The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."
Showing posts with label Mykelti Williamson. Show all posts
Showing posts with label Mykelti Williamson. Show all posts

Tuesday, September 16, 2014

Buffalo Soldiers

One of the most interesting stories to come out of the settling of the American west is that of the Buffalo Soldiers, two cavalry and two infantry regiments that served as an integral part of the Indian Wars. The regiments of African-American soldiers don't always get their due in American history. Where 1989's Glory told the story of the 54th Massachusetts in the Civil War, here we are with a story about the 10th Cavalry, 1997's TV movie Buffalo Soldiers.

It's 1880 in the Arizona territory with the 10th Cavalry, a regiment of black soldiers, stationed at Fort Clark. Among the cavalry regiment is H Troop with First Sergeant Washington Wyatt (Danny Glover) in command after the company commander is killed. Longtime veterans who have served in the American southwest for years, H Troop is full of capable soldiers who have battled Sioux to Comanches to now, the Apaches. Signs point to two warring Apache tribes joining up to wreak havoc across the territory, killing, pillaging and burning everything in their path. Tasked with preventing the link-up, Wyatt, H Troop and the 10th as a whole find themselves in a stickier situation when a new officer, General Pike (Tom Bower), arrives at Fort Clark, readily admitting he questions the abilities of these Buffalo soldiers. 

Way back in the 1990s, the cable channel TNT wasn't just about regurgitating major network TV shows and Hollywood blockbusters 24-7. One of the best parts of the network was their creation of a variety of made-for-TV movies, many of them focusing on the American west and biblical quasi-epics. I grew up watching them so it's cool now most of 15-20 years later to catch up with them. Check out many of them HERE. The scale is limited, but the quality from the acting and cast to the action is story is almost there...just don't expect $100 million gargantuan epics. This historically based western from director Charles Haid certainly qualifies, telling a relatively little-known story about the American west.

If you've seen 1989's Glory, a classic about the formation of the first all-black regiment in the Civil War, you have an idea of what you're getting into here. Even though the U.S. government backed the formation of black regiments -- both cavalry and infantry -- they weren't always supported whether it be from the government that formed them, the high-ranking army officers who commanded them, or the settlers and townspeople that depended on their protection. We see that in the new commanding officer, the doubting General Pike, his right-hand, prejudiced/racist Major Carr (Timothy Busfield), but also the other side, the supportive side in the 10th's commander, Colonel Grierson (Bob Gunton), and one of his company commanders, Captain Calhoun (Matt Ross). The conversations can be tough at times -- a multitude of uses of the 'N-word' -- but the reality of the history is there all over.

Our focus mostly is on Glover's Sergeant Washington Wyatt, a former slave from Mississippi who joined the army, has been there for years and climbed through the ranks. Now as a first sergeant in the 10th, he's respected by his men and for the most part, his superiors. Glover does a fine job with his performance, an incredibly capable soldier who is nonetheless limited by perceptions, regulations and in some cases, ignorance from those in command. We see those struggles, Wyatt instead trying to focus on doing his job and getting his men through as many scrapes as they can untouched. There's a cool dynamic with Pike's scout, John Horse (Carl Lumbly), a half-Seminole, half-black man who's also an expert scout. John questions what drives Wyatt, what pushes him to do what he does, and maybe most importantly, to tolerate what he does from those around him, including his superiors. The heart of the movie, and an excellent performance from Glover.

The rest of the Buffalo soldiers include a focus on Corporal Christy (Mykelti Williamson), Wyatt's close friend who always seems to be getting himself into trouble, and Sergeant Joyu Ruth (Glynn Turman), a grizzled veteran and another friend of Wyatt's. Also look for Lamont Bentley, Michael Warren, David Jean Thomas, Gabriel Casseus, and Clifton Powell as H Troop soldiers. I would have liked some more background on all these men, from Wyatt through the company, but some of the movie's strongest moments are those when we see the bond of friendship among the troop. Riding in formation on the trail, sitting around a campfire with a cup of coffee, doing upkeep on the fort, those are the moments that ring most true.  

The visual is there -- a cavalry company outlined against the setting sun on the horizon -- and the action is excellent, if not there in abundance. It can vicious and startling, but that's how it was in the fighting between the cavalry and the Apaches. It is only in the final act that things fall apart a touch. In hopes of doing what is right and just, Wyatt and H Troop do something that while noble could potentially cost the lives of countless others down the trail someplace. The story becomes a little too much in looking at the history with idolizing eyes, especially the final scene. It's a good movie, a pretty good TV movie, but brace yourself a little for the finale.

Buffalo Soldiers (1997): ** 1/2 /****

Wednesday, August 28, 2013

Forrest Gump

For some movies, it takes years for it to reach classic status, an accumulation of word of mouth, DVD sales, positive reviews. For others, it takes very little time, audiences flocking to see it in theaters like their lives depended on it. Released in 1994, Forrest Gump became an instant classic. Some 19 years later -- aaaahhhh! It's 19 years old!!! -- thanks to an insanely quotable script, great acting, and linear-story bending flashbacks and an almost non-stop replay on TV, it still is and still deserves its status.

Sitting on a park bench, Forrest Gump (Tom Hanks) is waiting for his bus. A fellow waiting passenger sits down next to him, and Forrest strikes up a conversation. He starts to tell the story of his life dating back to all his childhood memories, all of them right up until the moment that brought him to this bus stop. Raised by a single mom, Mrs. Gump (Sally Field), in rural Alabama, Forrest has an IQ of just 75. He's not mentally challenged, just a little slow, but his lowish IQ isn't going to stop him. Growing up, he meets Jenny, a young girl from a broken home and instantly becomes friends. From kids to adults, Forrest wants nothing more than to be with Jenny (Robin Wright), but their lives seem to be on different paths. What does Forrest's hold? Living in one of the most turbulent times in American history, Forrest's life is destined to be a part of some of America's biggest historical events.

As I watched 'Forrest' last night, a terrifying thought raced through my head. How do I even begin to describe this movie's plot? It basically defies any one-paragraph description because it covers so much ground, introduces so many characters, and does so with a unique storytelling device. For the most part, the story is told via flashback, Forrest sitting on a park bench, talking to a variety of passengers over the course of a couple hours as he waits for his bus. The people come and go, but the story continues on. Then, in the last 30 minutes, Forrest's story takes a step forward as his reasoning for waiting for the bus comes to light. It is a unique device, but it works. The Oscar-winning script from Eric Roth is a gem, the flashbacks working flawlessly, not to mention some great asides -- Forrest's namesake, Lt. Dan's family's military "history" -- fitting in effortlessly. Throw in a soundtrack featuring music from The Doors to Jimi Hendrix and a whole lot of classic songs, and we've got quite the formula.

Where to start though? Well, I think Tom Hanks is a fair place to start. Coming off his Oscar win from 1993 for Philadelphia, Hanks followed it up with....another Oscar-winning performance. Hanks has a career of really good to great performances to his name, but for me, it's easy to peg this one as his best. It's remarkable what he does with the character, avoiding stereotypes and cliches in bringing Forrest to life. He gives him all these great little mannerisms from a walk to putting his hands high on his hips, his very pronounced speech patterns to his little, quick moves that you pick up on multiple viewings. Forrest's IQ is just 75, but he's not mentally challenged in the least. He is smart in many ways, but he's also fiercely loyal, honest to a fault and takes life in stride no matter what's thrown at him. Hanks is phenomenal. His line deliveries are perfect, his inflections bringing these lines to life with that perfect Southern drawl. It has to be one of the most beloved characters in film history, and Hanks deserves every single accolade he got for the part.

Without a doubt, this is Hanks' movie, but part of the fun and enjoyment is meeting all the people that Forrest meets in his life. Wright does a fine job as the love of Forrest's life, Jenny, a young woman who explores all the 1960s and 1970s can offer, sex, drugs and everything in between. With repeated viewings, I've come to like Jenny less and less -- Forrest deserves far better - but Wright makes the character a human being, commendable in itself. Field too is perfect, the ideal mother, a woman who does anything she can to provide for her son. Gary Sinise delivers a career-making performance as Lt. Dan Taylor, Forrest's commanding officer in Vietnam, a relationship that goes far beyond the battlefield. Mykelti Williamson does just the same as Benjamin Buford Blue, or simply, Bubba, Forrest's best friend he meets in basic training before heading to Vietnam together. Also look for a very young Haley Joel Osment (just six years old) in a key supporting role late in the movie.

What's remarkable about the story is how much ground in terms of character development and actual years it covers. Forrest is born in the late 1940s in Alabama so he grows up in the midst of the Civil Rights movement as the deep south goes through the definition of turbulent time. The story is obviously pretty episodic, following Forrest through all the different parts of his life. At different points, he goes to the University of Alabama as a football star, heads to Vietnam as a rifleman in the infantry, develops into one of the world's best ping pong players, becomes a shrimping boat captain, and runs across the United States multiple times among many other smaller things. He meets multiple presents including JFK and Nixon while also being involved in the Watergate scandal, the desegregation at the University of Alabama and meets everyone from a young Elvis Presley to John Lennon. Some cool CGI techniques actually insert Forrest into some footage from the 60s/70s, giving it all a sense of reality and authenticity as the years pass.

It has to be mentioned that this is a script that helped turn 'Forrest' into one of the most quotable movies of all time. Director Robert Zemeckis -- winner of the Oscar's best director that year -- has a gem, a movie with countless memorable scenes. Ask anyone who's seen this movie, and no doubt they can recite at least a handful of lines. Everything from 'Run, Forrest, rrrrrrun!' to 'Life is like a box of chocolates, you never know what you're gonna get,' 'My name is Forrest, Forrest Gump' to 'That's all I have to say about that' and everything in between. It works and flows from scene to scene, unifying an episodic story that runs an always entertaining 142-minutes. The story never drags and instead races by, the two-plus hours going by in a flash.

Above all else, I keep coming back to Hanks' performance as Forrest Gump. I rewatched this movie in one viewing recently for the first time in years, and I liked the performance more than ever. He holds all the story together, drama, human emotion good and bad, action, comedy, romance, unifying it all. Forrest has a scene late with Wright's Jenny, talking about all the beauty the world has to offer, a sunset at sea in the Gulf of Mexico, the rain letting up in the Vietnam night, the sun rising in the desert mountains. He talks about the purpose of life, drifting along without a purpose or working toward a destiny. Forrest reasons that maybe life is somewhere in between, finding your own path. It's a beautiful monologue, perfect in its simple honesty. That's the movie. A moving, very emotional, very funny story with great performances and too many great moments to mention.

Forrest Gump (1994): ****/****