How gutsy does a director have to be to start a movie by showing the ending? I give any director with the cajones to do that points right off the bat. Opening the movie by showing how the story will end up can drive viewers away in some cases, but if handled well can make viewers even more involved with the story. After all, we now know how everything will end up, but getting there can be half the fun.
Director William Wellman pulls this off with his 1939 classic Beau Geste, a story of three brothers who enlist in the French Foreign Legion. The story opens with a relief column nearing Fort Zinderneuf, a far-off post near an oasis that came under siege by Arab tribesmen. But as the relief draws closer, they find the whole garrison massacred to a man, and the commanding officer dead on the parapets with a French bayonet through his heart. With no enemy dead anywhere in sight and no legionnaires to tell the story, the question arises; what happened to these 50 legionnaires?
After the cool opening sequence at the scene of the massacre, the story flashes back to 15 years prior where three brothers, Beau, Digby and John, have been adopted by a rich English woman, Lady Patricia (Heather Thatcher) The three orphans live the life of luxury, playing war games and playing pranks on each other and their 'cousin' Gussie, the heir to quite a family fortune. But the years pass and Lady Patricia receives a note from her long lost husband saying he'll soon return for the Blue Water diamond, the last thing of any value they own. Before he can retrieve it though, the diamond is stolen by someone living in the house. But who was it?
In hopes of removing suspicions from his younger brothers, Beau (Gary Cooper) takes the blame and enlists in the French Foreign Legion to avoid embarrassment for his family. But it's not too soon before brothers Digby (Robert Preston) and John (Ray Milland) join up too with their big brother. It's in the legion they come under the command of sadistic Sergeant Markoff (Brian Donlevy), who was humiliated at his last post and now seeks to redeem himself, no matter the cost even if it is his own men's lives. It is when Markoff finds out the Geste brothers may be diamond thieves that the real conflict arises, the sergeant splitting the trio up, Beau and John to Zinderneuf as replacements and Digby to another fort for mounted infantry training.
The French Foreign Legion is often presented as this glamorous, honorable fighting unit, but in just about every movie I can think of some unlucky company is getting massacred or abandoned at some far out post with no hope of outside help or survival. In Beau Geste, it's no different. The soldiers at Zinderneuf hope to lead a mutiny against Markoff, but that plan gets put on hold when the Arab tribesmen arrive en masse. The battle scenes are exciting from the start even if we know the end result. The desert outside Yuma, Arizona fills in nicely for the Sahara desert, oasis and all, with the set of the fort a perfect setting for the drama to unfold.
As for the cast, it would be hard to ask for a better one. As the title character, Cooper does what he does best, the sort of everyman role who is noble, honorable, and always looking out for those around him, especially his younger brothers. Preston and Milland round out the trio of brothers, Milland getting slightly more screen time and the love interest, and with Cooper provide the heart, the backbone of the movie. Their scenes together ring true whether it be with the comedic introductions or later in the movie when they've enlisted in the Legion. The three actors bring the characters to life, much like the three leads in another 1939 classic with a somewhat similar story, Gunga Din.
In a role he received a Best Supporting Actor nomination for, Donlevy has a great part as Markoff, the sadistic, half crazy sergeant who will drive his men to the breaking point and then keep on pushing. He wants his good name back and all the medals and privileges that come with a promotion, and as he sees it, it's all in grasp if he wins a significant battle, casualties be damned. Unfortunately for Donlevy, 1939 was the year of Gone With the Wind, Stagecoach, Mr. Smith Goes to Washington, so he didn't get the win, but it's still one of his best parts. Also in the cast is a very young Susan Hayward as Isobel, the love interest who grew up with the Gestes but starts to fall for the youngest brother, John. Just some of the other legionnaires include J. Carrol Naish, Albert Dekker, Broderick Crawford, and Charles Barton.
Labeled as Hollywood's strongest overall year just for the sheer number of classics that were released, 1939 was quite a year for the movies. The old reliable 'they don't make 'em like that anymore' applies to any number of movies from that year, especially Beau Geste. It is good old-fashioned entertainment with an exciting story, strong and likable characters and some creativity in telling the story. With a DVD released just weeks ago, don't skip this one by. A true classic from start to finish.
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