Having survived World War I, three friends, Leo (John Richardson), Holly (Peter Cushing), a former college professor, and Job (Bernard Cribbins), Holly's servant, are wondering what to do with themselves in 1918 Palestine. Leo meets a mysterious woman, Utane (Rosenda Monteros), who leads him to an exotic villa where he's introduced to a beautiful and even more mysterious woman, Ayesha (Andress), who speaks ominously of him joining her, all his dreams coming true and whatever he desired....if he can find her somewhere in the African desert in a supposed lost city. Curious of what awaits them, Leo is joined by Holly and Job, but none of them truly know what to expect, what awaits them.
A movie from Hammer Film Productions, 'She' has quite a bit of schlock value. It is in no way expected to be a classic, or even a good, average movie for that matter. What little budget existed seems to have been bookmarked for the indoor sets of a long-lost city in the desert, the rest saved for Andress' costumes. There isn't so much a story as a series of somewhat related scenes loosely tied together. In the meantime as viewers, I'm guessing we're supposed to stay involved seeing if we can see through Andress and Monteros' nearly sheer outfits. Not so fast though, it is the 1960s. No nudity here although Andress certainly is half naked much of the movie.
I guess what threw me off is that for about 30 minutes, maybe even 45 minutes, I was enjoying this movie. The post-WWI beginning in the Middle East is a unique, interesting set-up. The relationship among the three vets -- Leo, the young, suave bachelor, Holly, the aged and intelligent professor, and Job, his ever loyal man servant -- is a good if familiar start. What to do after surviving a war? Normal, everyday life sounds dull so let's embark on another death-defying adventure! Not quite a 'Men on a Mission' story, but there are traces of that sub-genre. The appeal of possibly unearthing a lost city is just too much to pass up.
Now as bad as the movie can be at times -- real bad -- there is too much talent with certain members of the cast for it to be a complete waste. Two masters of British horror, Cushing and Christopher Lee, make sure of that. Both consummate professionals, they're going to commit to their parts and go for it. Cushing is a sidekick more than a lead character, but his scenes with Richardson and Cribbins are a high point. Lee has a somewhat smaller part as Bilali, Ayesha's high priest suspicious of Leo's arrival. Intimidating and imposing, Lee makes the most of what little screen time he has.
Then there's Andress and Richardson. Depending on the film and script, Andress could be a solid if unspectacular actress. 'She' has neither. Her part is completely about her physical appearance, an immortal goddess looking for a man to spend all of eternity with. On that note, Andress is great because she does in fact look gorgeous. I know what you're thinking. It's a stretch for her, but she pulls it off. A year before Richardson would woo Raquel Welch in One Million Years BC, he woos Andress and shares several long, even uncomfortable make-out scenes. He must have been doing something right because he couldn't act his way out of a paper bag. Not very good performances at the top.
Definitely wasn't expecting a classic, but I was expecting to enjoy the movie a bit more. A general feeling of cheapness and a story that never really goes anywhere, even Cushing, Lee and Andress' physical appearance couldn't save this one. Good start, but the momentum dies about 30 minutes in.
She <---TCM clips (1965): **/****
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