Depending on what movie you watch, cloning/reanimation/freezing can be handled quite differently. Think of Austin Powers and then compare it to real-life situation with baseball great Ted Williams. I realize they're different situations, but the idea is the same. What if someone from history thought far enough ahead to plan for a clone of themselves? Then think of it as one of the most hated people in history, and you've got 1978's The Boys From Brazil.
The idea of surviving Nazis trying to revive the Third Reich or even just blend in with society is nothing new in movies, with Marathon Man probably the best example. Late in WWII when it was clear the war had turned against Germany, many high-ranking officials and officers began to maneuver on how to survive in the world after the war. Some made their way to South America where support for the Nazi party still existed. Many just tried to get along and hide from the fact that they were still being hunted for their actions during WWII. But what if that wasn't all they were up to? What if they had plans to bring back Nazism into a world power?
In Paraguay in the early 1970s, inexperienced Nazi hunter and member of a young Jew organization, Barry Kohler (Steve Guttenberg) is onto something. He is convinced that retired, hiding Nazis are up to something, and even finds out their plan by bugging the villa they're staying in. Leading the group is Dr. Josef Mengele (Gregory Peck), a German doctor infamously known for his horrific, immoral actions during WWII in the concentration camps where he performed all sorts of scientific experiments on the unwilling prisoners. Convinced he is on to something huge, Barry contacts Ezra Lieberman (Laurence Olivier), a well-known Nazi hunter.
Ezra is not so easily convinced but while he's on the phone with Barry, the line suddenly goes dead and he can hear breathing at the other end. Suspicious of what might have happened, Lieberman begins to investigate the information Barry gave him even if it sounds incredibly strange. Mengele ordered that over a 2 1/2 year span, 94 men, all working in civil services, aged 65 will be murdered in locations all around the world. Confused as to how it all relates, Lieberman begins to look into the matter and does stumble upon Mengele's plan, a revival of the Nazi Party, a new Fourth Reich.
Based on a novel by Ira Levin and using real-life historical figures, The Boys From Brazil is successful as a 'what if?' in history. The true revelation of Mengele's plan is a doozy, and I won't spoil it here because part of the enjoyment from this movie is trying to figure it out as clues are slowly filtered out. The premise seems ridiculously complicated and over-the-top, but that's for after the movie. While watching the plan develop, I was too involved to think about how ridiculous it actually is. Just enjoy the movie and then rip it to pieces afterward.
With stars as huge as Gregory Peck and Laurence Olivier, you would think the leads are as solid as possible, at least I did. Peck plays the villainous Mengele, a brilliant mind who is also completely devoted to Adolf Hitler and his beliefs. With skin-lightening makeup and dyed hair, Peck doesn't look quite right, and his accent is in the evil German, Sgt. Schultz vein. Lines that are supposed to be dramatic and intimidating are instead unintentionally funny. Olivier is better as Nazi hunter Lieberman, a bit of an eccentric himself, but he still seems to go for a stereotypical older Jewis man in his characterization. Maybe I was expecting too much from these two Hollywood icons, but I came away disappointed with their performances.
The supporting cast is much better, especially third-billed James Mason. Playing Siebert, the leader of the extermination squads on the Eastern front in WWII, Mason makes the most of a role that only requires him to be onscreen in a handful of scenes. He is Mengele's security officer, making sure his plan comes to fruition even as that plan becomes more and more unwieldly. Other supporting roles go to Lilli Palmer as Ezra's sister/assistant, Denholm Elliott as a not so cooperative press agent working with Lieberman, John Dehner as a man involved with Mengele's plan whether he knows it or not, Walter Gotell as one of Mengele's key men, John Rubinstein as a friend of Barry's, and surprisingly enough, Guttenberg in a strong key role.
Aided by a solid, creepy score from Jerry Goldsmith, 'Brazil' is at its best when the story keeps you guessing. Mengele's diabolical plan for a Fourth Reich is an unexpected twist that caught me by surprise, both in terms of the story but also the science it involves. Just don't overthink this one while watching, and you'll be fine.
The Boys from Brazil <---trailer (1978): ** 1/2 /****
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