Oh, goodness, here we are again. I swear Hollywood has no originality. N-O-N-E at all. Remakes are one thing when an original calls for it. If the original doesn't live up to its potential or is in a situation where a remake would benefit it, then so be it. That of course, is not the case. Hollywood ain't interested in potential or what should have been. Instead, it's all about the $, and that's all you really need to know about 2012's Total Recall.
It's near the end of the 21st Century, and following a global war, little exists of the world we know now. The only habitable regions are the United Federation of Britain (UFB) and the Colony (Australia). Problems have arisen in this new society as a possible invasion looms, the UFB and its governor (Bryan Cranston) threatening to attack the resistance. Among the citizens is Doug Quaid (Colin Farrell), a factory worker who lives with his wife, Lori (Kate Beckinsale), but he's frustrated with his life and starting to question certain things. He wakes up at night with memories of vivid dreams so he investigates, going to Rekall, an experience via software that allows you to "obtain" memories. What awaits Doug is a complete surprise. He has a hidden past that even he is unaware of, and it's a past that involves the government, the governor and many more secrets.
So if you're not aware, this basic story was first used in a film in 1990's Total Recall starring the Govern-ator himself, Arnold Schwarzenegger. It's an above average sci-fi epic that overcomes some general cheesiness to be a pretty good movie despite some special effects limits. It's also not completely fair to say this is a remake because it is based off a short story by author Philip K. Dick, but for all intensive purposes....that's just what it is. So yes, this 2012 version is its own movie. It tweaks certain things to make it "Its own movie," but does it really matter? Sorry to go all Old Curmudgeon on you loyal viewers, but I can't help. Some 22 years have passed. Did we really need a remake of a movie that yes, is pretty good, but is it anything more? Nope, and that's what I find frustrating.
Well, the movie was remade so no point crying over spilled milk. The biggest improvement are the incredible advances made over the last 20-plus years in CGI and basically anything associated with computer visuals. The 1990 Recall has a somewhat cheap look, but that's not the case in director Len Wiseman's film. A look at a futuristic dystopian society in the right hands is a fast ball down the middle. The UFB and the Colony are ultra-cluttered, buildings seemingly piled on top of each other as they tower up to the sky. The CGI is incredible, and the story itself presents some very interesting premises. The concept of Rekall itself is pretty cool, implanting memories that seem real. Means of transportation especially stand out, including an expressway of sorts with hover cars floating and moving far above the city. The biggest standout though is the Fall, a way of getting from Britain to Australia in just 17 minutes, a free-falling train that literally falls through the Earth via gravity, reversing its gravitational pull near the core. Scientifically implausible? I'd assume, but it's pretty cool.
If you seek this movie out, I'll recommend it for one main reason; the action. Done on an impressive scale and handled about as ideally as possible, I came away very impressed with the action. Always a bonus, the action varies in type, not limiting itself to one chase scene after another. The highlight has Farrell's Doug running from government forces with Melina (Jessica Biel) and eventually ending up trying to escape courtesy of the hover car expressway. Police and government forces are in high pursuit in action scene that will hopefully get the adrenaline pumping. So without expressing and explaining every little thing about the action, just know that's it the best thing going here and a real highlight.
What isn't as impressive is the acting/characters. Farrell is one of my favorites regardless of the movie, but this isn't his best work. Chalk up part of that to the script which doesn't do him much in the way of favors. His Doug Quaid is full of mystery and confusion -- what and/or who exactly was he previously? -- but it's never a truly well-written character. The more interesting parts of Quaid are the things we eventually find out about him. Biel is necessary but pointless eye candy, around because a movie of Farrell running around would be dull. Beckinsale is a movie stealer as Lori, seemingly the perfect wife but she's got secrets of her own. She ends up being a villain that is surprisingly effective in its ability to keep us guessing. Cranston is Cranston, imposing and intimidating with a touch of slime and greed. Also look for Bokeem Woodbine as Quaid's work friend, Bill Nighy as a resistance leader and John Cho in one scene as a Rekall specialist.
My biggest takeaway from this 2012 remake was pretty blase, even a little mediocre. It's far from good but never really amounts to anything good, above average or memorable. Like so many remakes, it just isn't necessary. It tries to do enough to distinguish itself from its predecessor, but for anyone with even a few working brain cells and/or ability to remember anything, this movie will come across as nothing more than an average, enjoyable time-waster.
Total Recall (2012): ** 1/2 /****
The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."
Showing posts with label Kate Beckinsale. Show all posts
Showing posts with label Kate Beckinsale. Show all posts
Wednesday, February 6, 2013
Tuesday, July 24, 2012
Contraband
With absolutely nothing new, unique or even
partially original about 2012’s Contraband, you might think this is the start
of a very negative review. You would be wrong although to be fair it’s not a
particularly positive review either. It’s an entertaining enough movie that
drifts and drifts some more, borrowing liberally from countless other crime
thrillers.
Putting his smuggler past behind him, Chris
Farraday (Mark Wahlberg) has moved on with a clean slate and a family,
including wife, Kate (Kate Beckinsale), and two boys. He’s well known for his
smuggling abilities, but he’s decided to move on until his brother-in-law, Andy
(Caleb Landry Jones), opts to become a smuggler for himself. Things go poorly on an
operation, and now murderous, intimidating thug Tim Briggs (Giovanni Ribisi) is
threatening Andy, and even Chris and his family, demanding a debt be paid. He
wanted to leave the smuggling world, but now for the safety of his family,
Chris heads to Panama to pull off one last job. Time may be running out though.
I didn’t go into this movie with particularly high
expectations. I went into with moderate hopes, mostly because I’m a big fan of
Mark Wahlberg and little else. More on the star later, but the movie is
immediately hamstrung by a complete lack of originality. It’s “borrows” the
most from Gone in 60 Seconds with a dose of Heat, Fast Five, The Town and
basically any other crime thriller of the last 20 years thrown in for good
measure. The positive? All those movies are good so by association,
‘Contraband’ can’t be truly bad. The negative? It can’t be truly good either.
You’ve seen it before so it’s hard to go along with the movie. The New Orleans locations provide a cool backdrop as well, but as far as originality, that's as far as things go.
With all those different elements working against
and with each other, the story is one mess on top of each other. Forced to get
back into smuggling (well, sort of, Chris actually really loves smuggling and
all its adrenaline-pumping thrills), he figures a plan effortlessly and without
much preparation. Apparently, the black market and smuggling world is easy to
get back into after being away for years starting a family. Once Chris does get on board a ship heading to Panama (captained
by a bullying but mostly clueless J.K. Simmons), things come together even
quicker. The story drifts along as Chris and partner-in-crime Danny (Lukas Haas) get dragged into a
Panamanian armored car robbery – random detour much? – with Diego Luna's gangster in a race against time. The
goal is always the same – save the family – but getting there takes far too
long.
Thanks to a Saturday Night Live skit over the last
couple years, Wahlberg has taken more abuse than usual pertaining to his
one-note acting range. It’s hard to argue with the criticism, but because he’s
such a likable star on-screen, it’s also hard not to root for Wahlberg and
enjoy his movies. I’ve read comparisons to him as a Charles Bronson for the
2000s, and that’s a pretty spot-on comparison. He is an actor and a movie star
very comfortable in a certain niche with a specific part. Shakespeare might not
be his ideal role, but a former smuggler turned pissed off family man? That’s
about as perfect a part as possible for Mr. Wahlberg. Oh, and he’s cooler than
you so don’t mess with him or his family.
Filling out the rest of the cast, certain names
pop out but because of that bouncy script, but no one leaves a really positive
impression. Beckinsale is given nothing to do other than to look like she loves
Wahlberg in a few scenes, act terrified in a few others, and then look lovingly
at Wahlberg again. Damsel in distress most definitely. Simmons is wasted as
Capt. Camp unfortunately, his intentions all over the place. Ribisi hams it
up as only Ribisi can, an indecipherable accent mixed with amazing facial hair
and tattoos bringing this character together. Who else can ham it up like
Ribisi? That would be Ben Foster as Sebastian, Chris’ former partner in crime who gets himself into some $ trouble,
but is not given much to do in a predictable supporting part. Also look for as Chris’
current accomplice, and William Lucking in a quick part as his dad.
Entertaining and mindless enough, but not worth
more than one watch. And I’ll just say this and be done with it. Yes, I know
it’s a movie, and yes, I know we’re supposed to root for someone here.
Wahlberg’s Chris is an anti-hero because the movie requires it, but he’s
smuggling millions of dollars of counterfeit money into the U.S. Huh? I realize
it won’t actually cripple the U.S. economy, but it did seem a weird touch.
Should we actually be rooting for him? Eh, who cares? Look, more gunfire and
explosions!
Contraband <---trailer (2012): ** ½
/****
Labels:
2010s,
Ben Foster,
Giovanni Ribisi,
JK Simmons,
Kate Beckinsale,
Mark Wahlberg
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