Just about any movie can -- and most likely will -- be remade at some point. After a debacle of a free screening of the new Red Dawn movie (I missed it, didn't get there early enough), I consoled myself with the original, a 1980s classic that is still as good as ever. Guilty pleasure? Eh, maybe, I maintain it's just a good movie. Enter 1984's Red Dawn.
It's an October day like any other in the town of Calumet, Colorado. As classes start at the local high school though, parachutes appear in the sky, hundreds of them. What exactly is going on? It's Russian and Cuban paratroopers dropping in as an advance element of the invasion of the U.S. The school and town gets shot up in the process with many casualties, but a group of teenagers including Jed (Patrick Swayze), a former jock working with his Dad, and his younger brother, Matt (Charlie Sheen), manage to escape the town and head for the Rockies where they'll be relatively safe. A month goes by though as they hide, and then the news hits. The invasion was a success -- to a point -- but the fighting has now gone stagnant. Well behind Russian/enemy lines, Jed, Matt and their friends decide to take the attack to their invaders, becoming a partisan group of resistance fighters.
From tough guy writer/director John Milius, 'Dawn' is definitely a product of the times, but in good ways. With the Cold War still very much alive between the U.S. and Russia, this potential invasion story hits home. People had wondered and questioned for years if this was where the conflict was heading. In the years since, 'Dawn' has gained a reputation as a so bad it's good movie, even a guilty pleasure. Yes, I suppose it qualifies, but I tend to disagree. The acting is over the top at times, the ultra-patriotism evident everywhere, and some scenes do produce some unintentional laughs, but I maintain this is just a good movie. If it is a little heavy-handed at times, so be it. It is entertaining as hell from the start, and that doesn't change by the end.
The screenplay from Milius and Kevin Reynolds wastes no time setting the stage. Less than two minutes into the movie, parachutes are descending on Colorado, sending Calumet into chaos. People are running for their lives as paratroopers start shooting anything that moves. Talk about a tone-setter. As an opening, it's hard to beat. 'Dawn' has its fair share of memorable moments, probably most famously the teenagers yelling 'Wolverines!' after successful attacks on invading forces (Wolverines was the school mascot). Aided by Basil Poledouris' score, the action scenes -- of which there are plenty -- and dramatic scenes are balanced out perfectly. Listen to the main theme HERE. The film was shot on location in New Mexico in the mountains, giving it a hard-edged look that benefits the ever-darkening story as well.
It is an 80s movie, and the cast certainly reflects that. I have a theory about Swayze in 1980s movies. He's in every great movie from the decade. If you can't find him, you're not looking hard enough. A 32-year old playing a recent high school graduate? Right. But who cares?!? It's Patrick Swayze, and he's ridiculously cool! Along with Sheen, the Wolverines include Lea Thompson, C. Thomas Howell, Jennifer Grey, Darren Dalton, Brad Savage and Doug Toby. Swayze and Sheen as brothers stand out, as does Howell as Robert, the Wolverine so bent on revenge for his parent's death he becomes a hardened killer. Also look for Powers Boothe as Col. Andy Tanner, a downed fighter pilot who fights with the Wolveines, in a scene-stealing part. In smaller parts, old pros Ben Johnson and Harry Dean Stanton (as Jed and Matt's imprisoned Dad) certainly make positive impressions too.
On repeated viewings, I've come to like this movie more and more. I think you can chalk that up to the darkness of the story. Yes, there's a fair share of fantasy here; school kids getting guns and taking on invading forces, becoming heroes in the process. But actually considering the story, it's incredibly dark. Case in point? The Wolverines start getting picked off one-by-one. The Russian invaders call in a specialist, a hunter, Strelnikov (William Smith), to brutally hunt them down, using any tactics he has at his disposal. We see the war from basically the opposite side of how the U.S. has fought in any conflict. We're being attacked. We're defending. When the Wolverines kill Russians, Americans are killed in retaliation, but on we fight. In a sympathetic part, Ron O'Neal plays Colonel Bella, a former revolutionary now fighting from the opposite perspective, an officer trying to quell an uprising.
This darkness comes through in the final 45 minutes, building to a surprising but highly effective ending. I love Swayze and Sheen's conversations they have in between fights. Swayze's Jed puts it best as these two friends/brothers plan their line of attack, knowing their odds are slim. He states "It's not easy being brothers, huh?" Shakespeare? No, but it works. As the Russians turns the tables on the Wolverines, that is 'Dawn' at its best. I love the ending as well, Jed and Matt taking the attack to the Russian base. It's a great ending, and not surprisingly, a patriotic one. Heavy-handed guilty pleasure? Maybe, but I think it's just a really good movie.
Red Dawn (1984): *** 1/2 /****
The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."
Showing posts with label Patrick Swayze. Show all posts
Showing posts with label Patrick Swayze. Show all posts
Friday, December 7, 2012
Tuesday, March 2, 2010
Road House
One of my favorite professors at college opened each class by showing a movie or TV clip that introduced the theme/topic that the day’s class would cover. Midway through the semester, he opened with 1989’s Road House, showing the clip where Dalton describes his philosophy on being a bouncer at a bar. The clip went on for a few minutes, and once Dalton was done, the professor turned the DVD off. Usually when the clips went bye-bye, there was typically some quiet booing, some groans. What reaction did Road House produce? Heavy booing, some shouting, and one rather enthusiastic fan yelling ‘Turn the movie back on!'
Road House shows what a modern B-movie can be and is a perfect example of everything that’s great about 80s movies. It’s got everything a big cheesy movie should have, lots of gratuitous nudity, more than enough action, lots of gratuitous nudity (sorry, repeat), great soundtrack, and a script full of one-liners that are easily translatable into everyday conversations. And really, what’s more important than that? It’s the guiltiest of pleasures – although admitting it is a guilty pleasure kind of negates it, doesn’t it? – and a movie that whenever it’s on TV almost demands you sit down and enjoy its epic awesomeness.
Trying to improve his bar, Tighlman (Kevin Tighe) hires the best cooler in the business to come and clean the place up. His name is Dalton (Patrick Swayze), and he’s known by just about everyone. There’s not a problem he can’t solve no matter what it requires some no-holds barred fighting or just outwitting his opponent. Dalton takes the job and heads for the Double Deuce in a town outside Kansas City. Cleaning up the rowdy customers may be the least of Dalton’s problems though as the local head honcho, Brad Wesley (Ben Gazzara), doesn’t take kindly to his actions. The problem gets even deeper when Dalton starts seeing the requisite hot blonde doctor (Kelly Lynch) working at the local hospital, a woman Wesley’s in love with. Looking for some help, Dalton calls his old friend and mentor, Wade Garrett (Sam Elliott), as Wesley’s actions continue to escalate.
There is nothing new or unique about this story. Whole elements have been in movies before and then have been used since. The same goes for the characters which you’ve seen in any number of other movies. The quiet anti-hero with a tortured past? Check. The ultra-cool mentor who is cool because the story requires him to? Double check. Slutty-looking blonde (sorry, Julie Michaels) who serves no purpose other than being attractive and wearing skimpy outfits? You betcha. There’s not a problem with any of this. All those familiar elements work perfectly together. If it feels like you’ve seen this movie before, you probably have. But it’s so entertaining, you won’t even notice.
Swayze was one of the biggest stars of the 1980s and early 1990s, and this might be his most well recognized part right up there with Red Dawn, Ghost, and Point Break. His Dalton is not the typical action hero, odd considering he’s a badass bouncer. He’s quiet, cool and doesn’t let much get to him. Dalton has a philosophy degree from NYU, and finds time to question the idiocy of fighting and brawling. On the other hand, he’s good at it, and it’s the only thing he’s ever known. Also a bonus, Swayze does just about all his own stunts, giving the already cool fight scenes an even better edge.
The rest of the cast ranges from good to bad with some more badasses thrown in for good measure. Lynch isn’t the greatest actress, and her romance with Dalton does slow the story down some. However, this storyline is especially key in the finale. Gazzara hams it up as only he could as Brad Wesley. Nothing redeemable about this fella at all, he is as cartoonish as a movie villain could and can be. Ruling this town with an iron fist and taking money as he so chooses, it’s pretty easy to figure out how his character is going to end up. Joining Swayze to form a superhero-worthy fighting team, Elliott as the wise veteran bouncer Wade steals every scene he’s in. You know that any actor who gets the ‘And…Insert Name Here’ in the credits must be pretty awesome.
Of course, what sets Road House apart from most other modern B-movies is the high-quality action. As mentioned, Swayze handles his own stunts, and there are a lot of them. It’s never too long with this story before Dalton has to beat the crap out of some clueless drunk looking for a fight. The best is one of the last fights as Dalton – pushed too far because every anti-hero is eventually pushed too far – goes mano a mano with Jimmy (Marshall Teague), Wesley’s top thug. It’s a pretty (SPOILERS ---->) vicious fight (especially the conclusion) and doesn’t seem faked or choreographed, just two guys who seriously want to inflict some pain on their opponent.
Now a movie set in a bar better have some good music, and Jeff Healey and his band provide some catchy blues and rock throughout, some covers and some of their own songs. Healy, a blind lead singer who also plays the guitar, plays Cody, the singer of the Double Deuce’s house band and an old friend of Dalton’s. Some great music and a key feature to any B-movie. One of my all-time favorites that is definitely a movie that qualifies as a ‘so bad it’s good’ entry. If you can’t find something appealing about this one, movies might not be for you. Seriously, it’s Dalton’s way or the highway.
Road House <----trailer (1989): ****/****
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