Okay, history nerd alert. Who's your favorite United States president? Mine's easy to peg; Theodore Roosevelt, a President who did a little bit of everything. Beyond his two-term presidency though, what is he most known for? His involvement in the Spanish American War, told quite well in a 1997 TV miniseries, Rough Riders.
It's 1898 and the American government is in a bit of a spot. News of Spanish atrocities and cruel leadership in Cuba are making international news to the point American intervention seems like a sure thing. Who's at the forefront of that movement? Assistant secretary of the Navy Theodore "Teddy" Roosevelt (Tom Berenger). He's been given approval to assemble a volunteer regiment of cavalry that will be sent to Cuba with American forces to stop the Spanish. Who is he looking to volunteer? Cowboys, mountain men, trailsmen, and anyone who can handle themselves when the bullets start to fly. He gets that and more as the volunteers assemble in Texas for training. What awaits the regiment of rough-hewn volunteers? Only the fighting in Cuba will tell.
Over the last month or so, this becomes the third TNT TV movie I've reviewed with 2001's Crossfire Trail and 1997's Buffalo Soldiers. I wish TNT still made historically-based movies like this! This 1997 miniseries is probably the network's biggest venture, a movie with impressive scale, a deep cast and a 187-minute running time. It comes from director John Milius (who also wrote the script with Hugh Wilson), a good, underrated tough guy director to helm a good tough guy flick like this. 'Riders' doesn't rewrite the historical epic/action genre, just content to tell a historical story that is known if not widely known. Elmer Bernstein turns in a fine throwback(ish) musical score, the cast looks to be having a lot of fun, and seeing a story that sticks pretty close to the historical truth? How can you lose?
The historical truth is pretty daunting for a filmmaker to take on. 'Riders' does a good job portraying not just Roosevelt and his famous cavalry volunteers, but many involved in the war from a variety of perspectives. We see the government, including President William McKinley (Brian Keith, a Milius favorite) and his secretary of state (R. Lee Ermey). We see the journalists/writers from William Randolph Hearst (George Hamilton) to Stephen Crane (Adam Storke), Frederick Remington (Nick Chinlund) to Edward Marshall (Williamt Katt). From the military perspective, we see Gary Busey and Dale Dye (a Marine Corps veteran) in power positions trying to lead the Cuban expedition. 'Riders' more than justice to the times, tackling a lot but doing a good job across the board in setting the stage for our historical story. It could have been easy for it to all slip away, but Milius helms it all nicely.
This is an ensemble cast -- a pretty strong one at that -- but I thought Tom Berenger stood out from the rest as future President Teddy Roosevelt. You read about Roosevelt, and it sounds like a caricature but no. This was one fiery, lively, opinionated, fun-loving man with some wide-ranging interests. Berenger brings him to life from his unique speech patterns to his very physical movements and non-stop energy. He makes Roosevelt more though, a human being, not just a caricature. We see Teddy with his wife (Illeana Douglas) who he misses to an extreme level, how he bonds with his men around a campfire during training, how he's emotionally distraught at seeing his men killed in battle, the exhaustion that sets in after a costly battle. Big and boisterous but never overdone, Berenger does an excellent, scene-stealing job as Roosevelt. I also learned something from the film, finding out Roosevelt wasn't always the commander of the Rough Riders. He became the commander but no spoilers.
Okay, a movie about the Rough Riders so let's talk about Teddy Roosevelt's Rough Riders. Milius uses a familiar, well-worn and effective formula here; the unit picture. Assemble a group of men from different backgrounds, put them together, let them train and bond and then throw them into battle. There's a lot of characters so there's not always a ton of development but who stands out from the rest? Brad Johnson plays Nash, an outlaw (with partner Buck Taylor) who joins the outfit to escape a posse. Sam Elliott brings his tough guy swagger to play Capt. Bucky O'Neill, an Arizona lawman turned drill sergeant. And also, Chris Noth plays Craig Wadsworth, an upper class New Yorker looking to prove himself in battle. It's a very solid cast, and that's just the start. The rest of the group isn't necessarily big names, but there's familiar faces playing some cool characters.
Who else to look for? Joining Noth as the upper-class NYC gentlemen are Holt McCallany, Mark Moses, Titus Welliver and James Parks. As for the less-gentlemanly among the Rough Riders, watch for Geoffrey Lewis, Francesco Quinn, Eric Allan Kramer, Bob Primeaux, and in an excellent supporting part, Marshall R. Teague as a young Black Jack Pershing, commander of a regiment of Buffalo Soldiers fighting alongside the Rough Riders.
Nothing too fancy here, just a good, entertaining movie with a throwback kind of feel. The first 90 minutes sets up the background, assembling the regiment and introducing the characters, and then throwing them into training. By the end of the first half, we're thrust into the fighting in Cuba. The centerpiece of the second half of 'Riders' is not surprisingly the attack on San Juan Hill, the battle that made the Rough Riders an instantly recognizable name and regiment. There are some slow moments building up to the battle, but the actual assault on the heavily fortified hill is a gem of an extended sequence. An excellent flick on all accounts. History buffs will especially enjoy it so it gets an easy recommendation from this guy.
Rough Riders (1997): ***/****
The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."
Showing posts with label R. Lee Ermey. Show all posts
Showing posts with label R. Lee Ermey. Show all posts
Monday, October 20, 2014
Friday, June 13, 2014
The Siege of Firebase Gloria
If you don't recognize the name, you will surely recognize the voice and that face. Known as the tough as nails drill sergeant in 1987's Full Metal Jacket, R. Lee Ermey has been one of those perfect character actors over the years, even starring in a History Channel show that answered all sorts of questions about the military. His performance in Full Metal Jacket is the one he will always be known for, but he delivers another excellent performance in a far lesser known but very high quality film about the Vietnam War, 1989's The Siege of Firebase Gloria.
It's early in 1968 and a long range Marine recon patrol led by Master Sergeant Hafner (Ermey) keeps coming across signs of increased North Vietnamese and Viet Cong activity. With his second-in-command, Corporal DiNardo (Wings Hauser), and a six-man patrol, Hafner leads the small group of Marines onto a small firebase named Gloria deep in the Vietnamese jungle. They find a poorly constructed, undermanned and under-supplied defensive position that's just waiting to be overrun should the Viet Cong attack. Hafner takes command, DiNardo helping at every turn, but their time is running out. As the Marines work to build up the firebase, the Viet Cong unleash the Tet offensive all over the country, American positions fighting back against waves of attacking guerrilla fighters. With no real hope of getting reinforcements, ammunition or supplies, can Gloria hold out or is it already too late?
Where do you go for a very solid movie about the front line fighting in the Vietnam War? Why, Australia of course with the Philippines providing the filming locations. From Australian director Brian Trenchard-Smith, 'Siege' is one of those hidden gems you're glad you stumble across. I caught it a couple times on TV during Memorial Day marathons and found it recently during just such a marathon on MGM-HD. Why are there so few movies about Vietnam? More specifically, about the fighting in Vietnam? My first thought is because America lost. My second is that this was a particularly nasty war with fighting unlike anything the world had seen. Trenchard-Smith's film doesn't shy away from that nastiness. At different points, it shows American soldiers "fragging" their own officers, American soldiers killing wounded Viet Cong soldiers, among other things. We also see the particularly brutal remnants of a Vietnamese massacre of a peaceful village, decapitations, rapes, a pile of murdered children's corpses. Not exactly uplifting stuff.
Limited somewhat by a smallish budget, 'Siege' makes up for it with that hard-edged, in-your-face authenticity. At no point does this feel forced. Though two screenwriters are listed in the credits, Trenchard-Smith has stated in interviews that Ermey wrote the screenplay. Whoever wrote it...it's good in a brutal, straightforward fashion. We get a bigger picture of what's going on with the Tet Offensive, but this is a story with its focus far more on the foot soldiers, the infantry, the grunts. We follow a single engagement (over 3 or 4 days) as a small garrison tries to defend a remote outpost against overwhelming odds. There are some stiff moments, and the characters are from the War Movies Handbook 101, but the movie is always interesting. The realism and authenticity does an excellent job in that department.
No big names here, Ermey and Hauser carrying the heavy lifting. Ermey was a Vietnam vet who served multiple tours before being sent home with his wounds. His narration is that no-frills type of voiceover that would come from a lifelong Marine, a soldier who's seen all that war has to offer. He's tired, worn down but loves the Marines and loves the fight. Hauser's DiNardo is his close friend who's struggling with some personal demons but remains an incredibly capable soldier in his own right, a soldier Hafner trusts with his life. Who else to look for? There's Murphy (Mark Neely), a young soldier figuring out the ins and outs of Vietnam, Coates (Clyde Jones) the radioman -- who's called Short Waves) who's also on short time on his tour, and Jones (Albert Popwell), an Army sergeant who bristles at the Marines' commands but knows ultimately it's their call.
There's other parts, some more worthwhile than others that include an on-base nurse, a war photographer thrust into action, a wounded officer who survived Viet Cong torture, and a very strong part for Gary Hershberger as Moran, a gung-ho chopper pilot who continuously risks his life to bring Gloria any supplies and ammunition he can. His brief interactions with Ermey's Hafner on an under-fire landing zone are perfect, the no-nonsense Marine lifer vs. the free-spirited helicopter pilot who doesn't have much use for rules or authority. Also look for Robert Arevalo as Cao Van, the commander of the attacking Viet Cong forces, presented as a human being, not a stereotypically evil villain. Not much in star power or name recognition, but some solid supporting parts across the board.
Wasting little time in its 95-minute running time, 'Siege' is action-heavy and never lets up. The violence is brutal and uncomfortable but while it is particularly graphic, the camera doesn't linger on the violence. War, killing and death is quick and hard-hitting, brutal and unceremonious. We see the lines all along the firebase up in the air, Viet Cong pushing forward as Americans fall back and then the other way when the outnumbered American infantry push back. There are brief respites but they're quick breaks, and it is never too long before the attack continues. Is this a groundbreaking war movie? No, but it is very effective on multiple levels. It succeeds as a war story and as an action movie. It has little in the way of a reputation or cult following, but it deserves far more. A difficult movie to watch, but one that is worthwhile in the end.
The Siege of Firebase Gloria (1989): ***/****
It's early in 1968 and a long range Marine recon patrol led by Master Sergeant Hafner (Ermey) keeps coming across signs of increased North Vietnamese and Viet Cong activity. With his second-in-command, Corporal DiNardo (Wings Hauser), and a six-man patrol, Hafner leads the small group of Marines onto a small firebase named Gloria deep in the Vietnamese jungle. They find a poorly constructed, undermanned and under-supplied defensive position that's just waiting to be overrun should the Viet Cong attack. Hafner takes command, DiNardo helping at every turn, but their time is running out. As the Marines work to build up the firebase, the Viet Cong unleash the Tet offensive all over the country, American positions fighting back against waves of attacking guerrilla fighters. With no real hope of getting reinforcements, ammunition or supplies, can Gloria hold out or is it already too late?
Where do you go for a very solid movie about the front line fighting in the Vietnam War? Why, Australia of course with the Philippines providing the filming locations. From Australian director Brian Trenchard-Smith, 'Siege' is one of those hidden gems you're glad you stumble across. I caught it a couple times on TV during Memorial Day marathons and found it recently during just such a marathon on MGM-HD. Why are there so few movies about Vietnam? More specifically, about the fighting in Vietnam? My first thought is because America lost. My second is that this was a particularly nasty war with fighting unlike anything the world had seen. Trenchard-Smith's film doesn't shy away from that nastiness. At different points, it shows American soldiers "fragging" their own officers, American soldiers killing wounded Viet Cong soldiers, among other things. We also see the particularly brutal remnants of a Vietnamese massacre of a peaceful village, decapitations, rapes, a pile of murdered children's corpses. Not exactly uplifting stuff.
Limited somewhat by a smallish budget, 'Siege' makes up for it with that hard-edged, in-your-face authenticity. At no point does this feel forced. Though two screenwriters are listed in the credits, Trenchard-Smith has stated in interviews that Ermey wrote the screenplay. Whoever wrote it...it's good in a brutal, straightforward fashion. We get a bigger picture of what's going on with the Tet Offensive, but this is a story with its focus far more on the foot soldiers, the infantry, the grunts. We follow a single engagement (over 3 or 4 days) as a small garrison tries to defend a remote outpost against overwhelming odds. There are some stiff moments, and the characters are from the War Movies Handbook 101, but the movie is always interesting. The realism and authenticity does an excellent job in that department.
No big names here, Ermey and Hauser carrying the heavy lifting. Ermey was a Vietnam vet who served multiple tours before being sent home with his wounds. His narration is that no-frills type of voiceover that would come from a lifelong Marine, a soldier who's seen all that war has to offer. He's tired, worn down but loves the Marines and loves the fight. Hauser's DiNardo is his close friend who's struggling with some personal demons but remains an incredibly capable soldier in his own right, a soldier Hafner trusts with his life. Who else to look for? There's Murphy (Mark Neely), a young soldier figuring out the ins and outs of Vietnam, Coates (Clyde Jones) the radioman -- who's called Short Waves) who's also on short time on his tour, and Jones (Albert Popwell), an Army sergeant who bristles at the Marines' commands but knows ultimately it's their call.
There's other parts, some more worthwhile than others that include an on-base nurse, a war photographer thrust into action, a wounded officer who survived Viet Cong torture, and a very strong part for Gary Hershberger as Moran, a gung-ho chopper pilot who continuously risks his life to bring Gloria any supplies and ammunition he can. His brief interactions with Ermey's Hafner on an under-fire landing zone are perfect, the no-nonsense Marine lifer vs. the free-spirited helicopter pilot who doesn't have much use for rules or authority. Also look for Robert Arevalo as Cao Van, the commander of the attacking Viet Cong forces, presented as a human being, not a stereotypically evil villain. Not much in star power or name recognition, but some solid supporting parts across the board.
Wasting little time in its 95-minute running time, 'Siege' is action-heavy and never lets up. The violence is brutal and uncomfortable but while it is particularly graphic, the camera doesn't linger on the violence. War, killing and death is quick and hard-hitting, brutal and unceremonious. We see the lines all along the firebase up in the air, Viet Cong pushing forward as Americans fall back and then the other way when the outnumbered American infantry push back. There are brief respites but they're quick breaks, and it is never too long before the attack continues. Is this a groundbreaking war movie? No, but it is very effective on multiple levels. It succeeds as a war story and as an action movie. It has little in the way of a reputation or cult following, but it deserves far more. A difficult movie to watch, but one that is worthwhile in the end.
The Siege of Firebase Gloria (1989): ***/****
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