Furious 7

When I think back to the first time I watched 2001's The Fast and The Furious -- probably about 13 years ago -- I remember liking it but not loving it. I can safely say I never thought that six movies later the franchise would be stronger than ever, and that I also would be disgustingly excited for each new entry. I've been counting down the months, weeks and days until the latest franchise entry. Maybe you've heard of it, a little movie released in theaters this past weekend, Furious 7.

Having put their mission in England and Spain behind them in putting away Owen Shaw, Dominic Toretto (Vin Diesel) and his crew of street racers and drivers have moved on. Well, that's the plan at least. Having moved back to his old stomping grounds in Los Angeles, Dom, friend and partner and crime, Brian O'Connor (Paul Walker), and his sister, Mia (Jordana Brewster) barely survive an explosion from a bomb sent their way by Shaw's older, more dangerous brother, Deckard (Jason Statham). Worse than that? Their friend, Han (Sung Kang), has already been killed by Deckard who has vowed to dispatch anyone involved in the attack on his brother. As if the younger Shaw hadn't been good enough, now Dom, Brian and the crew are going up against the very best. Their best hope of getting Shaw before Shaw gets them? Teaming up with a government agent who knows the perfect way to bring that confrontation into reality.

Let's start with the uncomfortable. Star Paul Walker tragically passed away in November 2013 as filming was in high gear for this action-packed sequel. His death left the production in a troubled state. Should they continue on or abandon the project? How would the Brian character be treated in terms of a send-off? In stepped Walker's brothers Caleb and Cody who helped stand in for their brother in scenes that hadn't been filmed yet. Some brotherly look-a-likes, some quick CGI work, yeah, it stands out at times the scenes Walker wasn't there, but it's never distracting. Is it a difficult movie to watch at times knowing it will be Walker's last? Hell yes, but it is a fitting send-off for an incredibly likable actor and movie star.

The movie itself, well, it continues on without missing a beat. In steps director James Wan, replacing Justin Lin who had directed the last 'Fast' entries starting with 'Tokyo Drift.' I was a little wary, but Wan follows the formula that's made these movies so successful and amps it up quite a bit. The biggest compliment I can give here is that this is the type of fun, ridiculously over the top entertainment that movies SHOULD be. These movies are F-U-N from beginning to end. 'Furious' is the longest such entry at 137 minutes, but it never even remotely feels long. The pacing and story actually fly by. It's far from the most pointed story and drifts along with crazy action sequences filling in the blanks, but you go along for the ride. Pun intended by the way. This is a popcorn movie at its absolute freaking best.

Yes, the action is ridiculous and will be discussed later. I have thought and continue to think that the heart of these movies is the characters. Seven movies in, you're familiar with them. You like them and you're rooting for them. That starts with Vin Diesel as Dominic Toretto, the team's leader, a philosophizing, growling street racer who holds family and loyalty above all else. Mess with his family and brace to incur his wrath. The most important relationship is between Dom and Walker's Brian, a brotherly relationship that has gotten better and deeper with each passing movie. These aren't the youngsters of 2001's original film. They're a little older, a little wiser, but they're still two of the best, most skilled drivers around. Their dynamic throughout is the real heart of the movie, two friends off-screen who allow that friendship to carry over onto the screen.

But wait, there's more! Basically the whole team is back. Unfortunately Dwayne Johnson isn't around much for his part as muscle-bound, one-liner spewing Agent Hobbs. He's there at the beginning and end but not the middle. When he's there, it's prime stuff. He just brings an energy to the character no matter how long he's around. Along with Brewster's Mia, Michelle Rodriguez, Tyrese Gibson, and Ludacris are all back. Rodriguez's Letty is slowly getting her memory back and gets some surprisingly effective scenes with Dom about their past. Tyrese as fast-talking jokester Roman Pearce and Ludacris as tech and hacker extraordinaire Tej provide some comic relief, a one-two punch who consistently get laughs from their bickering back and forths. Kang and Gal Gadot make quick appearances in footage from the previous movies and in a cool touch uniting the seemingly disjointed timeline of the franchise, Lucas Black reprises his role from Tokyo Drift as young driver Sean Boswell. Just a fun cast who are familiar with their characters and continue to bring them to life.

What would a successful franchise be without some fresh blood? Expanding on his surprise appearance at the end of 'F+F 6,' Statham has some fun as Deckard Shaw, a brooding, menacing villain who isn't given much to do other than pop up and wreak havoc at the least opportune time. I wish he was given more to do, but it's Statham in villain mode. That's rarely a bad thing. Other new faces include Nathalie Emmanuel as Ramsey, a world-class hacker, Djimon Hounsou as an international terrorist and Tony Jaa as his brutal enforcer, and UFC fighter Ronda Rousey as a bodyguard who tangles with Rodriguez's Letty. My favorite new part? Kurt Russell having a blast as Mr. Nobody, an incredibly capable, dangerous government agent who teams up with Dom and Co. to bring Shaw to justice. Russell is smiling almost every scene he's in, and it looks like he's genuinely having some chaotic fun.

Most movies would be hard-pressed to improve on the action of its two predecessors, Fast Five and Fast and Furious 6. '7' manages to do just that. The action is flat out, over the top, ludicrously nuts, never possibly exist in this reality type of action. Car chases in abundance, Statham taking on Hobbs early and then Diesel in the finale, Rodriguez and Rousey tearing each other up (in some classy gowns at that), it is all NUTS. It works though because the story and characters commit. It never plays out like a spoof. So yes, there's cars dropping out of a plane and parachuting to take down an armored convoy. Yes, the attack is nuts. Yes, Dom and Brian crash from one skyscraper to another....and another in Abu Dabi. The finale itself is probably about 30 minutes long and just a smorgasbord of excessive action on the streets of Los Angeles. Car chases, fist fights (with wrenches), helicopters and missile-loaded drones....and very few cops in sight. Go along with it and have some fun.

I read heading into this sequel that Wan and Co. filmed a poignant tribute to Paul Walker for the finale. Yeah, about that...it's a perfect, moving ending. And no, those aren't tears in my eyes. I'm allergic to something, anything, whatever. Don't Judge Me!!! The final scene and a quick montage of Walker's involvement in the series is beyond a perfect send-off to the very popular movie star and actor. If this is the end of the series, so be it. This was a more than worthy finale. If it isn't -- supposedly there's at least 2 more sequels coming -- I'll welcome them with open arms. This is that rare series that has gotten better in the second half of its run. Judging by the box office money on opening weekend, I'm not the only one to feel that way. It made $400 million this weekend internationally. 400 MILLION!!!! That perfect popcorn movie and a fitting finale for Paul Walker's Brian O'Connor character.

Furious 7 (2014): ****/****

Guardians of the Galaxy

The summer of 2014 hasn’t exactly been a stellar one for big, huge, gigantic, popcorn-guzzling blockbuster flicks. Yeah, I liked 22 Jump Street, Edge of Tomorrow, and Dawn of the Planet of the Apes, but for the most part, there hasn’t been a Batman, a Superman, an Avengers, a HUGE summer movie. What’s been the flick that made the most money? One that deserves its distinction as the summer’s highest-grossing flick, 2014’s Guardians of the Galaxy.

It’s 1988 and young Peter Quill runs from a hospital room where his mom just died. As he sits in an open field, a spaceship flies over him, a huge light shining on him. Some 20 years later and now all grown up, Peter (Chris Pratt) has become an outlaw, dubbing himself Star Lord, with a growing reputation (so he thinks) in a far-off universe made up of countless planets and species. He’s managed to steal a seemingly normal orb for a buyer, but he’s stumbled into something bigger than he knows. The orb is incredibly powerful and whoever possesses it could control the universe. With some unwilling allies, including Gamora (Zoe Saldana), an experienced assassin, Drax (Dave Bautista), an enormous warrior, Rocket (Bradley Cooper), a genetically-mutated, talking raccoon who’s become a bounty hunter, and Groot (Vin Diesel), a humanoid tree capable of regenerating), Peter must prevent the orb from falling into the wrong hands…if this crew can pull it together.

If there’s a such thing as a “risky” flick in the Marvel Universe, this one was it. No huge stars, no Iron Man or Captain America or Thor or Hulk, and a story in a far-off universe where many to most viewers have no history…yeah, I guess that is a little risky. Now all that said, $500 million at the international box office seems to indicate that movie-going audiences don’t really give a crap. If it looks good, we’ll give it a shot. Director James Gunn turns in a gem, a movie that shrugs off all those concerns to tell a story in a far-off universe with all sorts of weird characters and species that’s a heck of a lot of fun. Dramatic, funny, entertaining, well-written, action-packed, unique and transporting viewers to a really cool universe. An easy one to recommend.

This is a movie that knows where it comes from in terms of the science fiction genre. It has touches of everything from Star Wars and Star Trek and The Avengers. On another level, it eats up a chance to add a new layer to the men-on-a-mission concept with films like The Guns of Navarone and The Dirty Dozen. Touches, yes, but this is its own movie. It seeks out its own identity. This is a popcorn movie, a true blockbuster that is well-acted, well-told, but mostly? ‘Guardians’ just wants to have some fun. It is stylistically aware of itself without being overbearing. The soundtrack with a lot of 1970s/1980s pop could be aggressively over the top, but the script finds a way to blend it seamlessly into the story. A big, colorful movie that embraces all the good – and very little – of the blockbuster concept. Yeah, the story can be confusing at times with so many characters and planets and situations and history, but it finds a groove pretty quickly.

What’s the best thing going here? The aforementioned men-on-a-mission angle similar to The Avengers and countless other movies. The concept is simple. You put a disparate group of individuals together, some specialists, mostly outcasts in one way or another, and give them some impossible mission to achieve. Here, it works effortlessly, a tribute to the talented cast. Pratt is a huge rising star, the roguish Peter Quill who desperately wants to be an infamous outlaw who’s name precedes him. Saldana is sexy and smooth, Cooper is at his scene-stealing best as the fiery, feisty Rocket (yes, Bradley Cooper provides his voice to play a raccoon), Bautista – an MMA fighter/WWE wrestler – an underplayed laugh machine, and Diesel having some fun as the one-liner repeating Groot. Yes, Vin Diesel plays a tree who has one repeated line, albeit with some different inflections.

More than the action, more than the other-worldly exploration, more than all that flashy stuff, I found the script to be the best thing going here. Working with Nicole Perlman and based off a series of graphic novels, Gunn brings these people to life. That's the men-on-a-mission angle; five disparate, different individuals forced to put their differences aside to get the job done. So many scenes are memorable, most of them worthwhile because of a sight gag among the group or a quick, witty one-liner. They may not always get along, but our Guardians are gonna keep at it. My favorite scene comes late, a staple of the specialist idea. Faced with impossible odds, they have to decide if they should go on, knowing full well many may not make it back. The build-up is hysterical as they talk it out (some would say criticize each other), and the pay-off is sublime, Cooper's Rocket absolutely killing a quick monologue. It is those moments that stick with me days after seeing the movie.

Also look for Glenn Close and John C. Reilly as high-ranking officials and staff on Xandar, the universe's capital. If there's a relative weakness, it's the villains, including power-seeking Ronan (Lee Pace) and his fiery daughter, Nebula (Karen Gillan). Michael Rooker has a lot of fun as Yondu, leader of the Ravagers who kinda sorta likes Peter but also knows he can't fully trust him. Last seen in Thor 2, Benicio Del Toro makes a quick appearance as The Collector while Djimon Hounsou is wasted as a tough guard who is on Peter's trail. 

No point overanalyzing this one. Risky though it may have seemed, it is a gem, ranking up there with The Avengers as one of my favorite flicks from the Marvel Universe. Yeah, the story can be tough to follow early on. Yeah, the villains could use some pumping up, but these complaints are almost wasted. This is a FUNNY movie. I laughed here more than I did in intended comedies. For goodness sake, Bradley Cooper lends his voice to play a wisecracking, weapons slinging raccoon. Vin Diesel plays a tree. A TREE. 'Guardians' is everything that's right about summer blockbusters. Can't recommend this one enough. The easiest of recommendations.

Guardians of the Galaxy (2014): *** 1/2 /****

Fast & Furious 6

I can't say I saw this coming. When I watched 2001's The Fast and the Furious in high school, I enjoyed it the story of an undercover cop trying to bust a street racing heist crew. Did I think it would become a hugely successful series that would spawn five sequels, and more to come? Nope, I definitely didn't see that coming....but that's just where it is. Go figure. I love where the series has gone, upping the ante with each passing movie. I L-O-V-E-D 2011's Fast Five and was naturally psyched for the sixth entry in the series, 2013's Fast & Furious 6. Moral of the story....it more than lives up to expectations.

Having pulled off a successful heist in Rio, Dominic Toretto (Vin Diesel) and his team have retired to spots around the world....for the time being. Having worked with and against Dom and his crew in Rio, DSS agent Luke Hobbs (Dwayne Johnson) has tracked them down. He needs their help to take down Owen Shaw (Luke Evans), a former British special forces soldier who with his own crew of specialists has been stealing the pieces necessary to build the technology that could cripple a nation. Hobbs enlists Dom with offers of pardons for his past crime, but there's more. Dom's former love, Letty (Michelle Rodriguez) -- who was believed dead -- is working with Shaw, giving Dom all the motivation he needs to take Hobbs' offer. Dom seeks out friend and fellow driver Brian O'Conner (Paul Walker) and his team to help him, but even his crew's unique driving talents and criminal abilities will be put to the test against the likes of Shaw's crew.

Where Fast Five left off, '6' picks up without missing a beat. It does seem a long ways off from the street racing origins of the first film, but again, this is the rare series that gets better and better as it develops. I think much of that success can be attributed to director Justin Lin who quite simply just knows what he's doing. Since taking over the series with the third film, Tokyo Drift, Lin has helped take 'Fast and Furious' to different places than the first two movies. Yes, there's ridiculously exciting car chases and action and hand-to-hand fights and awesome cars and beautiful women and tough guys being tough and.....Yeah, I think that's it. That description could sound very common denominator, even stupid, but Lin has made an art of that formula. He takes these familiar genre conventions, throws them in a blender and comes up with these ridiculously entertaining popcorn flicks.

I will devote plenty of words to the action on display here (of which there is a ton), but I'm going to mention again what takes these movies up a notch beyond pure action flicks. It's the characters. If you've made it to the sixth entry in the series, you like something enough to stick with it. Yes, the cars and chases and action is awesome, but I genuinely like the characters and am rooting for them. I love the dynamic among Dom, Brian and the team, especially when you throw Johnson's Hobbs into the mix again. The script is far from Shakespearean, but it also knows these characters inside and out. At 130 minutes, you can't have all action (well, I suppose you could), but as was the case with 'Five,' some of the best moments come from the quieter moments as members of Dom's crew interact, bust each other's balls or even.....just talk!?! I know, crazy, right? Kudos to screenwriter Chris Morgan for turning in an underrated script.

Let's face it though. These are some pretty cool characters, and there's a whole lot of them. The original stars, Diesel and Walker, are the basis for it all, enemies turned friends turned family. Neither are considered great thespians, but they are great tough guys, great action stars. Their back and forth is natural, not forced, and flows effortlessly. Johnson again is a great addition to the series, and he also looks like he could tangle with a dozen or so grizzly bears and come out on the winning side. Jeez, look at his arms! Also returning to round out the team is Tyrese Gibson as Roman, the motor-mouthed driving specialist, Sung Kang as Han, the master thief and chameleon extraordinaire, Gal Gadot as Gisele, Han's girlfriend of sorts, weapons specialist and precision driver in her own right, and Chris 'Ludacris' Bridges as Tez, an electronics and tech whiz. Jordana Brewster and Elsa Pataky also return in small, cameo-like parts as the love interests.

With so much talent assembled, new names aren't necessary, but the new stars are gems here, especially Evans as Owen Shaw, the brutally efficient, ice cold master thief/criminal who finds himself working against Dom and Hobbs. As a villain, he's the best the series has seen mostly because he's a more than worthy opponent for our heroic anti-heroes. His one-on-one scene with Diesel near the midpoint of the film is a gem. Evans isn't a huge physically imposing bad guy, but his intensity goes a long way. Also joining the crew is Gina Carano as Riley, Hobbs' assistant in the developing case. She isn't given a ton to do, but she does get not one, but TWO fight scenes with Rodriguez (who's "death" in Fast and Furious is explained in somewhat believable fashion). It's tough to find fault with that statement.

Blah blah blah talking and dialogue and scripts blah blah blah. FAST CARS! EXPLOSIONS! CHASES! I thought 'Five' had set the bar at a pretty unattainable level.....well, yeah....I was wrong about that. Things get ratcheted up even more with three amazingly choreographed set pieces. The first has Dom, Brian, Hobbs and Co. racing through the night streets of London in pursuit of Shaw. An excellent sequence in itself, but just the start. The follow-up is a chase along a Spanish highway overlooking the sea. Oh, and there's a tank, and American muscle cars, and crashes, and ridiculous collateral damage. It features stunts so ridiculous, premises so beyond reality that it's almost laughable. You know what? I didn't care. Just sit back and watch it develop. This scene defies the laws of physics countless times, and it doesn't matter.

Both of those set pieces could make a movie worthwhile to watch on their own, but then there's the finale. Shaw is making his escape via an airfield (apparently the longest runway in the history of aviation) as an immense cargo plane tries to land to pick him up. Dom, Hobbs, Brian and the entire team are racing behind him in a variety of souped-up muscle cars trying to keep the plane on the ground. This extended sequence is schizophrenic in the best sense of the word. Cars zipping around at inordinate speeds, fistfights and brutal hand-to-hand fights, explosions left and right, it's an incredible, adrenaline-pumping scene. It goes on for something like 15-20 minutes, and It....Is....Nuts. It's hard to give audiences an action scene we haven't seen before, but Lin and screenwriter Morgan find a way to improve on the finale chase in 'Five,' but yep, they completely succeeded. And credit to Lin, he cuts the action so you can see it, always keeping tabs on what's going on. At no point it is an indecipherable blur.

That's enough rambling movie crush for now. Having just watched this newest entry earlier today, I feel like it's too soon to compare the films. I think I liked Fast Five a tad bit more, but it's really close. The more I think about this one, the more I like it, and here's why. This is a movie that knows exactly what it is and isn't trying to be anything else. It is a popcorn flick that will hopefully get your adrenaline pumping. It is fun from beginning to end whether it be the cast (who appear to be having a ball) or the ever-increasing and ridiculous action. It's just fun. If it isn't The Godfather or Citizen Kane or an all-time cinema classic, so be it. Sit back and enjoy it.

Oh, and yes, there will be a sequel. Much the same way Fast Five led into this film with a post-credit scene, so does '6' and it is a doozy. It ties the series all the way back to Tokyo Drift with a mystery that has baffled some series fans about the fate of one of the key characters. There's a huge star added to the mix -- no SPOILERS here -- setting the series up nicely for future ventures. I, for one, am most definitely psyched to see where it goes.

Fast & Furious 6 (2013): ****/****

The Fast and the Furious

Not to get nostalgic over a movie that came out just 10 years ago, but for better or worse, I've grown up with the Fast and the Furious movies. Other generations had Star Wars, Indiana Jones, Lord of the Rings...I had these street racing movies.  Saying the series has come a long way isn't exactly a spot-on description because they're all fun, entertaining, popcorn movies. It started with 2001's The Fast and the Furious, a movie that seems like it was in theaters a long time ago, especially considering the series' fifth movie, Fast Five, was just released in May. You've got to start somewhere though, right?

Watching this movie now -- having seen the other four movies since, some of them on repeated viewings -- I couldn't help but notice a couple things.  One is something that didn't even register for years after it was released.  More on that later, but it involves the whole story being almost a complete rip-off of another cult classic from the early 1990s.  The other thing, the bigger thing? The original is pretty bad overall, definitely a guilty pleasure that is a success because of its badness.  It stays close to home with plenty of fast cars, gorgeous women, a rap and hip hop soundtrack, and fast cars. Oh, wait, I mentioned that already.

Working an undercover job, young police officer Brian O'Conner (Paul Walker) has been given a timetable to bring a case to court.  A group of hijackers using premium, high end foreign cars are taking down 18-wheelers all over California, taking their shipments of everything from electronics to car parts and selling them on the black market. Posing as a mechanic at a car parts store, Brian is forced to become part of the underground street racing world. One of the biggest and most obvious suspects is Dom Torretto (Vin Diesel), an ex-con who has gained a reputation as one of the best racers around. Losing a race to Dom, Brian owes him a 10-second car and is quickly accepted into Dom's team.  As the evidence mounts though, can Brian put aside his friendship with Dom and relationship with Dom's sister, Mia (Jordana Brewster), if he thinks they're the real masterminds behind the hijacking?

Does the basic story sound familiar at all?  It didn't click at all on my first couple of viewings, but at some point it hit me like a bag of rocks. The story is basically a blatant rip-off of 1991's Point Break starring Patrick Swayze and Keanu Reeves. Instead of bank robbers we've got hijackers, Walker taking over for Reeves and Diesel stepping in for Swayze.  The undercover agent must take down his new friends, balancing out the duty he feels with this legitimate friendship and bond that has developed as he goes undercover. It doesn't ruin the movie by any means, but it certainly is on your mind as you watch it.

Through all the bad lines and really hammy acting, the things that work well here are the things that work well in all the movies.  Diesel is a solid lead as Dominic Torreto, an action star and a presence more than an actor.  Walker has improved significantly as an actor over the last 10 years so here as undercover cop Brian he's not the most impressive actor around. Still, they have a good chemistry together, two opposites becoming fast friends through their love of cars and racing. The best moments -- like in Fast Five and the others -- are Dom, Brian and his crew shooting the breeze, hanging out in the garage, having a group BBQ. The team include Michelle Rodriguez as Letty, Dom's girlfriend, Chad Lindberg as Jessie, the computer/tech/engine expert, and  Johnny Strong and Matt Schulze as Leon and Vince. Through all the fake, forced confrontations, the movie is at its best when it lets the characters relax and be themselves.

Enough with the acting conversation about a movie about street racers. Let's talk fast cars and street racing!  Credit to director Rob Cohen for finding an appropriate middle ground for his racing sequences.  They're heavily edited and lightning quick, but never to the point where you lose track of what's going on. For the most part, the story doesn't revolve too much on the racing sequences, focusing more on Brian's investigation and his friendship with Dom and relationship with Mia. A highlight is the final 30 minutes when all the stops are pulled out. Dom....brace for it....is leading the hijackers with Brian trying to stop them as the truckers go vigilante, arming themselves. A high-speed chase on a desert highway is crazy, and the following chase with a rival racer, Johnny Tran (Rick Yune in a truly bad performance), on motorcycles is a great finale.

Over the course of five movies, directors/producers/writers have figured out what works and what doesn't work with the story and characters.  The first 45 minutes are pretty painful as the story just tries too hard to be currently hip or cool (and yes, I realize pointing that out and using 'hip' and 'cool' makes me just the opposite). There are some beyond cringe-inducing moments, line deliveries that make you wonder if a little kid wrote them.  Thankfully the movie finds it rhythm pretty quickly once everything is established. Like any movie, just know what you're getting into. Some other supporting roles include Ted Levine as Brian's immediate supervisor, Thom Barry as Agent Bilkins, the FBI liaison on the case, and Noel Gugliemi as Hector, a possible suspect.  

Fast Five and even Fast and Furious are better movies overall, 2 Fast 2 Furious probably on the same level, but the first movie in the series is still worth watching and a must-see for fans of racing movies.  It is the rare franchise that got better -- not worse -- as the movies have been released. Still, it's the original. Enjoy it.

The Fast and the Furious <---trailer (2001): ***/****

Fast Five

I'm a sucker for the Fast and the Furious series. There I said it. After watching Tokyo Drift a few summers back, I talked with my cousin about how cool it would be if a sequel brought together all the stars of the first three F and F movies. It seemed like a natural progression. Team up all those cool tough guys. Now, I'm not saying I can predict the future or anything, but 2011's Fast Five hit theaters April 29 to huge business with basically that premise. Bring together all the stars from the first four movies (including Fast and Furious) and let them go to work. If this early -- very early -- summer release is any sign of things to come, it's going to be a fun summer at the movies.

What's odd about the franchise (to me at least) is that by the end of the first movie, racing almost became a secondary thing. By this movie -- the fifth in the franchise -- that trend continues. It's funny because like so many movies, the first one was really good and could have served as a stand-alone, single movie.  That's not how things work nowadays, and four sequels later, here I sit writing a review. I liked 2 Fast 2 Furious, enjoyed Tokyo Drift, enjoyed Fast and Furious, and to my complete surprise, I L-O-V-E-D Fast Five. Loved it. It follows the same formula (cool cast, badass cars, exotic locations, gorgeous women, awesome soundtrack) and amps it up to 10 or 11. This sounds like some bad line you would see on a movie poster, but I haven't had this much fun at a movie in a while, maybe back to the Bourne movies.

After freeing Dom Torreto (Vin Diesel) as he's being transported to prison, former FBI agent Brian O'Conner (Paul Walker) and his girlfriend, Mia (Jordana Brewster), are on the run, hiding out in Brazil as countless law enforcement agencies track them down. Needing some sort of bankroll, they take a job robbing three high-end cars but find out they've messed with the wrong guy. Three DEA agents are killed in the heist by enforcers from the local kingpin, Reyes (Joaquim de Almeida), but the murders are pegged on Dom and Brian. Things closing in on them, they know they have to take down one last epic job and fade away, but to do so they're going to need a ton of money. Putting together a team of specialists and drivers, Dom and Brian put together a job that will hit Reyes where it hurts most, his drug money. The job seems impossible though as he's put all his money -- over $100 million -- in a bank vault...in a police station. As if that wasn't enough, a hardcore FBI agent, Hobbs (Dwayne Johnson) and his team are hunting Dom and Brian down, and nothing is going to stop him.

If you're a fan of the previous movies (even casually), this is the movie for you. Everyone is back. A little more than 45 minutes into the movie when Brian says "We need a team" there was a genuine buzz in the theater, that sense of 'Here we go, this is gonna be fun.' Rounding out the team is Roman (Tyrese Gibson) and Tej (hip-hop artist Ludacris) from 2 Fast 2 Furious, Han (Sung Kang) from Tokyo Drift, and Leo (Tego Calderon), Leo (Don Omar), and Gisele (Gal Gadot) from Fast and Furious. Even Vince (Matt Schulze) from the original is back. It's Fast and the Furious, the reunion tour, back after a 10-year absence! All these characters were really cool on their own, and then you throw them all into one movie? Too perfect. This is a men on a mission movie for a younger, hip hop audience. It's that team pulling off that one last dangerous, even suicidal, but necessary last job. As the movie developed, I just kept smiling. A ridiculously cool cast, a team of specialists working together, and trying to pull of an improbable heist. I'm in movie heaven.

You don't head into these movies thinking you'll be hearing Shakespearean dialogue, words spoken so eloquently and beautiful that it gives you faith in writing and movies. Not this series, and not anytime soon.  To counter that, I will say that this is a well-written movie. No, I'm not talking Academy Award winning stuff, but director Justin Lin and screenplay writer Chris Morgan clearly know their characters and how to have them interact. Some of the movie's best scenes come from the cast just hanging out, talking, busting each other's balls, planning out the job. There is an ease to the scenes that never comes across as contrived or forced, just a genuine group of friends working together. There's some laughs, some male bonding, some possible love connections brewing, so basically a little bit of everything. Something to please everyone in the audience.

To the credit of the franchise, they've always tried to keep things fresh. And here Fast Five is no exception. If you're going to assemble this team of super criminals/crooks and drivers, you need an opponent who is equally as big and bad, imposing just standing there. Enter stage left...Dwayne 'The Rock' Johnson looking like he lived in the gym for several months prior to filming.  This guy looks absolutely jacked, like he could rip a man's head off with ease. His FBI agent Luke Hobbs is a great addition to the series. And thankfully, he's not some clueless dupe for Dom and Brian and Co. to keep on taking advantage of.  He's a worthy adversary, always keeping up with them. And yes, his one-on-one knock down, drag 'em out, it hurts just watching the confrontation fight with Vin Diesel is appropriately epic.  Two heavyweights beating the crap out of each other is just one of many highlights of this flick. Oh, and sequels? Yeah, it looks like the Rock will be back for more. Stick around through the credits. Also joining the cast -- because the gorgeous actress category hadn't been filled enough already -- is Elsa Pataky as Elena, a Brazilian police officer working with Hobbs' team.

Okay, enough with all this talk about characters and plot and dialogue. You go into these movies for the action, the blow you out of your seat, crazy, ridiculous could never happen in the real world action. All other things aside as mentioned earlier, this movie is an incredible action flick. The opening sequence showing Dom getting busted out of the prison bus is quick and hard-hitting in its effectiveness.  A railway heist on a speeding train is classic. A later chase through the Brazilian favelas shows how to do a foot-chase with multiple chases going on at once through the crowded backstreets of Rio de Janiero. And in a throwback to the racing roots of the franchise, an epic, truly epic quarter mile race between Dom, Brian, Han and Roman through Rio...in stolen police cars at that...is a thing of beauty. Action, this movie has plenty of it. You may be disappointed about any number of things. But action? No way. Even better is that the movie is edited so you can actually see what's going on. It is edited in that hyper-quick fashion, but never to the point where they're just incoherent blurs. As a fan of the sometimes incomprehensible Bourne movies, I say thank you.

All those action scenes mentioned, they pale in comparison to the finale. Driving some souped up cars, Dom and Brian attach an immense bank vault to their cars and chased by basically all of the corrupt cups in Rio try to make away with over $100 million bucks. The movie itself is 130 minutes long -- by far the longest in the series -- and I'm thinking that longer running time is because of this sequence. We're talking a full 15 minutes of non-stop chaos and action through Rio as this vault tears the city and its police up.  It's an orgy of explosions, crashes and fast cars that rivals The Blues Brothers in terms of fullscale destruction. That's the movie. Ridiculous amounts of fun. It's great to look at (Rio even in its squalor is incredibly visual) and the montage of where everyone ends up (to Don Omar's Danza Kuduro) is a great wrap-up. As for that post-credit scene, it certainly leaves it open for another sequel with a not so great twist. Who am I kidding? I'll be seeing that one too. Hopefully, it's just as good as this one.

Fast Five <---trailer (2011): ****/****

Boiler Room

One of my favorite things to stumble across on a DVD after all those pointless making of features and director/actor commentaries is the all-knowing, all powerful alternate ending.  Sometimes it's interesting to see what else a director thought about an ending, how they originally intended to shoot it.  Then, a studio can veto it, or a test audience doesn't like it, and a new ending is shot that hopefully will please the masses more.  As a member of the downbeat, surprise ending fan club, I'm all for those original endings that doesn't make everyone happy. I liked 2000's Boiler Room even if the actual ending disappointed.  The alternate, original ending? Much better and much darker.

Now as a fan of sports I can explain how to figure out a pitcher's ERA or WHIP, as a movie fan I can explain the aspect ratios or how the western changed from the silent era through the spaghetti western transformation to the folksy 1970s movies.  But I just can't wrap my head around big business, stock markets, and anything to do with inordinate amounts of monopoly money. Boiler Room deals with all three of those so a fair amount of the time I was quite a bit confused, but never enough to dislike the movie.  It can be too flashy, too stylish at times, but an interesting if not always clear story is aided by some strong performances from an underrated cast.

A college dropout with no interests in school, Seth Davis (Giovanni Ribisi) runs an illegal casino out of his home in New York City.  The money is flowing in, but it's only a matter of time before the authorities catch on and shut him down, sending him to the slammer.  His judge father (Ron Rifkin) disapproves and is about to completely cut ties with his son when Seth is approached by an old friend (Jaime Kennedy) who works at an investment firm as a broker.  Seth gets a job as a trainee at the high stakes firm, JT Marlin, and quickly rises through the ranks under his boss Greg (Nicky Katt).  But right on the verge of hitting the big time where he can bring in accounts of his own, Seth starts to smell a rat.  Things just aren't adding up as the unexplainable amounts of money start to roll in, and customers start complaining.  What should he do though? Shut up and go along for the ride, or blow the whistle and take everyone down with him?

As someone who would need a "Dummy's Guide to Business," I'll freely admit that much of the movie that really delves into business, rips, stocks, the market, went over my head.  I tried to keep up as best I could, but never really had a complete grasp of what's going on.  I was never completely baffled at the goings on, but I've got to point that out.  Maybe some business majors would keep up better than me, who knows?  Saying that, the firm's owner (Tom Everett Scott) is up to some shady dealings that just don't make a lot of sense to me.  Wouldn't the SEC, the FBI, and the government have caught on to these guys long before Seth shows up?  How have they managed to keep up this scam all this time?  Plot holes for sure, but the story does it's best to move along at a lightning pace past those holes.

The biggest challenge director Ben Younger has working against him is that his characters are basically the biggest assholes you've ever met.  They are arrogant, homophobic, loud for the sake of being loud, passive aggressive, maniacally greedy, violent, and they'd stab their mother in the back if it earned them some extra dollars.  I thought I was in trouble after the opening scene because with barely any introduction at all to these guys (all the brokers are male), I H-A-T-E-D them.  They are presented as the type of guys you wouldn't bat an eye at before kicking them in the crotch.  Thankfully, Younger offers at least a few glimpses of humanity in them, especially action star Vin Diesel as Chris, Seth's mentor but not his boss, proving once again he can act no matter how bad his movie selections of late have been.  Nia Long plays Abbie, a secretary at the firm who starts seeing Seth and gets caught up in something bigger than she ever figured.  Also look for Scott Caan as the ultimate type-A personality broker, the one you'd like to punch if you got a chance, and Ben Affleck as the firm's top recruiter who uses 'fuck' as a noun, adjective, verb and a lot more.

Through the good and the bad we see two main characters separate themselves from the pack, Ribisi's Seth and Katt's Greg.  Seth quickly realizes how good he is at basically lying to anyone and everyone, but even as he does it knows he's not exactly on the straight and narrow with his new career choice.  Ribisi is a phenomenal actor who I wish would do more mainstream roles, and his lead performance is the highlight of the movie.  At times vulnerable and others ultra-sensitive, he's the heart of the movie, and despite his flaws I found myself rooting for him, especially to mend the strained relationship with his father.  Greg on the other hand is basically evil incarnate.  He's well-dressed, charming, and looks like a gentleman but bubbling just below the surface is a seething, possibly lunatic of a man.  He's smooth in his badness, producing this great villain capable of violence and outbursts that catch everyone by surprise.

Then there's the ending, which works in terms of Seth's character and the identity he develops, but it left me feeling empty.  It's the right choice for the character, but that's about it.  SPOILERS STOP READING SPOILERS  You want to see the brokers get taken down at JT Marlin, especially Greg and Scott's boss man.  We never get to see that process though.  On to the original ending Younger intended for, wrapping up a subplot between Seth and one of his "accounts," a family man (Taylor Nichols) who ends up entrusting all his money to Seth in a money scam.  Like the ending in the movie as is, it doesn't show anything, leaving the viewer to wrap things up for themselves, but it works much better.  There's a touch of irony thrown in, and a strong element of shock and surprise, maybe more so because we don't see the end result.  I still liked the movie, but it could have been a notch higher if the original ending was left in untouched.

Boiler Room <---trailer (2000): ***/****

Knockaround Guys

Gangsters and mobsters have been in movies dating back to Edward G. Robinson, James Cagney and many others in the 1930s, and since then have never really left popular culture.  There have been lulls here and there, but other flicks like The Godfather trilogy have a way of bringing them back.  There's so many gangster/mobster stories you start seeing repeats, almost the same movie made over and over again.  Released in 2001, Knockaround Guys revels in some of those genre conventions, but adds a cool twist as a topper.

With the exception of The Godfather, most mobster movies deal with just that...the mobsters.  'Knockaround' goes deeper than that, exploring the effects and consequences of growing up in a mafia family.  Through no fault of your own, growing up just became that much more difficult because of your last name, not because of who you are as a person.  Al Pacino's Michael Corleone embraced the life his father tried to keep away from him, basically becoming his father.  The main character in 'Knockaround' wants to be that guy, but it doesn't come as easy to him, putting him in quite the situation.

As a low-level operator for his underboss dad (Dennis Hopper), Matty Demaret (Barry Pepper) is fed up.  He can't get a job because of his name, and his father won't entrust him with anything important. With some help from his also-connected uncle (John Malkovich), Matty finally gets approval from his father to do a job, a simple pick-up and deliver. Matty gets his friend and pilot, Johnny Marbles (Seth Green), to fly to Spokane and pick up a bag brimming with cash that needs to be delivered on time. The worst happens though when Marbles loses the bag while refueling the plane in an isolated Montana town.  Matty is forced to fly out to try and find the bag or pay the consequences, bringing along two friends, Taylor (Vin Diesel) and Scarpa (Andrew Davoli) along for help.  But the clock is ticking, and the money bag is nowhere to be found.

At a brisk 92 minutes, this is a streamlined story that doesn't waste time with any unnecessary subplots or characters that serve no purpose.  The premise of a youngster trying to prove himself is nothing new and can apply to just about any movie genre out there, it just translates well to crime, mobsters and murder generally.  There's nothing spectacular at all about this movie.  It just flows along without trying to deliver a message or blow you away with huge twists.  For all those reasons, I actually liked the movie a lot more than I would expect.  Things fall apart a bit in the last 20 minutes or so, but with the right mix of story, character and a dose of black humor, I liked this movie.  Loved it? No, but it's worth a watch.

The biggest appeal here will be the strong casting, both the stars and the supporting parts that amount to cameos.  Barry Pepper has been one of my favorite character actors ever since I saw him as the god-fearing sniper in Saving Private Ryan, and here as the lead he turns in a great performance.  He struggles in this in-between state of how much to commit to the family.  He's not a killer, he just doesn't have it in him, but his Matty also wants to help out his father, live up to the old man's expectations.  Glad to see Pepper step into the limelight instead of his typical supporting parts.  The other scene stealer is Vin Diesel who in a rare non-action movie delivers one of -- if not THE -- best performances of his shorter career.  Think of Robert Duvall's Tom Hagen, but in the sense he could beat you to death with a crowbar.  Diesel's Taylor is a tough guy, always has been, who realizes to a point that he's never going to climb up the ladder like Matty because of his Jewish/Italian background.

With such a short running time, there isn't a ton of background scenes among Matty and his three friends.  Instead there are three quick early scenes that introduce all three, and then we're right into the story.  I enjoyed watching the dynamic among the quartet because like real friends do, they fight and argue constantly but always come around in the end, especially when needed the most.  Directing combo Brian Koppelman and David Levien do a fine job with the script, crafting a story that allows these characters to breathe some while also reining them in when need be.  There are times late in the movie where it would have been easy to detour and go down a different road, but thankfully it always stays on line.

As for those two cameos, Hopper is only in three or four scenes that need him to be a smartass and glare at someone occasionally.  Malkovich gets to chew the scenery a little more as Uncle Teddy, a mafioso underboss like Hopper who helped raise Matty when his father was thrown in prison.  But like so many good actors in average movies, them just being in this movie aids the cause.  Also listen for a good if underused score by Clint Mansell, and an excellent rock soundtrack to boot. A solid if unspectacular vehicle that does try something new within the mobster movie sub-genre.  A decent enough way to spend 90 minutes.

Knockaround Guys <---trailer (2001): ** 1/2 /****

The Fast and the Furious: Tokyo Drift

I'm a sucker for movies about or dealing with cars. It doesn't even have to be the main storyline, I just need a good chase like Bullitt or The French Connection. One of my favorite movies as a kid, and I do still like it, was The Love Bug. I know little to nothing about cars other than hitting the gas pedal makes them go, but that doesn't mean I can't appreciate them. Like the Fast and the Furious series, which I can admit are not good movies but they sure are entertaining.

Since its release in 2006, I avoided The Fast and the Furious: Tokyo Drift like the plague. None of the original cast was in it, but rapper Bow-Wow was, and it seemed like a cheap ploy to capitalize on a hugely successful franchise. Well, after hearing a couple positive reviews from people I typically agree with on movies and seeing the 4th movie in the franchise this week, I gave Tokyo Drift a shot. It's not as good as the other three movies in the series and could easily be it's own stand-alone movie but with the 'Fast and Furious' title it will always be compared to the others.

Credit is due though for not just doing the same old thing with street racing. Director Justin Lin, who also directed Fast and Furious, introduces us to a new style of driving/racing called drifting which if you've played any number of racing games you should be familiar with it. It can be odd to watch cars drift because it seems they're totally out of control, but as the special features on the DVD point out, the driver is actually more in control to get the car to move like that. Drifting is quite a visual sport for fans as drivers make crazy turns around corners and into places you'd assume they could not fit.

The racing sequences here are pretty good and not overly reliant on CGI and green-screen shooting. The special features show how the cast went through drift training so that even if they weren't required to do the actual driving in the movies, it looked realistic when they were actually filmed in the car. Here's a great example from the movie of some drifting with one big SPOILER though at the end. Another positive is that Lin doesn't cut these scenes so quickly that the images become incoherent. I've bitched and moaned about it before with the quick-cutting fight/chase scenes so I won't go over it all again, but if you want the viewer to be impressed with what's going on on the screen, show it to us. Don't cut so quickly that we can't tell what's going on. Tokyo Drift is a prime example of how good a sequence can be when done right.

With no Vin Diesel, Paul Walker, or Tyrese here, the story focuses on Sean Boswell (Lucas Black), a high school student sent to live with his Navy dad (Brian Goodman) in Tokyo after he's gotten in trouble with the police again. His options? Tokyo or juvy. Adjusting to his new life in Japan, Sean gets involved with street racing, drifting, right away. But in his first race, he destroys the car and has to work for the owner, Han (Sung Kang), a top of the line drifter/racer who's also into some seemingly shady business deals with D.K. (Brian Tee). D.K. is low-level Japanese mafia working for his uncle. Bullheaded and stubborn as always, Sean wants to learn how to drift with the tension building to the inevitable confrontation with D.K. after some shenanigans.

The only cast connection to the other movies is Kang's Han character who is in the 4th one too. Tokyo Drift is actually the 4th movie in the timeline, coming after 'Fast and Furious.' I've liked Black a lot since I saw him in Friday Night Lights, and he's a good lead, if not great, as Boswell. With his Southern drawl, Black comes across naturally onscreen and looks to handle a lot of the driving himself. Bow Wow is surprisingly good as Twinkie, another American who becomes friends with Sean. Not much is required of the part, but if done poorly it could have been really bad. Kang and Tee provide some tension as the good and bad opposites, especially Kang's Han as Sean's drift teacher. And as the requisite love interest, Nathalie Kelley plays Neela, D.K.'s girlfriend of sorts who Sean sets his targets on. Like Bow Wow, she makes the character likable/sympathetic instead of being the whiny, helpless girl in the background. And it never hurts, looks good doing it.

SPOILERS ahead. Stop reading if you don't want to know about a cameo at the end. One other connection worth mentioning to the other three movies. Sean defeats D.K. (I was surprised too *wink*) and prior to racing gets a message that an old friend of Han's wants to race him. Cue Diesel's very brief appearance as Dom Toretto. It doesn't really serve a purpose, but it is cool to see him come back since leaving after the original. The connection is made early in the 4th movie if you're dying to know.

Which brings me to hopefully the fifth movie in the series. How about Diesel, Walker, Tyrese and Black team up? I don't know how it'd work or where the story would go, but it would definitely be cool to see all four team up. Final thoughts on Tokyo Drift though, entertaining movie that while not as good as the other three, is a worthy entry into the Fast and Furious series. It doesn't deserve some of the abuse its taken since it was released in 2006.

The Fast and the Furious: Tokyo Drift <----trailer (2006): ***/****

Fast and Furious

Let's play a game. You make a movie that is a huge success and makes you a huge star. Naturally, talk of a sequel comes up, but you want nothing to do with it. So the sequel is made without you while you make such classics as Babylon A.D., Chronicles of Riddick, and xXx. Then eight years after the first movie, you finally return to the series that made you a star with a sequel. If you've guessed I'm talking about Vin Diesel, you win a cookie.

To be fair, I don't mean to criticize Diesel who I'm a fan of even if his choice in what movies to do isn't great. But eight years since the huge success of The Fast and The Furious and two sequels that he didn't star in (although he does make an appearance in Tokyo Drift), Diesel returns to the franchise with this year's Fast and Furious. What happened to both of the 'the' from the original title?

I haven't seen all of Tokyo Drift, and I liked 2 Fast 2 Furious as much if not more than the original, but it's still nice to see the whole crew back together for the third sequel. Michelle Rodriguez and Jordana Brewster both return with Paul Walker also coming back after sitting out 'Tokyo.' The story picks up five years since the original with Dom Toretto (Diesel) and his girlfriend Letty (Rodriguez) leading a crew in the Dominican Republic who take down high-octane fuel shipments. If you saw the trailer, you got a good idea of the very cool opening sequence as Dom and crew take down a semi leading four tankers down a rocky, windy mountainside.

But SPOILER ALERT their actions put them back on the radar of any number of law enforcement officials looking for them. Hoping to keep Letty safe, Dom leaves her but when hiding out in Mexico finds out that she's been murdered. Dom returns to L.A. and with just one clue about the murder gets back into the world of illegal street racing...sort of. Meanwhile, Brian O'Conner (Walker) is now working for the F.B.I. on a case to bring down a drug cartel led by a man called Braga. And what do you know, Braga is looking for drivers to get a new shipment of heroin across the U.S./Mexico border. What are the odds then that Dom's and Brian's paths cross? I'd go with pretty good.

What surprised me about this third sequel from beginning to end was the more serious tone. We're not talking hardcore cop movie, but 'Fast and Furious' is not so light and fluffy with its story. The first three movies were loud, colorful and in your face with hip-hop and rap playing from end to end. Directed by Justin Lin, this one leans more toward getting into the minds of both Dom and Brian, Dom looking for revenge pure and simple and Brian hoping to close a case that's been open for years. I guess that happens when revenge is added to a storyline, the darker tone, but it works here. Previous villains in the series were over-the-top but never very intimidating. John Ortiz as Campos, Braga's right-hand man, and Laz Alonso as Fenix, Braga's top driver, are both strong villains, bad guys you're really rooting for to get shot.

I know what you're saying though, enough with the casting and the story. Get to the RACING! I was disappointed with the driving sequences here. The opening sequence, Dom and Letty taking down fuel tankers, is top notch and a great way to get your blood flowing for the rest of the movie. But much of the rest of the movie's racing scenes are heavy on CGI. Say what you want about the previous movies, especially the first two, but much of the driving was done by...you know, actual drivers. The end has an exciting chase as Dom and Brian gun it for the border across the Mexican countryside, but it derails when they're chased into a tunnel that goes under the border. It's all CGI and not necessarily good CGI.

All flaws aside though, I really enjoyed this newest entry into the F & F series. It was good to see Diesel and Walker back together especially with so much unresolved between them since the original. Maybe it's just because I liked the characters to begin with, but I liked those scenes between them as much as I did the action scenes. They form the uneasiest of alliances because they have the same final goal so for me, any buddy movie tandem is a good one. Walker doesn't look quite as baby-faced as he did in the original, and Diesel is cool regardless.

Rodriguez makes a quick cameo and is dead in the first 20 minutes and Brewster is eye candy and basically a background player, but she's still there so we've got that going for us. Who would have thought there's some remaining sexual tension between Mia and Brian? Also keep your eye on Gal Gadot who plays Gisele, one of Braga's assistants who takes a shine to Dom. The Israeli beauty is drop dead gorgeous.

So maybe not as action-packed as the trailer made it out to be, Fast and Furious is a worthy sequel and one fans of the franchise should be able to appreciate. The trailer is one of my favorites and really got me psyched to see the movie. As pointed out before, it's also a shorter version of the great opening sequence. The song choice, Does it Offend You, Yeah?, is a good one although the use in the trailer is better than the actual song. So if you've made it this far in the review, kudos because I stopped writing about racing paragraphs ago. It's a good sequel with a darker, revenge-driven story. You won't be disappointed.

Fast and Furious (2009): ***/****