The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."

Wednesday, September 23, 2009

The Magnificent Seven Ride!

Probably the darkest and most cynical of the four movies, 1972's The Magnificent Seven Ride! is undone by any number of things starting from the apparently very cheap budget which affects the sets, the story, and surprisingly enough, the musical score from composer Elmer Bernstein. Ah, who knows? Maybe the studio thought adding an exclamation point in the title would fix all those problems. Close, but no cigar United Artists.

A good place to start is with the story/script. It's basically two movies which if done separately might have been good, or at least two hour-long TV shows. But of course, that might be too easy to do. My main issue though is simple, the new Magnificent Seven aren't even introduced as a group until an hour into the movie. Say what you want about the first three Mag7 movies, but Chris in anyone of his forms was putting together each group of 7 within the first 15 minutes or so. Not so here which starts a completely different storyline before even getting to a new group of specialists.

Now with a badge on his shirt, Chris Adams (Lee Van Cleef) is a marshal in a small western town with a new bride, Arilla (Mariette Hartley). Chris has built himself up quite a reputation as a tough law officer, but his wife convinces him to let go of a young prisoner she believes made one bad mistake. He does, but the boy joins a gang and during a bank robbery, they kidnap Arilla and ride out. Chris, joined by a writer, Noah Forbes (Michael Callan) trying to document his heroics, head out after the gang, only to find Arilla raped and murdered and the trio of youngsters split up.

Out on the trail looking for them, Chris meets an old friend, also now a sheriff, who is trying to stop a bandit and his gang from attacking their town. Chris declines the invitation to help, and it's not long before the friend and his posse are shot down. Feeling guilt for what he chose not to do, Chris finds the town, sans men, now occupied by just the widows, including Stefanie Powers (with some big 70s hair too) with the gang's return seemingly imminent. With no other option, Chris and Noah recruit five prisoners from the Tucson Territorial Prison (think crappy Dirty Dozen story) to help them defend the town.

The Seven: Van Cleef is an interesting choice to replace Yul Brynner and George Kennedy as Chris. A huge star because of his success in Europe, Van Cleef brings an edge to the character we haven't seen before. For him after losing his wife, he plans the town's defense like a suicide mission fulling expecting to die in the process. An interesting twist on the character for sure. In the quasi-McQueen sidekick part, Callan plays Noah as a whiny, cheap writer who questions Chris' actions, only to...gasp...come around in the end. It could have been a cool character to add to the mix, but Callan comes across as just plain annoying.

Now for the Mag7: Convict Style which seems like an easy way to keep the story moving by taking an idea from a different movie. Making it worse, none of the five convicts are developed much at all. There's Skinner (Luke Askew) and Pepe (Pedro Armendariz Jr), two gunfighters who'd like nothing more than kill Chris, Walt (William Lucking), the strong, silent type good with a shotgun, Hayes (James Sikking), a former Confederate officer adept at planning battle strategy, and Elliott (Ed Lauter in his first movie), the explosives expert. The only ones making much of an impression are Askew and Armendariz, more so because they act cool than any sort of development they have.

The "Villain": In the original, Eli Wallach's Calvera is introduced, disappears for an hour and then returns with a vengeance late. In 'Ride!' the lead bandit has one line the whole movie (a classic delivery of 'Vamanos!' if you ask me) and is played by acting powerhouse Ron Stein, a stuntman known for his parts in the Planet of the Apes TV series as 'First Gorilla.' The villain is totally wasted here and not a presence at all.

Another test of how good/bad movies can be is the groan test. How many times watching the movie do you groan at some cheesy line, horrible special effect, or set falling apart in the background? This one has its fair share including my personal favorite, 'I, Chris, degrade your woman!' in a message to Stein's De Toro character. Also, the widows left in town were gang-raped by De Toro's men and just found out their husbands are all dead. They sure cozy up to these new men awful quick, including Chris (wife raped and killed) snuggling up with Stefanie Powers (gang-raped, husband murdered, has to care for children...) days after all the bad news hits. Now that's a good script.

Besides the lack of a good story, the film has the look of a made-for-TV movie because it was filmed in the Hollywood backlots on a variety of generic looking sets straight out of Gunsmoke or Bonanza. The positive to take away is the final battle as De Toro and his men finally attack the town, but even then it's a measured positive. We know little to nothing about these men, but are supposed to feel something for them when they begin to drop like flies? Yeah, good luck with that. A disappointment all around and a sorry end to the four Magnificent Seven movies.

The Magnificent Seven Ride! <----trailer (1972): * 1/2 / ****

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