The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."

Sunday, February 20, 2011

Robin and the 7 Hoods

In the early 1960s, the unquestioned kings of cool were the Rat Pack. NO ONE was cooler than this group of singers, actors, entertainers, performers, whatever you want to call them. Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop were to quote Bill Curtis in 'Anchorman'...."the balls." They oozed suaveness and style and pulled it off effortlessly because they just were cool. They didn't need to try to be cool. The Rat Pack toured, they put shows on in New York, Las Vegas and around the world, and expanding into all markets, guest starred on TV shows and thankfully (in my mind at least) ventured into movies too.

The movies range from good to bad, the high point being the original Ocean's 11 while others like 4 For Texas, Sergeants 3, and a few others that aren't really official Rat Pack movies but feature much or some of the group anyways, like 1959's Never So Few.  These were not movies intended to sweep the awards season. These were just fun movies that were perfect flicks to watch with a big bowl of popcorn where you could sit back and shut your brain off for a couple hours and be entertained.  It was Frank and his crew being themselves, shooting it out, wooing some ladies, and generally doing some boozing and partying.  The one I'd never seen before was 1964's Robin and the 7 Hoods. A twist on the well-known Robin Hood story sounded appealing with Robin being transported to 1920s Prohibition gangster-filled Chicago. How could you go wrong? Make it a musical.

A well-known Chicago gangster, Big Jim (an uncredited Edward G. Robinson), is knocked off by all the Chicago mafiosos at a birthday party hosted in his honor.  The power in the city is up for grabs with one gangster, Guy Gisborne (Peter Falk), swooping in and taking things over. He develops a plan with the crooked cops that not everyone agrees with, especially a gangster from the Northside of the city, Robbo (Sinatra). Robbo has no interest in pooling his interests and starts to prepare for facing the wrath of the organized gangsters. With his own crew, including transplanted Indiana gangster Little John (Martin), sharp-shooting Will (Davis Jr.) and Alan A. Dale (Bing Crosby), Robbo accidentally donates a large sum of money to charity, earning the trust and favor of Chicago. It's not so easy though because Guy is still working with Big Jim's power-hungry daughter (Barbara Rush) who has her eyes set on her recently passed father's death.

My one defense going into this Gordon Douglas directed flick was that I really didn't know going in that it was a musical.  The other Rat Pack movies were more about the cool factor, the heists, the shootouts, the partying, the camaraderie, the inside jokes, and all those things are present here. A story about rival almost warring 1920s Chicago gangsters is almost impossible to mess up on entertainment value alone. But the story's flowing along, things are being put into motion and WHAM! Frankie, Deano, Bing, and Sammy start singing.  It's not that the songs are bad, anything but with the immense talents involved, it's that there are songs at all.  This is a story that would have worked just fine as a Rat Pack takes on 1920s Chicago story.

So what carries the movie in between the detours for some singing is what else? That cast.  Call Sinatra a one-note actor, but he did that one-note perfectly. He's not the typical leading man, relying more on humor and even at times a dark cynicism to play his part. It's Sinatra though, and he's cooler than you. Get used to it. Dean Martin is my favorite member of the Rat Pack, and he's the ideal second banana to Sinatra. Davis Jr. shines in a supporting role as Will, and Crosby is a high point as Will A. Dale.  Falk was never bad, especially in parts like this that let him ham it up in every scene.  As the conniving daughter, Rush is generally wasted playing a character that could have been completely removed from the movie for the better. Victor Buono and Robert Foulk are also good as Chicago police officials with their hooks in the mob.

With all these different elements working together and against each other (depending on the scene), the movie struggles to find any sort of rhythm.  With just the natural comedic chemistry this cast has together, you're going to get some laughs almost by accident or default.  That's not fair though because there are some genuinely funny lines, and a few running gags that produce genuine laughs. But the laughs come few and far between for the most part, the scenes in between dragging along at a snail's pace.  Even fast forwarding through some of the lengthier musical numbers, the 123-minute running time felt more like three or four hours.  Stepping in as a film editor, I'd take out the music, add some more humor, a little more gunplay, and you've got a winner.  If only, if only.

Boring at times, highly entertaining at others, there is just too much talent involved in this Rat Pack production not to give it a mild recommendation. Even at their worse, Frank, Dean and Co. were very likable with an on-screen presence that few other actors/performers have ever shown.  They all have an easygoing way about them that gives the impression of watching a group of friends hanging around shooting the shit. If nothing else -- and this might not mean as much to a non-Chicagoan -- Sinatra sings 'My Kind of Town.' It's hard to mess that up.

Robin and the 7 Hoods <---trailer (1962): ** 1/2 /****

No comments:

Post a Comment