMDB. I have some general issues, a couple criticisms, but what's important is a moving, straightforward, encouraging and emotional message that hopefully will resonate with you as much as it did me.

What hit me a couple hours after watching 'Mitty' was that the message is reminiscent of a Frank Capra movie. This is a movie that wants to believe in the genuine goodness of mankind/humanity, and that the world is a great place. Most of the time, I think it is. There's just so much negative at times that it is hard to go along with. But Stiller's film -- he starred and directed, working off a screenplay by Steve Conrad -- wants to believe in the positive. It is a story about dreams, striving for your dreams, having faith in yourself and others, appreciating the big moments and the little moments, appreciating your family and all the people you meet in your day-to-day life, the impact you can have on all those people and vice versa. If it seems a little dated, a bit of a throwback film, so be it. I fell for it hook, line and sinker.

So four paragraphs into the review, I haven't delved into an important aspect of this movie. Walter daydreams....a lot. The style in which that is shown is seamless. We see Walter in a normal, everyday interaction and then he isn't as he rescues a dog from a burning building, imagines a what-if encounter in the future, sees someone that isn't there, an epic fight scene that tears apart New York City, popping out of a magazine cover. Then, as quick as we saw them, they're gone, Walter's daydreaming broken up momentarily. As a director, Stiller shows off his skill in these scenes, blending the real and the imagined without missing a beat. In general, the style is everywhere from the credits that play like scenery, the scene-to-scene transitions, the soundtrack (Indie rock songs and a solid score from composer Theodore Shapiro), the beautiful visuals, it all rolls into one very enjoyable, pretty perfect package.

Directing and starring in the same movie can be tricky, but Stiller nails it. As a director, I think he does a fine job at the helm of an ambitious film that strives to do a whole lot. I was even more impressed with his acting job here. This isn't over the top Ben Stiller, but human, very dramatic Ben Stiller who perfectly underplays his part as Walter Mitty. We learn why Walter is the way he is, kinda quiet, a hard worker, shy but a nice guy in general, someone who has more impact on others than he could possibly imagine. His backstory is interesting and explanatory, adding another layer to Walter's personality. I love what he becomes. He decides he wants to accomplish something, something big and crazy because he's done nothing of the sort his whole life because he couldn't. What he doesn't realize is that just because your life hasn't been big and crazy doesn't mean you haven't accomplished something. Everything about the character though, I loved Walter.

This is Walter's movie, but like Capra's It's a Wonderful Life, it's also about the people with Walter. Kristen Wiig similarly pulls a Stiller, showing off a dramatic side on top of her comedy chops as Cheryl, a co-worker at Life who he has a crush on, Marcus Antturi playing her son. Penn is a scene-stealer as Sean, a photographer who has no qualms about going anywhere to get the picture he needs, as is Shirley MacLaine as Walter's Mom who's getting older and struggling with some medical issues, Kathryn Hahn as Walter's kinda goofy but well-meaning sister. Adrian Martinez is Walter's co-worker in the negatives room and a close friend, Hernando, while Adam Scott is Mr. Potter...um, uh, Ted Hendricks, the new boss in charge of the Life transition, in general an a-hole who revels in being that boss everyone hates. Also worth mentioning is Patton Oswalt in a great comedic part as Todd, a customer service representative at E-Harmony working with Walter over the phone.      

Trying to limit this movie to one specific genre is tough. It's a fantasy, a comedy, a drama, all of the above and more. Globetrotting from NYC to Iceland to Greenland to Afghanistan and the Himalayas, it is a movie full of beautiful moments that kept on impressing me with each passing minute. I loved it all, especially the ending that had me worried we were about to see some stupid, out of left field twist. No worries there. It is a great ending for a great movie. Shooting myself in the foot here a bit, but it's a prime example of not taking a critics' rating as a hard and fast rule. I can't recommend this one enough.

The Secret Life of Walter Mitty (2013): ****/****

Anchorman 2: The Legend Continues

So for anyone who lives under a rock, the sequel to 2004's Anchorman hit theaters recently, Anchorman 2: The Legend Continues, raking in some solid if not huge numbers. It's a daunting task making an unnecessary sequel that follows an original film that is considered by many -- myself as well -- to be a comedy classic. Oh, and it's been nine years since the original was released? This sequel isn't the most timely of follow-ups, but director Adam McKay and star and fellow writer Will Ferrell waited until they could devote the right amount of time to actually writing the follow-up. Is it worth seeking out? You bet.

Having left San Diego and Channel 4 behind him, legendary news anchor Ron Burgundy (Ferrell) is living the high life in New York City, co-anchoring the nightly news with his wife, Veronica Corningstone (Christine Applegate). Well, he was living the high life. Called in thinking he's getting a promotion to a national network, Ron finds himself out of a job when Veronica is promoted instead. He's in a bad place now only to receive another job offer, a new news station that will be on television 24 hours a day. Ron is able to assemble his old news team, Brian Fantana (Paul Rudd), Champ Kind (David Koechner) and Brick Tamland (Steve Carell), and heads to New York City to rebuild his reputation. The news world has changed though, and Ron and Co. must adjust. Can they manage it?

There are certain movies where plot descriptions are beyond unnecessary. This is one of them. Do you like Ron Burgundy? Did you like Anchorman? If you said yes to either of those questions, you're going to head out and see this movie, story be damned. Though a sequel had been rumored for years, it finally came to fruition this past year when McKay and Ferrell revealed they had been working on a script, really devoting the time that script deserved to get it to theaters. Some nine years since the original was released, this isn't the most timely of sequels, but it's one that audiences have been looking forward to. We've been carpet-bombed for several months now with ads and appearances from Ferrell as Burgundy, the movie even under-performing some in theaters. If you read nothing else from this review, read this. If you liked the original, you'll like this one. Is it as good? No, but that would be almost impossible to do.

Instead, it uses the similar formula while adding some new wrinkles to keep things fresh and funny. How do they manage? Well, as dumb as the humor may be at times, it's also got some really smart (and funny) moments. Assigned to the graveyard shift on the new 24-hours news network, Ron and the team start to think out of the box. What do audiences want to see? Praise for America, sports highlights of home runs, big touchdowns and ferocious slam dunks, footage of cute animals doing goofy things and anything and everything sexy. Yes, Ron Burgundy can see into the future. Surprise, surprise, the ratings go through the roof, audiences eating up the new approach to the news. There is a subtle smartness here, Ron insisting on more graphics on-screen, showing a car chase live on-air and guessing who's driving and what's going on, even a countdown of the greatest vaginas of the 20th Century. Okay, maybe they're not all smart, but they're funny.

My worry was that the cast would turn their characters into caricatures of themselves, even more so than they already are, but thankfully we avoid that. It's fun to see Ron's development as he starts to realize maybe he's not the great newscaster he thought he was. The story gets pretty ridiculous in terms of a character arc -- really going off the beaten track in the final act -- but above all else, it's for laughs. Single Ron is separated from his wife, but still wants to be close to his son, Walter (Judah Nelson), deals with Veronica's new boyfriend, Gary (Greg Kinnear), a psychiatrist he believes can read his mind, gets semi-controversial with an interracial relationship with his new boss (Meagan Good), plays some jazz flute while ice skating, and eventually, even must fight back from being blind. Yes, you read that right. It's ridiculous. The entire movie is. It commits to being both equal parts really stupid and really smart. Leading that charge is Will Ferrell as Ron Burgundy, again stealing the show.

The best moments have Ron and the reassembled news team up to their usual hijinks, providing the movie's funniest moments. Finding out what Brian, Champ and Brick have been up to is priceless, a recruiting montage providing some great laughs in a scene you'd expect out of a men on a mission movie, not a screwball comedy. The quartet just has impeccable chemistry, each of the three supporting players given their chance to shine. You like the characters, like their shenanigans and can't help but laughs. Also look for James Marsden as Jack Lime, an established star in the news world who goes up against Ron as a new co-worker, Kristen Wiig as Chani, a secretary at the new station who has a budding romance with the equally odd Brick, and even Harrison Ford (yes, Harrison Ford) as Mack Tannen, a legendary newscaster. It's a ridiculously talented comedic cast.

SPOILERS I'm going to mention a couple scenes here -- one more than the other -- that features some good surprises and twists as the movie develops. Stop reading if you don't want to know. SPOILERS Both scenes are updates of iconic scenes from the original, the first being Brian Fantana's epic collection of condoms, one explanation after another bringing the house down, a nice update on his Sex Panther scene. The highlight though is a ridiculously over the top update of the Newscaster Fight (watch it HERE). The star power is nuts, the ante upped in every way possible. Ron and his team must fight the BBC (Sacha Baron Cohen), entertainment reporters (Tina Fey and Amy Poehler), ESPN (Will Smith), MTV (Kanye West), and the History Channel (Liam Neeson), accompanied by the ghost of Confederate general Stonewall Jackson (John C. Reilly). Oh, and Kirsten Dunst keys up the fight as the Maiden of the Clouds. And the Minotaur is fighting with the History Channel. It is truly nuts, completely ridiculous, and it works so, so well.

If there's a weakness here, it's that at 119 minutes, Anchorman 2 is a tad long. Some bits just work better than others. Ron and Co. driving in a Winnebago...well, cruise control driving, is inspired. A later montage of the team building up their new reputation is perfect, Ron and Brian at one point smoking crack on live TV. Other bits aren't as good. I'm looking at you Steve Carell and Kristen Wiig in some truly painful scenes. For the most part though, it works, one scene more nuts than the last. It's not on the level of the original, but it sure is funny. Enjoy it.

Anchorman 2: The Legend Continues (2013): ***/****

Despicable Me 2

Maybe I've written too many reviews lately about sequels, but here I sit. I caught up with 2010's Despicable Me late this summer in August and liked it a lot. Inevitable comes to mind when I think of the sequel that we all knew was coming, 2013's Despicable Me 2, another rousing success with theaters, earning over $900 million worldwide. Not bad, huh? That's the movie. Not bad, but missing something.

Having moved on from his career one of Earth's super villains, Gru (voice of Steve Carell) lives happily at home now with his three adopted daughters and his small army of Minions. Well, his peaceful little life is about to be thrown for a loop. Gru is approached by the Anti-Villain League (AVL) because an unknown super villain has stolen a substance capable of turning even the most peaceful creature into an unstoppable monsters. Their only clue? The villain has been tracked to a mall and owns a store somewhere in it. With the help of an AVL agent, Lucy (Kristen Wiig), Gru sets up shop in the mall -- with the help of the Minions -- as a bakery owner. Which one of the eccentric store owners could be this mysterious super villain? There's too many choices so where to even start?

The original Despicable Me was a very pleasant surprise for me as I enjoyed the voice casting, the visual look, the generally different tone of your typical animated movie, and of course....the Minions. Because I did enjoy the original, I was psyched to see this follow-up as well. My first reaction? It's good, but definitely missing something. Directors Pierre Coffin and Chris Renaud return to helm the sequel, still visually appealing with the same goofy, dark sense of humor. It's still a super villain with three adopted daughters, a cross-breed(ish) dog, hundreds of little minions, an assistant, Dr. Nefario (Russell Brand), and another goofy plot to control the world. It's not as good as the original -- more specifics later -- but there's still enough on display to see it. If you liked the original, you'll enjoy this sequel.

What isn't in question is the abundant voice talent assembled here. From Gru's distinct look -- bald head, thick trunk, chicken legs -- to his uniquely villainous voice (I'm thinking some sort of Eastern European), Carell does a great job again as the bad guy turned Dad good guy. It's weird to say there's character development in an animated series, but we see a highly protective Gru watching over his adopted daughters, Margo (Miranda Cosgrove), Edith (Dana Gaier) and the youngest and cutest, Agnes (Elsie Fisher). Still a pretty good part leading the way. We also see a budding relationship with Wiig's Lucy, basically the perfect foil to Gru. She's goofy, moves non-stop and her Olive Oyl  physique is certainly a good visual. Wiig provided her voice in the original, but is playing a different part here. Brand is underused as Dr. Nefarious, Gru's loyal and longtime assistant who's disappointed they're not up to any evil plots to rule the world.

Who else to look and listen for? Benjamin Bratt has a fun part as El Macho, the owner of a Mexican restaurant in the mall whose personality is as big as his rather rotund frame. Moises Arias plays Antonio, El Macho's son interested in Margo. Also returning from the original except with a new character is Ken Jeong as a wig salesman in the mall.  Steve Coogan does a good job too as Lucy's AVL boss, Silas Ramsbottom, or as Gru calls him, Sheepbutt (like it matters).

As for the Minions, they're better than ever. The short, stocky little yellow creatures decked out in overalls and goggles are good for a laugh -- at the minimum -- every time they're on the screen. Coffin and Renaud (also voicing the little guys) are no dummies. They know as good as Gru's story is with the kids, people want to see the Minions. So what's new to the cute little yellow guys? We get to meet more of them by name, get to see some more personality. The high points? The Minions dress up as the Village People and karaoke YMCA, host a rave-like ice cream party, show off their housekeeping, firefighting and para-sailing abilities. They're just fun, producing the movie's best laughs by far. As I mentioned in my first review, I'm psyched for a Minions spinoff, scheduled for a 2015 release.

It's by no means a bad movie, just not as good as the first one. '2' takes too long revealing the villain, and in the meantime is too schizophrenic for its own good. We deal with Minions being kidnapped, Nefario leaving for a new job, Gru and Lucy, the girls, especially Margo, and the whole point kinda gets lost in the shuffle. It isn't as adult-oriented as some animated movies try to be as well. Is it good? Yes, but I didn't love it. On the other hand, Gru's explanation of a rival villain's epic death -- jumping out of a plane and riding a shark into an erupting volcano, thousands of pounds of dynamite strapped to the villain -- was one of those perfectly goofy moments. I just wish there were more of those, more laughs in general.

Despicable Me 2 (2013): ** 1/2 /****  

Despicable Me

Growing up with a younger sister, I watched any and all of the Disney princess movies. While I didn't like/love all of them, it's easy to see the appeal. Animation certainly has changed over the last 20-plus years with Pixar kicking the door open for a new wave of CGI animation. It continues to adapt, develop and change, putting an ever-constant new spin on cartoon flicks, like 2010's Despicable Me. Princesses? Nah, super villains!

As far as international super villains go, Gru (Steve Carell) has no rivals...until now. His reputation takes a major hit when the Great Pyramid in Giza is stolen and replaced by an up and coming villain with all sorts of potential for mayhem, Vector (Jason Segel). His solution is extreme and drastic but will no doubt bring all his doubters back around. Gru's going to steal...the MOON! The problem? Vector has already stolen a newly developed shrink ray he needs to use to pull the job off. His solution is an odd one as Gru adopts three young orphan girls who will unknowingly cause a diversion that allows him to get into Vector's heavily guarded lair. What Gru sees as a smash and grab job concerning the adoption just isn't so simple. The super villain may have bit off far more than he hoped, and there's no going back.

From directors Pierre Louis Padang Coffin (yes, that's a name) and Chris Renaud, 'Despicable' was a huge success upon its initial release, earning over $540 million. It spawned a sequel -- released this summer -- that was an even bigger success -- that has currently made over $800 million worldwide. What's the appeal that spawned such a worldwide success? I think it's a lot of things. The animation from Illumination Entertainment is unique, well-made and polished while not screaming out "LOOK AT THIS CGI!" More than that though, I think it's the story which isn't a typical animated storyline. It's dark at times (maybe a little too dark), but it is original, always entertaining and smart. Usually the super villain is quite obviously the bad guy so seeing him as a bad guy who's not so bad provides a great change of pace. Oh, and Gru's minions. This movie wouldn't have the same success without them, but more on those cute yellow guys later.

The heart of the movie comes from Gru and his ulterior motive intentions in adopting three little girls who live at an orphanage run by Miss Hattie (Kristen Wiig). Carell as Gru is a great choice, his voice talents making this super villain a goofy-looking, Eastern European sounding mastermind. His look with his chicken legs, bald head and ever-present scarf is quite the visual too. He's one mean guy though, softened some and surprisingly when he adopts, Margo (Miranda Cosgrove), the oldest of the girls and very smart/aware, Edith (Dana Gaier), the middle girl and quirkiest of the crew, always wearing a ski cap low on her eyes, and Agnes (Elsie Fisher), the youngest and cutest girl who loves unicorns more than anything in the world. It's fun to see mean, gruff Gru go from complete confusion at how to care for three little girls to slowly warming up to them as they help him and stay in his huge super villain mansion.

As for the rest of the voice talent assembled, they do some good work. Jason Segel seems unlikely casting to play Vector, but it works, this nerdy and smart super villain proving quite the quirky opponent to the more experienced Gru. Russell Brand does a fine job as Dr. Nefario, an aging assistant who's worked with Gru for years on countless dastardly deeds with Julie Andrews playing Gru's hard to impress mother. Along with Wiig, also listen for Will Arnett, Danny McBride, Jack McBrayer, Mindy Kaling, Rob Huebel and Ken Jeong lending their voices.

Onto the minions! While Gru's story with the little girls is the heart of the movie, what most viewers came away with was a love for the adorable little yellow minions. Standing about knee high, these yellow guys wear overalls and goggles over their one or two big, round eyes. Their hair is pointy, parted and not there at all. Directors Coffin and Renaud with Jemaine Clement provide their voices, usually unintelligible gibberish with occasional moments of clarity. They are really cute, really adorable and really funny, most of the time helping Gru's directives but causing their fair share of mayhem in the process. It's their look, it's their giggling and laughing, their love of exploring and curiosity...which usually leads to more trouble. They're essential additions to the cast and helping make this more than just any old animated movie. And yes, the minions are slated for their own spin-off, scheduled for December 2014. Watch a sample of their shenanigans HERE.

It took me awhile to catch up with this one, but I'm glad I did. Surprisingly funny for kids and adults with a ton to recommend. Mostly though........minions! Hopefully I can find the sequel in a second-run theater and catch up with that one too.

Despicable Me (2010): ***/****

Bridesmaids

For almost 40 years now, Saturday Night Live has consistently produced comedic actors that have gone on to bigger and better things. John Belushi, Chevy Chase, Eddie Murphy, Chris Farley, Will Ferrell and many more. But lost amidst all the funny guy comedians have been the female comedians. They're fewer and far between though, but of the last 10 years or so the female cast members have stepped to the forefront, especially Kristen Wiig who wrote and helped produce 2011's Bridesmaids.

In her mid 30s, Annie (Wiig) has hit a low-point in her life. Her self-started bakery has closed in the recession, she lives with a creepy British brother and sister, her car is a piece of junk, and she hates herself for being a hook-up buddy with Ted (an uncredited Jon Hamm). Her best friend, Lillian (Maya Rudolph), has gotten engaged and asks Annie to be her maid of honor. Annie definitely wants to take the role, honored by the question, but the task and responsibility might be a little too much for her to handle, especially when Helen (Rose Byrne), Lil's new friend, threatens to take over. Hopefully Annie can keep it together until the wedding.

I'm going to get this out of the way early. I liked Bridesmaids, but I didn't love it. I think it was intentionally mis-marketed to look like a girls version of The Hangover, and it really isn't. Part of the humor maybe I missed because I'm a guy (not to sound sexist), but I definitely feel like I missed some of the laughs/situations. As one IMDB reviewer pointed out -- and I tend to agree -- this is a chick flick disguised as a raunchy comedy. It's still good, but not as good as I was hoping. Wiig's script with Annie Mumolo (who makes a funny cameo) is well-written, but the movie isn't quite what it was made out to be. Funny, but not the instant classic it was made out to be.

Working together like the Wolfpack of The Hangover, Wiig, Rudolph and Byrne lead a strong group of female comedians. Dating back to their days on SNL, Wiig and Rudolph have a good chemistry together that doesn't feel like acting, just two legitimate friends doing some lines together. Byrne's Helen is the late-comer to the party, a rich, snobby woman who's the wife of Lill's husband's boss (there's a mouthful for you). The rivalry does produce some solid laughs, one woman trying to out-do the other. The group also includes Rita (Wendi McLendon-Covey), a mother of three who desperately wants to escape her home life, Becca (Ellie Kemper), the newlywed discovering all the "joys" of marriage, and Megan (Melissa McCarthy), Lil's off-the-wall, brutally honest future sister-in-law. Each character is different, adding a dynamic to the group, each given a chance to get their fair share of laughs.

Certain parts of the movie are truly funny, hilarious stuff that had me crying. Okay, one scene, but you get the point. What works, really works. McCarthy as Megan earned an Oscar nomination for Best Supporting Actress, maybe a stretch, but she's the best thing going for this one. She is the rare physical female comedian, not afraid of her weight or size and willing to commit for the laughs. The dress fitting scene post-Brazilian restaurant -- uh-oh, food poisoning! -- is bathroom humor, but it is hysterical in its execution, especially thanks to McCarthy's response. A flight to Vegas for the bachelorette party takes a turn for the worse, Wiig's Annie struggling with the situation and her fear of flying while Megan is sure the passenger (Ben Falcone) is an Air Marshal. These two extended bits rise above the rest, followed closely by Annie's freak-out session at the shower, and bring the most laughs.

It's too bad there couldn't have been more of that humor, the big laughs. Instead this rather long comedy -- at 125 minutes -- decides to go down a not so funny route in the second half. The story goes doom and gloom as Annie starts to pout and freak out about her life situation. And with it, the laughs come to a screeching halt. The story focuses more on her flirting relationship with dream Irish cop, Nate Rhodes (Chris O'Dowd), which feels like any number of romantic comedies you can see elsewhere. Oh no, chick flick alert! It feels like it's been done before, getting away from what made earlier parts of the movie truly funny. Wiig is a very funny and talented actress, but this mid-life crisis the story delves into is disappointing.

Still funny -- sometimes very funny -- but not quite what it was made out to be. And good luck to McCarthy, one of the rising stars in comedy, at the Oscars. I'm sick of hearing about The Help. Bring home a win for Plainfield! The trailer below seems to have a lot of cut scenes too FYI.

Bridesmaids <---trailer (2011): ** 1/2 /****

Adventureland

Directing 2007's Superbad, Greg Mottola had a surprise hit on his hands and did a nice job of putting a new spin on the teen sex comedy.  With his follow-up, Mottola looked like he was going back to the well with 2009's Adventureland.  This idea was then reinforced when a trailer was released that made it look like Superbad's brand of humor had made the jump to the new movie.  Yeah, not so much.  In an epic case of a trailer not really showing what a movie's about, Adventureland is basically nothing like its predecessor and is more of a straight coming of age story as opposed to a comedy.

This isn't to say there aren't laughs in the movie, but this is a prime example where the trailer shows everything that's really funny.  The trailer sticks with the laugh out loud moments, the more off the wall scenes when that's not what Adventureland is like...at all.  There are some chuckles, a few times where I smiled so I feel the need to warn viewers going in; don't expect a comedy here.  Much of the story and background reminded me of 2006's Starter for 10, based on a novel -- A Question of Attraction -- that deals with a teenager going away to college and seeing the world isn't always perfect.  Granted, that's a pretty broad description of a lot of movies, but there are too many similarities to mention here between the two.

It's 1987 and James Brennan (Jesse Eisenberg) has just been informed by his parents that they won't be able to afford to send him to Europe for the summer, and that if he wants to attend Columbia in the fall he's going to have to help out with the money.  That of course means...a summer job!  He's not qualified for much and ends up taking a job at Adventureland, a local amusement park that's a little past its time and probably never really had a prime.  From the weird bosses to the odd co-workers, Brennan thinks he'll never make it through the summer but ends up forming a friendship with Joel (Martin Starr), a co-worker who's basically an older version of James, while also falling fast for Em (Kristen Stewart).  Maybe this summer won't be as bad as he thought (or not).

The special features on the DVD pointed out that Adventureland is in that small genre of summer movies where the main character takes a job/goes on a road trip/meets a girl before something big in their life is about to happen like going off to college or living in the real world.  That description is appropriate, but that's also the problem.  It has a feel of been there, done that almost right from the start.  That's not always a bad thing, but where Superbad went in new directions, Adventureland never ventures too far away from the known.  Any number of movies and/or TV shows have gone down this road before.

Star Jesse Eisenberg must have enrolled with Michael Cera when the duo went to acting school.  Eisenberg underplays everything and barely cracks a smile the whole movie.  His Brennan is a college grad who borders on the pretentious because of his knowledge of everything non-mainstream.  I didn't dislike the character, but I didn't love him either.  Eisenberg is a strong choice to play the awkward Brennan who has his fair share of moments that make you groan and wince all at once.  As Em, Kristen Stewart seems to be playing Bella from Twilight (which I haven't seen), a teenager with some deep issues in her home life that translate not so well to her personal life.  I think she's a good actor, but like Eisenberg, it takes the right part for her to be effective.  She is cute, so she's got that going for her.

The movie is at its best when dealing with the supporting cast.  The James/Em relationship is the heart of the movie, but the funny moments come from the rest of the cast.  Starr has been great since he was on Freaks and Geeks and basically steals every scene he's in (watch HERE and HERE).  He excels at the awkward moment, and there's a-plenty here.  SNL stars Bill Hader and Kristen Wiig play Bobby and Paulette, Adventureland's owners trying to hold rein on this trainwreck of a park.  Hader has one of the few obvious moments of humor as he protects his park and employees, and ends up having the movie's funniest moment.  There's also Ryan Reynolds playing probably his least likable part as Connell, the park's maintenance man, Mike Bush as Frigo, James' "friend" and crotch-puncher, and Margarita Levieva as Lisa P., the requisite hot girl working at the park.

With the strong cast and the coming-of-age story, this is a movie worth watching, but it's not the one I thought I'd be watching going into it.  The story especially in the last 30 minutes goes down a road that actually made me groan, wondering 'we're really going to take the story that way?'  The ending resolves that to a point, but it feels like an episode of Dawson's Creek -- at best -- with the twist in story.  It is a good movie but know what you're about to watch when you pick this one up.

Adventureland <----trailer (2009): ** 1/2 /****