The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."

Thursday, June 2, 2011

Seven Angry Men

One of the most controversial people in American history was a driven, even obsessed abolitionist who made a name for himself in the years before the Civil War, John Brown. I have always been fascinated by Brown mostly because his belief that all men should be free. The only problem was his extreme execution of these beliefs. His actions were those of an extremist, an individual who was going to get what he wanted no matter the cost. His reasoning was sound, but his actions bordered on the insane.

Complete hogwash in terms of historical accuracy, 1940's Santa Fe Trail is the only movie I can even think of that has Brown playing a major role. He played a huge role in starting the Civil War -- the bloodiest conflict in American history -- but has generally been forgotten in the pages of history books over the last 150-plus years. At the height of his popularity, actor Raymond Massey played the infamous abolitionist in a movie that while entertaining, is about as accurate as saying that the sun is green and the moon is made of cheese. It is a performance that is downright terrifying at times. Some 14 years later, once again bearing a striking resemblance to the real-life Brown, Massey reprised the role of John Brown in 1955's Seven Angry Men.

It's 1856 and brothers Owen (Jeffrey Hunter) and Oliver (Larry Pennell) are traveling to Kansas to work with their father, John Brown (Massey), in his efforts to help the territory enter the United States as a free state. Four other Brown brothers are already waiting as the family is reunited, all in hopes of making Kansas a place where slaves are illegal.  Their father, John, though is willing to do anything necessary to ensure that with the coming vote.  Sticking with his father through thick and thin -- even going against his wife, Elizabeth (Debra Paget), and her intentions -- Owen quickly realizes how obsessed the man really is. John has bigger, grander plans than just Kansas though. He has his sites set on Harpers Ferry, Virginia, and the U.S. Military arsenal there where he hopes to arm an army of freed and escaped slaves.

The Civil War is one of the most interesting times in American history, but the build-up to the bloodiest war ever fought on American soil is just as interesting.  In the five years before the war, Kansas was dubbed 'Bleeding Kansas' as abolitionists fought pro-slavers over the future of the state, whether it would enter the United States as a free or slave state. Brown's raid on Harpers Ferry (read about it HERE) is similarly one of the most fascinating chapters in American history (to me at least). However miserably the raid failed, Brown's intentions are amazing when you think about it. The topic can be a touchy one (Kansas and Harpers Ferry) so it's easy to understand why movies have generally steered clear of it, but the history is incredibly interesting.

The tone of the two movies -- Santa Fe Trail and Seven Angry Men -- are basically polar opposites, but the positive you can take from both movies is Raymond Massey's acting performances as John Brown. As I mentioned earlier, he bears a striking resemblance to the real-life Brown. His acting though is so much more, bringing this obsessed, completely and blindly driven man to life. His intentions were genuine -- all men should be free regardless of color -- but his actions were deplorable, believing in an Old Testament form of justice. Making him more interesting/believable/frightening is that Brown (an ultra religious man) believes God is using him as his vessel on Earth to do what he needs to get accomplished. Scary much?

So director Charles Marquis Warren has those two great things working for him -- interesting history, more interesting historical person -- and what does he focus his story on? The budding relationship of Brown's son, Owen, his right hand man, and a fellow abolitionist, Elizabeth, who believes John's actions are despicable. Do you think there's a chance they might put their differences aside and get hitched? They talk about these problems a lot, and then share some very passionate 1950s movie kisses and some scandalous embraces. Because of that, Massey's John Brown gets pushed to the background far too often.  In the rest of the cast is Dennis Weaver, James Best, John Smith and Pennell as the brothers who actually make an impression. Also look for James Edwards as Green, a freed black man fighting with the Browns, and Leo Gordon in heavy mode as pro-slaver leader gunning for Brown.

I wanted to like this movie more than I did, but it just has so many things working against it. A B-movie or even an A-level movie on a smallish budget can overcome a lot with some basic things; avoid overacting, don't get too exaggerated, keep the music in a non-blaring mode. 'Angry' misses on all counts. Carl Brandt's score is painfully obvious, almost willing you to feel certain emotions. The love story is equally bad, and I can't decide if that's on the actors, the script or the director. Maybe worst of all is that the movie just doesn't know what it wants to say. Is John Brown a hero or a traitor? The ending has the Battle Hymn of the Republic playing over Brown's execution just minutes after vilifying the man. Which one is it? Massey is great, and the relatively forgotten history is interesting, but otherwise this one is worth passing on.

Seven Angry Men <--- TCM clips (1955): **/****        

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