The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."

Monday, May 20, 2013

A Reason to Live, A Reason to Die

I seem to have checkered pasts when it comes to tracking down hard-to-find movies that I really want to see. On first effort, something goes wrong; cable goes out, recording the wrong film/time, ninjas....that sort of thing. I actually saw this 1972 spaghetti western two years ago via Netflix streaming, but it was the heavily edited 92-minute version. It aired recently on MGM HD and was listed at the much longer, less-edited 111 minute version. Well, point to you MGM, you fooled me. It was the 92-minute version, but here's the review just the same, 1972's A Reason to Live, A Reason to Die.

It's early in the Civil War and as the fighting picks up in the Southwest, Colonel Pembroke (James Coburn), a disgraced Union officer, is looking for vengeance. He has been labeled a coward and a traitor for surrendering Fort Holman, a key position in the territory, to the Confederates without a shot fired. Now, he's got a plan to exact his revenge on the man who took the fort from him, a Confederate major named Ward (Telly Savalas). A frontal assault on the mountaintop fortress would be suicide so he intends to take the fort back on a nearly suicidal commando mission. Commanders won't grant him any troops so instead he ends up with a small squad of convicts, seven men he saves from the gallows, including a man from his past, Eli (Bud Spencer). His odds seem slim as his convicts squad seems more interested in killing him than completing the mission, but heavily guarded and fortified Fort Holman awaits.

It's pretty obvious watching the heavily-edited 92-minute version of this spaghetti western from director Tonino Valerii that some important and major portions of the story were edited. Much of the 20-to-25 minutes that were cut (lengths vary depending on sources) were from an opening prologue that establish how Pembroke and Eli meet in the war-torn Southwest. Instead, we get a dropped-in opening that actually gives away much of the ending. Ta-da, then we're back to the beginning -- sort of -- and away we go with the mission. At different times, the story does feel disjointed, out of sorts, a little rushed and at ends. Can I think of anymore cliches? Nah, that's good for now. The longer version was released on DVD via Wild East, but that DVD is currently worth $190 at Amazon so I don't see a viewing happening any time soon so for now, the heavily-edited version it is!

Now take the rest of what I'm about to write with a grain of salt. I love spaghetti westerns, and I love men-on-a-mission movies. So with that said, is this movie especially good? Nope, but I still liked it a lot. Obviously with the Civil War setting, this isn't your typical gunfighters and bandits spaghetti western. The Civil War background certainly adds a nice touch to a familiar genre. 'Reason' is also aided by some familiar locations from movies like Once Upon a Time in the West, The Deserter and others. The best use though is the fortress from El Condor, here as Confederate garrison Fort Holman. It appears gigantic and imposing, a fortress that's impossible to take down. It's a good-looking western, and the score from Riz Ortolani is a little schizophrenic but pretty cool. Give it a sample HERE with the main theme.

If the basic storyline sounds familiar, it should. It's a not subtle rip-off of 1967's The Dirty Dozen and countless other convicts turned commandos flick. Coburn is solid but nothing special as the revenge-seeking Pembroke, his backstory giving him a sympathetic edge, but he's mailing it in here. Spencer is the star, given more screentime and providing more interest in general. Savalas is given absolutely nothing to do in an appearance that is little more than a cameo. Pembroke's convict commandos lack the star power, basically a unique group of murderers/rapists/thieves and deserters that include Spencher's Eli, Sgt. Brent (Reinhard Kolldehoff), the Union NCO, MacIvers (Guy Mairesse), a murdering muleskinner, Wendel (Ugo Fangareggi), Pickett (Benito Stefanelli), a deserter and rapist, Fernandez (Adolfo Lastretti), a thief who doomed 30 Union soldiers with a bad deal, and a half-breed Apache (Joseph Persaud). The group reminded me of a similar convict crew in 1969's Play Dirty, unique faces with no real background who are meant to be picked off one-by-one. Cool group just the same.

Spaghetti western fans going in shouldn't expect much in the way of action or violence the first 50 minutes or so. If you're looking for a positive, it's this; they were saving all the action for the last 40 minutes!!! Pembroke and his convict commandos make their play attacking Fort Holman in an explosive finale that features an orgy of Gatling guns, explosions and some impressive stuntwork. Like the movie itself, it's a lot of fun. Yes, stupid fun with a whole lot of flaws, but fun just the same. Oh, and the name is one of the coolest ever.

A Reason to Live, A Reason to Die (1972): ***/****

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