The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."

Tuesday, October 27, 2009

Cassandra's Dream

In an episode of Seinfield, Jerry proudly announces that he's never seen an episode of I Love Lucy. While I can't compare to that -- I've seen quite a few episodes -- I can counter with something of my own. Until this weekend, I'd never seen any of the 30-plus movies that director Woody Allen has made. From what I knew about him and his personal life (kinda creepy) and the types of movies he's made, I just never sought one out. It wasn't intentional, just happened.

Netflix recommended a Woody Allen movie for me and with an interesting premise and two actors I like in leading roles I thought I'd give Cassandra's Dream a chance. From what little I know about Allen, his directing tone has changed over the years from comedies to dramas including Match Point in 2005. So with no background in the director's filmography, I didn't have high expectations going in but ended up loving the movie.

Two English brothers, Ian (Ewan McGregor) and Terry (Colin Farrell), find themselves in deep trouble in the money department for vastly different reasons. Ian is sick of working in his father's restaurant and wants to move on to bigger and better things including a hotel venture in Los Angeles. On top of that, Ian has fallen in love with a young model, Angela (Hayley Atwell), and wants to start a new life with her. Terry is an alcoholic, pill-popping gambler who finds himself $90,000 in debt when a poker game gets out of hand. Trying to make payments on a house for his wife Kate (Sally Hawkins), Terry doesn't know where to turn. The brothers have a streak of luck though as their uncle Howard (Tom Wilkinson) is visiting from China.

Uncle Howard is loaded with plastic surgery clinics dotting the globe. But he's in a desperate situation too as a former employee, Martin Burns (Philip Davis) is scheduled to testify in a case against him with a possible lifetime jail sentence on the line. With nowhere to turn, Howard offers to give Ian and Terry whatever money they need...if they kill Martin. In terms of storytelling, this is similar to Sidney Lumet's 'Before the Devil Knows You're Dead,' another crime amongst family story. It's ripe with tension as your average John Smith is forced into actions that before would have seemed improbable.

SPOILERS What works so well is the suspense and tension that Allen builds. It's almost a full hour before Howard's proposition is brought up so by then as a viewer we've gotten to see Ian and Terry and their backgrounds. Both with their own flaws, there is empathy for them and their predicaments. Ian's ambitions are boundless but he needs some $ backing, and Terry just wants to make his wife happy but his vices get the best of him. What is unique is that the murder (yes, they do murder him) is almost an afterthought. It's the build-up and the resulting guilt and inner turmoil that step to the forefront.

With a story like this, it's hard not to compare it to a movie like Dial M For Murder, and in a positive way 'Cassandra' feels like a Hitchcock movie. The brothers break into Martin's house, ready to kill him when he returns from dinner. Then, the phone rings. What do you do? By the way, the ring startled me like something out of a horror movie. Later, Martin arrives home but with a woman. Do they kill both? Just another wrench into their otherwise seamless plan. In the aftermath of the murder and getting the money, Ian is able to put their dastly deed behind them while Terry is torn up with guilt. It all builds to an ending that does work although it feels rushed a bit like Allen just wanted to wrap things up.

Considering McGregor is Scottish and Farrell is Irish, the relationship between the two English brothers is the lynch pin of the movie. A fair share of critics didn't find the dynamic between the two actors believable, but it worked for me perfectly. Ian's smooth and calm, thinking everything out, while Terry is more emotional, more spur of the moment. McGregor and Farrell physically look nothing alike, but does it matter when their interactions are so believable? Wilkinson is only in the movie for two or three scenes but makes the quick appearance instantly memorable, especially the scene where he presents the brothers with his plan. John Benfield and Clare Higgins play the brothers' long-suffering parents who want the best for their children.

Getting average reviews from critics and so-so to downright bad from fans, I'm thinking I liked the movie because I haven't seen any other Woody Allen movies. The dialogue is quick and snappy, the cinematography is beautiful for filming in dreary old England, and the cast is solid from top to bottom, especially McGregor and Farrell. Maybe it isn't up to par with other Allen classics, but I've got nothing to compare this to, and I loved it. So take that Woody Allen devotees.

Cassandra's Dream <---trailer (2007): *** 1/2 /****

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