Having produced movies since the 1930s, RKO Pictures had to try different things to keep up with movies from other studios with more money to burn. They had to try something to keep up, giving audiences a reason to come out and see their films. Take 1954's Dangerous Mission, a generally pretty normal noir-ish film that capitalizes on some cool location shooting.
Witness to a mob killing in a night club, Louise Graham (Piper Laurie) is on the run with both mobsters and the police looking for her. She's hidden out in Glacier National Park, starting a job at a souvenir stand at one of several hotels offered to tourists. As the search intensifies -- the mob wanting to kill her, the police wanting to bring her in as a witness -- several newcomers have arrived in the park, including smooth-talking New Yorker Matt Hallett (Victor Mature), an ex-Marine. What are his intentions? Is he "visiting" to protect Louise or to kill her? Looking out for Louise's safety, Park Ranger Joe Parker (William Bendix) starts to investigate the newcomer, but keeps his eye on some others, including amiable photographer Paul Adams (Vincent Price). Just what is everyone up to?
It doesn't take a nuclear physicist to figure what the appeal for me was in the 1954 RKO movie. The best thing going for director Louis King's film is the location shooting at Glacier National Park. Yes, I know it's not the same park, but I visited Yellowstone National Park with my family, and visually stunning doesn't begin to describe the place. The same goes for Glacier, especially a time capsule-esque look we get here to 1954 Glacier. Yes, indoor sets are clearly back in Hollywood, but we get enough of Mature, Laurie and Co. actually walking around in the park, including in and around Saint Mary Lake (I think, I could be way off). So while the budget was obviously limited and the scale kept on a smaller level, this B-movie makes the attempt to lure audiences in. It's a gimmick, but one that pays off in the end.
As long as we're throwing compliments out here, we might as well continue on. Clocking in at just 75 minutes, 'Dangerous' isn't too interested in deep back stories, any history at all. Here's the story, here's the characters, now deal with it. Of course, there's more to it than that. The opening 40 minutes is a gem because of a couple of key omissions. For one, that would be that no one is properly introduced. We never actually even see Laurie's Louise, just hear her scream upon stumbling into the murder scene. The same for Mature and Price. In a mobster scene, we see a man's arm draped in a chair -- but nothing else -- with orders to find and kill the witness as quickly as possible. Cue Mature driving into the park (packing a gun) and then the hotel where Louise works. Anyone with two working brain cells can no doubt deduce who's who, but it's another cool gimmick that went a long way. It's Clue: The RKO Film Noir Version.
And even in a small scale flick that doesn't hit the 90-minute mark, there's still some solid casting. I've always been a fan of Mature, and he looks to be enjoying himself here. Throw in Price, Laurie, and Bendix, and you've got a good mix. Also look for Betta St. John as Mary, an Indian girl and friend of Louise, Harry Cheshire as Elster, the guffawing, boozing Texan who may know more than he's letting on, and Steve Darrell as Katoonai Tiller, Mary's father who's wanted for murder. Also keep an eye out for Dennis Weaver in a bit part as a Ranger clerk.
While 'Dangerous' does have some surprising positives, there's some familiar negatives to boot. It is only 75 minutes long, but my estimation, there's probably about 45 minutes of actual story (and that might be generous). To flesh things out, we see an avalanche take out a house party, Mature's Matt getting a loose livewire under control. We get lots of goofing around and drinking and smoking, even a sighting of the dreaded love triangle as Matt and Paul battle -- in the goofy sense -- for Louise. Mature, Price and Bendix later have to put out an immense, fast-moving forest fire. It's ridiculous. They laugh and laugh, but at no point does Louise really question what's going on. She's running for her life but decides to keep a very high profile position in Glacier. Maybe......just maybe......one of these guys wants to kill her? I don't know, I could be way off base here.
And to counter balance the actual shooting on location in Glacier, we also some awfully cheap cutaways to indoor sets posing as Glacier. To say they stand out like a sore thumb is an understatement. It's pretty straightforward stuff, but I still liked it. The purpose seems to be entertainment -- however they get it done -- including a reliance on always dressing Piper Laurie in outfits that look like she's one sneeze away from popping out of her dress/shirt/skirt. Subtle it is not, but B-movies weren't meant to be. Not bad if you find a copy.
Dangerous Mission (1954): ** 1/2 /****
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