The Peacemaker

Been in somewhat of a rut at Netflix recently so I'm revisiting the 1990s. Growing up, I either missed a lot of good movies, just wasn't aware of them, or was too young to see them. I saw part of this movie on AMC a few weeks ago, and frustrated with the crazy amount of commercials decided to stop watching. Glad I chose 1997's The Peacemaker at Netflix.

Somewhere in southern Russia, two trains collide -- one of them carrying a nuclear device that destroys the country for miles. The world is thrown for a loop with the explosion, and in the U.S., the White House nuclear expert, Dr. Julia Kelly (Nicole Kidman), leads a task force to handle the situation. Kelly is teamed with an Intelligence liaison, Lt. Colonel Tom Devoe (George Clooney), who believes the train collision was a cover-up to steal nine other nuclear warheads on board. Now the clock is ticking. Who is responsible for the hijacking, and more importantly, can they be found in time? They make no demands so how do you stop an enemy with hidden goals?

As happens surprisingly often, I was surprised by the IMDB rating for 'Peacemaker,' just around 5.9 out of 10 at the time of this review. Did I love it? No, it's not a classic suspense thriller by any means. Did I really like it? Very much so. Director Mimi Leder has put together a smart, well-told, exciting and even subtle at times thriller. Scenes and situations develop with ease, not that overly done, rushed feeling that permeates action thrillers. Violence is startling but not gratuitous, action fast-moving but perceptible, and let's face it. A chase for a terrorist extremist with a nuclear device is pretty hard to mess up in the thrills department. Maybe a little cliched, but Leder has some fun with it.

Starring together in 1997, George Clooney and Nicole Kidman are interesting choices for the leads.  Clooney was Mr. ER in '97, but he was clearly headed for bigger and better things. His Devoe is a solid lead; a driven, goal-oriented Intelligence officer who's fed up with the bureaucracy and wants results instead. His character is a little over the top at times, but it works mostly because Clooney was and is one of the more likable stars to grace the screen. As for Kidman, I think of her as more of an actress than a movie star so it's fun to see her in a more mainstream action flick. Neither character is developed much, just a duo hopping all over the globe in hopes of squashing this terrorist nuclear threat. Good performances when that's all a movie requires is not a bad thing.

To be memorable or at least positively reviewed, an action thriller has to have some worthwhile set pieces or action scenes. 'Peacemaker' has three high quality, memorable sequences like that. The opening train heist is a gem and sets the tone for the rest of the movie. The story truly finds its rhythm around the hour mark when Clooney's Devoe leads a helicopter assault across territorial lines into Russia (a no-no for those scoring at home). Ending in a shootout on a bridge over a gorge, it's a great chase sequence that is one-upped about 30 minutes later in the finale, a chase through downtown Manhattan in New York. As I think more about these scenes, maybe they are cliched, a little too familiar, but I fell for it. I went along with the action and enjoyed it right to the end.

Now onto the villains, always a nice thing to have in an action thriller. The script calls for two of the best, combining Russian Army renegades (including Aleksandr Baluev) with Serbian extremists (Marcel Iures and brother Rene Medvesek). The rogue Russian general is out for the money while the Serbians and their reasoning are at least partially explained. There is also a small but excellent part for Armin Mueller-Stahl as a Russian intelligence officer who's worked with Clooney's Devoe in the past.

Another case of ignoring the reviews. Just a good, old-fashioned and well-told action thriller. Oh, and George Clooney is cool.

The Peacemaker <---trailer (1997): ***/****

The Golden Compass

Is there a harder task when it comes to making movies than turning a book, a respected and much-loved book, into a big screen movie? First, there's almost no way to appease all the fans because there's no way you can do everything right. Second, many books would be better presented as a miniseries with plenty of time to develop plotlines and characters. Unfortunately, 2007's The Golden Compass falls into the category of a less than successful translation from book to big screen.

Just last week I finished the first book of author Phillip Pullman's trilogy dubbed His Dark Materials on a recommendation from my aunt and cousin. I typically avoid series like this, Harry Potter, Chronicles of Narnia, Twilight, but this one sounded interesting. It takes place in a universe similar to ours in a time that's hard to classify (Victorian England, early 1900s maybe?) that is full of great characters, an exciting story and a darkness to the proceedings that surprised me. Unfortunately, the movie struggled to deal with the story.

For one, director Chris Weitz says he shot enough footage for a 2.5-3 hour movie, but the final running time is a crisp 113 minutes. In other words, a lot of the story got left on the cutting room floor. There is a ton of potential in Weitz's movie, but it never lives up to what it could be. A 3-hour movie could have helped remedy this, but as is the story is muddled at best, characters go in and out for long stretches of time with little development, and the ending is changed pretty drastically from the book's ending which comes as a complete surprise and a perfect springboard for the rest of the series, which I am looking forward to reading. The plot description's going to be a doozy so brace yourself.

Living at Jordan College in England, Lyra Belacqua (Dakota Blue Richards) is an orphan, a young girl growing up without a care in the world as she explores the college and city with her friend, Roger (Ben Walker). One day her uncle, Lord Asriel (Daniel Craig) comes to visit her but to also ask the college for funds for a trip to the North Pole to explore a route to other worlds. Lyra desperately wants to go along, but Asriel refuses and leaves her behind. But strange things are happening, children are disappearing, including Roger, with no clues left behind as to what happened. For Lyra, a beautiful, polished woman of the world, Mrs. Coulter (Nicole Kidman) shows up asking if she'd like to be her assistant. Before she leaves, the president of the college pulls Lyra aside and gives her something, a Golden Compass, a device that can reads people's true intentions.

Everything is not so rosy as it seems with Mrs. Coulter, and it's not long before Lyra and her daemon (soul in animal form) Pantalaimon (voice of Freddie Highmore) must escape and head to the north in search of Roger and the other lost children. Along the way, she meets a variety of characters including John Faa (Jim Carter), Farder Coram (Tom Courtenay) and the Gyptian people, Lee Scoresby (Sam Elliott), a Texan aeronaut, Serafina Pekkala (Eva Green), a helpful witch, and Iorek Byrnison (voice of Ian McKellen), an armoured bear exiled from Svalbard, home of the bear kingdom.

Overwhelmed much? I read the book, and I'm a little overwhelmed at the amount of information thrown out there in the story. The obvious difference is that Pullman's book has a lot more time and space to introduce these many characters whereas the movie has about 2 hours to get this all accomplished. It's a shame because the casting is strong across the board. As Lyra, 13-year old Richards was a perfect choice. Craig makes the most of a small appearance as Asriel, and Kidman as Coulter is a nice twist on the typical character she plays. McKellen's voice didn't work for me as Iorek, but an armoured polar bear? Still cool. Sam Elliott is as always, very cool, as Scoresby.

Reviewing this movie is tough because there is A LOT going on, and a lot I could complain about from the overuse of CGI to the alterations to the story and the order it is dealt with to the different ending. Big picture is this, the movie as is in its 2-hour form is not very good. I don't know how much better a 2.5 or 3 hour movie could be, but it certainly couldn't hurt. I'd say give Pullman's book a try and then give the movie a try, not the other way around.

And I feel like I have to mention the Catholic Church's objection to this movie which I think is ridiculous. The Catholic Church is that paranoid guy who thinks everyone is always talking about him regardless of whether they actually are. In this case, a thinly veiled dig at the Church has a "Magisterium" trying to make its believers follow blindly with no thought. Like I said with the objections to the Da Vinci Code, if anyone takes their beliefs from a movie or a book, basically a work of fiction, the Church has bigger issues to worry about. End of rant.

The Golden Compass <----trailer (2007): **/****