Running his modest but successful spread in 1880s Wyoming, horse trader Myrl Redding (John Cusack) has been wronged by local rancher Henry Ballard (L.Q. Jones). In lieu of cash, Ballard takes two of Redding's prize stallions as payment only to mistreat the animals to the point of near-death. Seeking retribution, Redding steps into a world of trouble when the crotchety Ballard refuses to even admit a wrong was done. He tries to go about it the legal way but is met by the rancher's corrupt ways. When all else fails after his family gets involved, Redding goes down the route of vigilante with a small army of gunmen. With Wyoming seeking statehood, the conflict is magnified as the state government tries to step in.
The western at its most simple -- and often times its best -- is typically the always present and always topical good vs. bad. Simple as that. As the west expanded in the 19th Century, individuals were often led to that choice. Stand up in the face of bad/evil, or fold and let good be defeated. That's the premise here in 'Jack.' More than anything, a man must stand up for what he believes in, even when it seems a foolhardy venture. There is right and wrong so pick your side as Cusack's Myrl does. That premise is fine and dandy, but it gets beaten to death in this story. We get it. Myrl wants justice done no matter what it takes. Repeat that for two hours.
While I've always been a fan of John Cusack, that doesn't necessarily mean I think he's a great actor. This part clearly shows his acting ability. His Myrl is the prototypical good hero. He's a family man (with wife Miranda Otto and son Drake Bell) who wants to build up a life, a successful one. Myrl is a man of principle though, a trait that gets him in more trouble than he ever imagined. Cusack brings a humanity to the part, a necessary feature of the lead character here because otherwise his intent gets lost if we don't side with him. Some of the best scenes in the movie are those quiet moments with his families or his crew, including cowboy Woody (John C. McGinley) and Crow Indian and horse wrangler, Billy (Rodney A. Grant). There is a tragic element to the character, but like so much here it gets lost in the shuffle in the movie's second half.
So I love a good old-fashioned gun fight like anybody else, but I can appreciate a more cerebral western too. Directed by John Badham, 'Jack' tries to be more intellectual, leaving the shoot 'em up angle by the wayside. The problem is that without much in the way of action, we're left to focus on the dialogue and the drama and a story that does a lot of meandering getting anywhere. By the 30-minute mark, I was bored. The story is interesting, but the execution of that story lacks any energy at all. It bounces around far too much, and by the last 30-45 minutes it completely comes off the rails. It was marketed in the wrong fashion to me at least (nice job there, Netflix) so maybe I was just expecting something different. Whatever the case, a slow-moving story without much of a payoff is not a positive.
Boring story maybe, but the cast is pretty solid top to bottom. It's great to see western icon L.Q. Jones playing the bad guy, and he looks to be having a lot of fun doing it. John Goodman plays Tolliver, a judge called in to deal with the quickly escalating case with Scott Wilson, Jay O. Sanders and Kurt Fuller playing other varieties of corrupt government officials. McGinley and Grant are excellent in supporting parts as Myrl's hands at his little ranch to the point where the story would have been infinitely better with more of them around. Disappointing in the end though because the potential was there. Probably best for die-hard western fans more than anyone else.
The Jack Bull <---trailer (1999): **/****
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