Black Narcissus

For hundreds and thousands of years, missionaries have tried to spread their beliefs and principles to the unexposed, those who are unaware and might or might not be willing to change. Film has explored the life and goals of missionaries countless times -- some better and less pretentious than others, but I've watched one that defies description and any predecessor or anything since, 1947's Black Narcissus.

An order of sisters has received an invitation from an Indian general (Esmond Knight) to come to his region and work at a convent and work with the people. Sister Clodagh (Deborah Kerr), a young nun, has been chosen to lead the new convent and is sent to the isolated mission/convent in the Himalayas with four nuns traveling with her, all of them with special skills designed to make the transition easier. The five nuns arrive to find a world unlike anything they've experienced with Mr. Dean (David Farrar), the only white man around for miles, a sort of unofficial guide for them. Clodagh and the sisters settle in, but nothing seems to work for them. Their intentions are pure, but it seems they are doomed to failure from the start.

This is maybe the most beautifully shot movie in the history of movies. Let's get that out there early and let that sink in. Visually stunning, breathtakingly beautiful and frightening at the same time with the credit going to cinematographer and future director Jack Cardiff. Full of color -- from the whites and blues of the nuns' clothes to the vibrant colors of the Indian villagers -- almost every single shot could be freeze-framed and placed on your wall as a work of art. The mission built into the side of a cliff is almost other-worldly (even if the sets were in a studio with liberal and spot-on uses of matte paintings). The wind never stops blowing and the air is always clear at this mission that seems to float above the world. Call it over-analyzing, but it almost serves like a purgatory of sorts for these nuns where a decision must be made on which direction to take. More on the visuals to come.

What originally caught my eye when I read the description at TCM's website was actually a picture....this ONE. Besides the chill that went up my back when I saw it, I knew this wasn't going to be a typical "clean," white-washed missionary story of the 1940s. A character study of nuns and the Indian villagers, yes, but this movie is not that simply described. This movie has all the tension and scares of a Gothic horror movie. We're talking an incredibly uncomfortable movie to watch. With some major spoilers, check out the pictures at THIS review. I thought the movie was going one way, and then it goes another, turning on a dime. I started to question exactly where it was going, what it was building to and was genuinely surprised where it ended up. The last 20 minutes are a straight horror film from the choir singing (with composer Brian Easdale's score) to Cardiff's unsettling visuals.

The visuals, the uniquely dark storytelling, all of that has helped make Black Narcissus a classic over the 60-plus years. However the acting is just as worthy in bringing up even if it's somewhat overshadowed by the visuals and that sense of impending, building doom. Just 26 years old at the time, Deborah Kerr does an amazing job as Sister Clodagh, a young nun who's joined the order because of an incident from her past. Wearing her immaculate white uniform, her face wrapped up tightly, Kerr looks angelic in the part. She doesn't resent her posting, fully committing herself to making it work, but she immediately sees that basically everything in front of her is working against her. Farrar's Dean is an interesting counter, a somewhat mysterious Englishman who's drifted east to India. Why exactly? We never find out. A tortured soul just the same, he serves as a sounding board for Kerr's Clodagh.

Sister Clodagh's nuns include Sister Philippa (Flora Robson), the oldest of the nuns and one struggling with her reasoning for her faith, Sister Honey (Jenny Laird), the youngest and most naive of the group, Sister Briony (Judith Furse), the strongest physically and the healer, and Sister Ruth (Kathleen Byron), the most fragile one who starts to become unhinged mentally. As a group, they're uniformly solid, but it is Byron (with the creepiest, most unsettling eyes EVER) who steals the show. Star of The Jungle Book, Sabu plays the Young General, the son of the older General, a young man trying to learn as much as he can through the sisters. Eddie Whalely Jr. plays Joseph, the Indian boy working with the sisters as a translator, and May Hallatt as Ayah, the somewhat off live-in caretaker of the cliff-side mission. Also making an appearance without saying a word in a key part is the very white Jean Simmons (with heavy makeup) as Kanchi, the Indian girl with a reputation.

I very much enjoyed this movie, or at least as much as you're supposed to enjoy a creepy, moving and unsettling story of five nuns working a mission in the Himalayas. Maybe 'enjoy' isn't the right word. I think we're supposed to appreciate a movie like this more than anything. I don't know if I got the dark message 'Narcissus' worked toward or if I missed something, but it is a movie unlike any I've seen.

Black Narcissus <---TCM trailer/clips (1947): ****/****

Dark of the Sun

Where the wild west had its gunfighters, hired gun and bounty killers, the 20th century had its mercenaries and soldiers of fortune. Action movies have certainly played that angle, men with no allegiance to country or morals, just whoever will pay them the most money. Of course, it's not like mercenaries just popped up on the radar in the 1900s, they've been around for as long as there's been fighting and war going back to ancient Egypt all the way to the American Revolution when German soldiers fought alongside the British.

But in the 20th Century conflicts all around the world allowed mercenaries to step into the limelight, and nowhere is that reflected more than in the movies. Films about soldiers of fortune that come to mind include several set in Africa where government coups, overthrows and assassinations dot the continent's history. Movies like The Wild Geese, The Dogs of War, and 1968's Dark of the Sun all follow the exploits and adventures of mercenaries working on the Dark Continent with all the political unrest giving them a chance to make heaps of cash.

Recruited by Congo president Ubi (Calvin Lockhart) and offered a large sum of money for their services, mercenary duo Capt. Curry (Rod Taylor) and Sgt. Ruffo (Jim Brown) agree to take on a dangerous mission in war-torn Congo in the early 1960s. They must travel almost 300 miles into enemy territory to a town housing a diamond mine. Their goal is to rescue some 60 refugees there and to find over $50 million dollars in uncut diamonds before Ubi's enemy General Moses and his Simba force can get them. Given just three days to accomplish the mission, Curry agrees.

The veteran mercenary begins to plan with his long-time friend and second in command, Ruffo, finding several officers to go along, Henlein (Peter Carsten), a German officer and former Nazi who's more interested in the diamonds than anything else, Surrier (Olivier Despax), a young Frenchman, and Reid (Kenneth More), a drunken doctor who's worked previously with Curry. With 40 soldiers from Henlein's Strike Force Blue along, Curry's column moves out on a heavily-armed train for the town 300 miles down the track, hoping to beat their deadline and avoid the brutal Simba forces.

This is an action movie with a message, but not one that director Jack Cardiff hits you over the head with. Curry is solely on the job for the cash payout he'll get upon delivery while Ruffo -- a native of Congo who was educated in the U.S. at USC -- takes the job because he sees it as a way to help his country out. The friendship between the two men is genuine, but there is conflict over their beliefs between them. Taylor and Brown are an excellent combo together and have some great scenes together as they discuss why they do what they do and what drives them inside. The ending brings this full circle with one character doing a 180 from where he was at in the beginning of the movie. For a change, it's nice to see some of the motivation these tough guys have instead of endless action scenes.

But all that message stuff aside, this is one of the great action movies of the 1960s that's never really gotten its due, thanks in great part to the lack of a DVD release from a major studio. It is a mercenary movie after all. The first half hour or so is used to set the story up but in an entertaining way as the characters and their dynamics among the group are established. But once the train takes off into Simba territory, it's never very long between action scenes. The tension between Curry and Henlein escalates quickly into a fight with a chainsaw, and that's even before the Simbas attack. These action scenes are highlighted by an extended segment midway through the movie as Curry must wait on a time-released vault to get the diamonds with a Simba force drawing nearer in an incredibly tense scene, and then the recovery of those diamonds later. Made in 1968, 'Dark' also takes advantage of the recent changes in on-screen violence with some very graphic scenes.

Other than Taylor and Brown, this isn't a cast of stars. Never a huge star to begin with, Taylor is excellent as Curry, the hardbitten soldier, and with the always tough, always reliable Brown form a good team. Carsten ends up being a strong villainous presence, and Yvette Mimieux has a smallish part as Claire, one of the refugees the train picks up. Filming in Jamaica instead of Africa -- understandably so considering the time -- it's a nicely-shot movie, aided in great part by Jacques Loussier's sweeping score (watch the title sequence here) which Quentin Tarantino sampled in Inglourious Basterds.

One of those movies that is not well known, but it is one of my favorites. Hopefully down the road there is a DVD release somewhere in sight, but until then I'll stick with my tape from a TCM showing. If you do stumble across it on TV, give it a try. Lots of action and excitement to get the blood and adrenaline flowing.

Dark of the Sun <----trailer (1968): *** 1/2 /****