Having planned the robbery for 15 years, Englishman Sam Carter (Nigel Patrick) walks into a diamond exchange in New York City and steals a diamond worth over $700,000. The success comes from the simplicity of the job, and now no one -- including the police -- know where to start looking for Carter or the diamond. Milo March (Jack Palance), a private detective, is called in to see what he can find trying to pick up the crook's trail. March finds himself globe-trotting, following Carter to Lisbon, Madrid, Paris and London, always one step behind him. He keeps running into a mysterious Austrian woman (Anita Ekberg) who similarly has an interest in acquiring the diamond, and that's not all. Some very bad, very hard men don't care who gets hurt as they search for the rare diamond.
As I found out afterward, 'Inside' is not available on VHS or DVD so I was glad to stumble across it on TCM's schedule. It's nothing special and drifts along with its story more than a pointed, driven effort. Still, director John Gilling keeps it interesting if not always hugely entertaining. There are villains, but the type you assume will never successfully hurt a good guy. Said good guys betray each other, but you know they'll end up working together in the end. Part film noir, heist, and European tour guide, 'Inside' never really decides what it is. Drama? Comedy? Never great and never awful, decent enough way to spend 97 minutes.
Newley didn't get a mention in the plot review because like a lot of sidekicks, his part isn't essential to the story. The very British Newley plays the very Italian Ernesto, a taxi driver and guide in Madrid who meets Palance's March and ends up helping him around the city. He plays surprisingly well off the always intense Palance, providing some lighter moments with some running comedic bits that just shouldn't work, but well, they end up working. It's a good supporting part for Mr. Newley who always seems to be having fun no matter the role he plays.
It always feels like a cop-out when I write about this in a review, devoting an entire paragraph to this particular aspect, but as was the case here in 'Inside' it is really good. Yes, here I go again with on-location shooting, Gilling filming much of his movie in Lisbon, Madrid and Paris. Filmed in a very stylish black and white, this very visual movie helped me as a viewer slog through some of the slower portions. And while it sounds obvious, a movie is just better when you see the actors actually in the locations, not a poorly done green screen effect. It's always pretty clear when the actor isn't actually in those glamorous European cities. To some, maybe it's a little thing, but it's a major selling point for me, and 'Inside' doesn't disappoint on that level.
The good and bad here is that the cast assembled is a good one, but they're not always given anything to do. Lots of travel scenes, lots of pointless talking that waste an otherwise talented cast. Palance's March is a step back from his usual psychotic character he perfected over his career. Still intense, but pulled back a notch or two. Human Barbie doll Ekberg is the femme fatale, playing all sides for her own gain. Patrick is the shifty Carter, the diamond thief who we know little about. Some more background would have been nice about the character, his motivations, his reasoning, something. Also look for Donald Pleasance as a Spanish organ grinder, Sid James as March's friend and supervisor Franklin, and Bonar Colleano and Sean Kelly as two hired guns after the diamond.
All things considered, a pretty forgettable movie. The cast is above average though, and it's a great movie to look at so there's just enough to recommend here. Barely, but still recommending it.
The Man Inside (1958): **/****
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