Just more proof that studios don't have to rely solely on remakes and rehashes? 1972's Buck And the Preacher, a western documenting the story of former slaves moving west in the years following the Civil War. It's a unique story that I can't even think of a similar movie to compare it to. But no, we get remakes of remakes or high quality movies like 'I Hope They Serve Beer in Hell' which I haven't seen but feel safe saying it's not an instant classic. The stories are out there, studios just have to find them.
In his directorial debut, star Sidney Poitier presents a story unique in both its presentation and characters. But before I get long-winded, it all boils down to this; the story of African American families moving west for a new, better life following the Civil War. Westerns so often focus on the gunfighters and the Indian wars that stories like this get lost in the shuffle. Black characters are often supporting characters or in the background but not here. The main characters are all black, and to be honest I can't think of another western even remotely like it.
Trail guide Buck (Poitier) makes his money guiding wagon trains of black families west with hopes of establishing them with new lives in their new found freedom. The memories of the Civil War are still fresh in people's minds and maybe more importantly, the prejudices and racism still exist. Group of riders called 'Nightriders' harass and terrorize these wagon trains, shooting them up and scaring them into heading back east. One particular group, led by a man named Deshay (Cameron Mitchell), attacks one of Buck's trains leaving them with no money and little food to last out the coming winter.
Forced to work together with a con man preacher (Harry Belafonte) he keeps crossing trails with, Buck must think of some way to not only get money for the stranded wagon train but also avoid Deshay and his men. The unlikely duo is forced to take drastic measures, enlisting the help of Buck's wife Ruth (Ruby Dee) along the way as Deshay's murdering posse closes in to finish them off.
A buddy movie rolled together with a story that actually has to say something worthwhile, Buck and the Preacher was a pleasant surprise for me. Reading about it in advance, I got the sense it was a comedy, and while there are several funny moments, it's much more of a serious drama. Poitier as Buck is the typical western hero, resolute in his plans and a man who's word is as good as gold. He will stop at nothing to help the people he's promised to lead. Belafonte gets the scenery-chewing role as the Preacher, a man always ready with a Bible verse but who will also pull a gun on you if need be. Their uneasy friendship/alliance is a pleasure to watch from beginning to end, and in some ways reminded me of Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid with their bickering.
Background information is slowly filtered out about Belafonte's character, but even then it is a hard character to read. He is clearly out to help himself, others be damned, but when backed into a corner he fights as hard as anyone else. The finale is a good one as Buck and the Preacher seem to be cornered on a rocky summit with a posse quickly surrounding them. As Buck's wife Ruth, Dee is a strong presence with Poitier. It's a small role, but just like her husband, Ruth is willing to stand up for what's right when the time comes. As the villain, Mitchell isn't given much to do other than look menacing, which he pulls off well.
Other important supporting parts include Enrique Lucero and Julie Robinson (Belafonte's wife in real life) as an Indian chief and wife who is a somewhat unwilling ally of Buck. While the movie's focus is on the black families moving west, it's interesting to see the interaction with the Indians. It's two different groups of people, but in many ways they are very similar in the way they were treated by other cultures, especially whites. It's just one more aspect of a unique, interesting western with a message. Definitely give this one a shot.
Buck and the Preacher <----trailer (1972): ***/****
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