Spectre

There are few things I like more than going to the movies. I love it, pretty much regardless of the quality of said movie. So when it's from my favorite franchise with one of my all-time favorite characters...yeah, I'm on-board. Even when reviews are decidedly mixed like they were here, I was GEARED UP and ready to go for the latest James Bond flick, 2015's Spectre.

After a mission in Mexico City goes successfully if slightly awry, MI6 agent James Bond (Daniel Craig) returns to London and gets an earful from his new boss, 'M' (Ralph Fiennes). He's put on a sort of suspension while things are figured out, things 007 isn't telling M. It hasn't been too long since the Skyfall incident although MI6 is part of a new merger that could completely shake up -- if not destroy the 00 program (the license to kill agents) the entire organization, especially Bond. Trouble or not though, Bond has his objective. Not long after the death of a superior, he received a clue in the mail telling him what to do next. That mission? Pursue a man (who he found in Mexico City) and go to his funeral. From there, he'll figure it out. Now, it's all up to Bond to see where the clues lead. This time, the clues and evidence appear to lead to a sinister organization that is far larger, far more powerful than anything Bond, M or MI6 could have thought of.

This latest Bond installment -- the 24th in the series, 24! -- was in a bit of a lose-lose situation if you ask me. Director Sam Mendes returns to helm 'Spectre' with Craig and much of the cast returning from Skyfall. The issue? Skyfall was an all-timer, one of the great Bond movies and one of my personal Top 5. How do you follow up franchise perfection? The reviews have been pretty mixed, and it's fair to say 'Spectre' isn't a great Bond film. What is it then? Pretty damn good. The criticisms I've read are fair -- the movie's length, the writing, the lack of action -- but none of it is a deal-breaker. I seemed to have liked it more than many reviewers, but I came to a realization as I watched. I think it's better than okay, but for the sake of a quick-hitting review, even an okay Bond movie is still better than most action movies out there.

Ah, Bond, how I missed you. As high as the bar was set with the franchise's previous entry, 'Spectre' is still pretty good, Mendes, Craig and Co. showing a comfort level with the iconic character that seems to get more comfortable with each passing movie. Bond is globe-trotting (as expected) so we get some great location shoots in Mexico City, London, Rome, Austria, and Tangiers. Composer Thomas Newman's score is solid, especially in the second half, with the big sweeping touches in the BIG moments, but also the quieter moments. There is a style and glamour and impressive scale to these movies -- especially since Craig took over as 007 -- that is necessary, perfect consistent throughout the movies, no matter the story or cast or reviews. That's what I love so much about these movies.

So that Daniel Craig fella....man, he's good at bringing James Bond to life. It's been cool to see Craig do his thing as the iconic British agent, making him more than a ladies man, a one-liner spewing killer, a smartass with no actual humanity. Craig makes him a human being, and 'Spectre' again dives into Bond's personal life, especially his childhood. It's little moments where we see Bond as he really is, in a conversation with the Bond girl (more later), in a surprisingly funny conversation with a mouse in a hotel room. We see a man who is very good at his horrifically dangerous job. Death awaits on any given day at any given moment. Craig is smooth and suave, able to deliver a one-liner as necessary, but as he's shown in the other films, there's a menacing edge, an intimidation factor to his Bond. Most importantly though, he's human.

Who else to look for? Bond movies don't disappoint in the cast department so there's no worry here. Christoph Waltz looks to be having a ball as the villain and thankfully it's more underplayed than usual, a little more subtle. His Oberhauser is dripping with intensity. Wish he'd been around more actually! I thought Lea Seydoux was excellent as Madeleine, the beautiful Bond girl who thankfully is no damsel in distress. Pretty and brains, can't go wrong! Along with the always reliable Fiennes as the new M, also look for Naomie Harris (Moneypenny), Ben Whishaw (Q) and Rory Kinnear (Tanner) as our familiar faces at the ever-changing MI6. I loved that Whishaw's Q is given a lot to do, especially some great in-the-field scenes with Bond. Good humor, solid chemistry between the bookish Q and the tough agent. Also look for Dave Bautista as Hinx, a brutal Spectre enforcer (an excellent, imposing part), Monica Belluci, and Andrew Scott as C, a new high-ranking official in the British intelligence community.

This next observation seems rather divisive among fans and reviewers. The Craig Bond movies have been connected, parts of one story impacting the next. Most of the previous entries were stand-alones, some characters popping up from time-to-time but no connecting story. 'Spectre' continues to delve into that angle, both Bond's past (Jesper Christensen's Mr. White makes an appearance) but also a criminal organization that's pulling powerful strings all over the world. There's some twists with Waltz's Oberhauser that I thought was pretty cool, and I'd think many fellow Bond nerds would appreciate but I'm seeing otherwise as I read message boards and reviews. The twist going back to Bond's teenager years was unnecessary, that much I can admit. I'm a diehard 007 franchise fan, and I'm curious where things will go going forward with future entries.

The biggest complaint I've read is the story, a modern world where old-fashioned MI6 and its 00 (License to Kill) agents are dinosaurs, a thing of the past. Sound familiar? It was dealt with in spectacular fashion in Skyfall. It is repetitive (if appropriate in technology-heavy 2015) and not developed rather well. We're watching the Bond movie so...you don't really need to convince us. I would have liked more Bond's background, more Bond and Madeleine, whatever, because the story itself is interesting. We just don't need to be hit over the head with the message. On the cool side, 'Spectre' is full of little moments, nice little nods to previous Bond movies from Goldfinger and From Russia With Love to The Man with the Golden Gun and many others. For the most part, they're subtle, but Bond fans will get a kick out of them for sure. I especially did.

What else? I could ramble for days about a new Bond movie so let's keep it focused! Ah, the action, a staple of the franchise. The cold open is brilliant, Bond chasing an assassin through Mexico City during a Day of the Dead festival. The payoff in a careening helicopter is an absolute doozy, a real whopper. 'Spectre' isn't an action-heavy story and is a bit of a slow-go through the first hour or so. Things pick up about the halfway point with the second half finding a groove. High points include a brutal fight between Bond and Bautista's Hinx, a stylish car chase through Rome (Newman's score is excellent here) between Bond and Hinx, and a mountaintop showdown up and down a mountain with Bond in pursuit of Madeleine...while flying a plane. Yeah, pretty cool. The finale is nothing huge but a more personal action sequence, a cool capper to all these espionage shenanigans.

It ain't perfect, but it's still pretty good. The opening credits are very cool, but Sam Smith's song is unfortunately completely forgettable. As for Craig, it's not a lock, but I'm pretty sure (book it, go to Vegas!) he'll be back for a fifth and most likely final venture as everyone's favorite secret agent. If he doesn't, the ending is a fitting one, a nod to one of the more infamous endings in the franchise -- if you ask me at least, I could be overanalyzing. As for me, I'm a sucker for a good Bond movie, even if it isn't great. That gun barrel opening, the familiar musical theme, those notes kick in and I get a chill up my back. It isn't as good as Skyfall or Casino Royale, but it is a solid, definitely above average James Bond movie that struggles to deal with some flaws.

That said...it's JAMES BOND. Go see it!

Spectre (2015): ***/****

The Imitation Game

Ever heard of Alan Turing? Until about 24 hours ago, I hadn't although I unknowingly was quite aware of his ridiculously important historical contributions. How about something called Enigma? Yes? No? No matter how you answered, here's an easy recommendation as the movie awards season jumps into the full swing. History, World War II, just a film fan, check out 2014's The Imitation Game.

It's 1939 and World War II isn't going well for the Allied effort, especially in England as the German Luftwaffe wreaks havoc with its bombing all over the country. British intelligence is working hard behind the scenes, a huge effort meant to crack one of Germany's essentially unbreakable code, the Enigma. A brilliant mathematician and professor, Alan Turing (Benedict Cumberbatch) is working with British intelligence to break Enigma, but the effort seems impossible. There are literally millions and millions and millions of possibilities to break Enigma, and Alan and a small group of cryptanalysts have a limited window each day to break it before they have to start from scratch the next morning when the Enigma settings are changed. Turing especially is confident he can do it, but as the war rages on and the casualties pile up, even Turing's difficult personality may prove to be the biggest roadblock.

Here's another example of how powerful and interesting and truly, downright interesting history can be. Based on a true story -- with some artistic license taken here and there -- and from director Morten Tyldum tells a truly remarkable story, one that the British government kept under wraps for over 50 years after the end of WWII. The soldiers did the fighting, civilians back home built much of the materiel, the politicians fought and negotiated, all of it essential to the war effort. 'Imitation' does a great job of showing how Turing, a single man, drastically changed the course of the war for the Allies. It is a large-scale story in terms of content but small-scale in its focus. This is a movie about Turing and the men and women in intelligence who helped to break Germany's seemingly perfect code, saving millions of lives and cutting years off the war. Oscar bait? Sure, but it's a goodie.

That Benedict Cumberbatch fellow, he seems to be an actor with some potential (besides having a really cool name). Though he's been working in film and television since the early 2000s, he seems to have hit his groove as an actor, able to do fun blockbusters like the Star Trek sequels and as he shows here, act his freaking butt off. What a performance, one that will hopefully earn him an Oscar nomination, if not a win. It's always tough portraying a historical figure, even if it is one without a ton of name recognition. This is a brilliant, tortured man who was years ahead of his field, an individual who developed one of the first computers, one that helped Turing and Co. eventually break Enigma (relative spoiler I guess). The story also takes a personal detour in the second half of the movie, Cumberbatch truly bringing the individual to life.

It's the little nuances that Cumberbatch does so well, so effortlessly. His Turing is a socially awkward, brilliant individual with a troubled background. He commits himself to his work in almost dangerous fashion. It is an entire commitment. He hits people in the wrong way because his Alan is short, curt, abrupt and believes entirely in himself. All negative, right? He adds these little snippets as he tries to put his pride aside (although I wouldn't consider it pride in Alan's eyes, he just thinks he's right) that humanize him. We see that a lot in his scenes with Keira Knightley's Joan Clarke, a similarly brilliant young woman who doesn't get the respect she deserves because she's a woman and obviously can't be good at math. Kudos to Cumberbatch though, delivering a low-key performance that isn't necessarily a huge LOOK AT ME part that nonetheless steals the movie.

The 'Imitation' cast is uniformly solid. The queen of the period piece, Knightley is perfectly at home in the WWII story in providing an ideal counter to Cumberbatch's Alan. Their chemistry is smooth and easy, two individuals with different backgrounds but plenty of common ground. The other individuals working with Turing include an excellent Matthew Goode, Matthew Beard, Allen Leech, and James Northcote. Charles Dance and Mark Strong are very good too as intelligence officials, one more helpful than the other in assisting Turing's seemingly impossible plan to break the code. Rory Kinnear makes a quick appearance in a flash-forward of sorts as we see Turing living in England in the 1950s.

Let's say this. 'Imitation' tries to accomplish a lot. A LOT. The actual story is astounding that this happened. It wasn't a handful of people but thousands, but THIS HAPPENED. The story never feels disjointed which is a big compliment when you consider how much ground is covered, three-plus years is the crux of the story during the WWII portions. It's fascinating watching Turing's early-model computer come to fruition, the frustration when breaking the code doesn't happen both inward and outward, and eventually when it does happen the unintended consequences. Think of this. Okay, they've broken the code. They now CAN'T ADMIT they've both broken it because then the Germans would know they have broken it. What do you do now? How do you put the code to best use without revealing it has been broken? It is those moments where the movie is at its strongest.

So yeah, we've got some good, old-fashioned Oscar bait here. This is a good movie with a fascinating, always interesting story with some great performances. It isn't though, a great movie. When the story reveals a secret part of Alan's life, but it takes away from the power of the WWII/Enigma story. It is a tragic secret that alters Alan's life in a huge way but at times it feels tacked on like the story didn't exactly know how to handle it, especially in the finale. It is a complaint but nothing even remotely being close to a dealbreaker. Still a must-see movie.

The Imitation Game (2014): ***/****

Cuban Fury

I loved Hot Fuzz, really liked Shaun of the Dead, and thought The World's End had its moments but could have been better. My favorite part of those three flicks from director Edgar Wright? That's one easy answer for this guy. I loved star Nick Frost, the lovable sidekick who's always ready with a quick one-liner or some nicely time physical humor. Push that sidekick stuff aside, it's starring role time! Here's 2014's Cuban Fury.

Growing up in England with his sister as his partner, young Bruce Garrett is a champion dancer on the salsa dance circuit. On the brink of winning the national championship, Bruce has quite a run-in with a group of bullies who beat him up and mock him mercilessly to the point he chooses not to dance at the championship. Years pass and Bruce (Frost), all grown up in his 30s, works at a manufacturing firm. He's single, overweight and feels like he doesn't have much in the way of prospects. Bruce has a new boss at the firm, a pretty American, Julia (Rashida Jones), and he can't figure out how to talk to her, how to break the ice. Well, there's one way. Bruce finds out Julia is into salsa dancing, but there's a problem. It's been 25 years since Bruce has danced so now it's time to find out if he can pick it up again. It ain't going to be easy, especially when a co-worker, Drew (Chris O'Dowd), also sets his sights on Julia.

If I had just read that plot description without seeing who was in the movie or having seen the trailer, this definitely isn't a movie I would have sought out. A former child dancer prodigy trying to impress his new sexy boss? Um, no, that sounds downright awful. I watched that trailer though. I looked at that cast, and yeah, I had to give this one a try. It looked a little dumb but mostly funny. End result? I loved it. I laughed out loud far more than I usually do with comedies. The laughs and comedy are there without being forced. Working off an original idea from Frost, director James Griffiths has a winner here. It's his first feature film after working on television and a TV movie and short, and it ain't perfect. But my goodness, I enjoyed it from beginning to end. I don't even remember it getting a theatrical release in the states, but this is one comedy definitely worth seeking out.

It starts with Nick Frost as our portly, very likable, and very funny Bruce Garrett. It was very cool to see Frost get a chance to star in a leading role. In supporting parts in the Wright films, he was an absolute scene-stealer. He does the same thing here, just on a bigger stage with more screentime. The main reason I like Frost as a comedian and as an actor is his versatility. He can rattle off a subtle one-liner in the same scene that he pulls off a physical stunt in the vein of Chris Farley or John Belushi, able to bounce back and forth effortlessly. Funny doesn't always translate to likable, but in Frost's case, it definitely does. An overweight 30-something trying to regain his former salsa flare? Yeah, that's just crazy enough to work.

The whole cast works in that sense. It's drawn with some broad strokes, but the cast is talented enough to make it work. Jones is cute and awkward as the boss and girl of Bruce's dreams while O'Dowd gets the showy jackass part as Drew, crude and lewd but quite the ladies man in general. What's the most out of left field name you can think of to play an aging salsa/dancer teacher? How about a legendary English actor with a gravelly voice and perfectly grizzled look? Ian McShane!!! It's a perfect, little supporting part with some great laughs. Also look for Olivia Colman as Bruce's sister, his biggest supporter and former dance partner, Rory Kinnear and Tim Plester as Gary and Mickey, Bruce's best friends who get together for some guy time, and in a great scene-stealing part, Kayvan Novak as Bejan, Bruce's flamboyantly gay friend who helps him get back onto the dancing scene.

I'm not going to overanalyze this one too much. I loved it. There's laughs sprinkled throughout the 98-minute flick, and if it's a tad predictable, I didn't care. It's rare I really enjoy recent comedies whether in theaters or on DVD, but this seems to be the rare exception. Likable, charming comedy with a great cast having a lot of fun and plenty of laughs. Also, look for a blink and you'll miss it appearance from Frost co-star and friend Simon Pegg. It's a good one, mixed in with a parking garage dance-off. Yes, you read that right. Just go with it.

Cuban Fury (2014): *** 1/2 /****

Skyfall

The beauty and downfall of a successful film series is a razor-thin difference. How do you keep fans interested without showing the same movie over and over again? Now 50 years since the James Bond franchise started with 1962’s Dr. No, 007 himself has gone through funks of sorts. The producers and writers always seem to have a knack for bringing him back in high gear. So after the disappointing Quantum of Solace, Bond comes back with a vengeance in 2012’s Skyfall.

Working a mission in Turkey, MI6 agent James Bond (Daniel Craig) is in pursuit of a man who holds a stolen hard drive with the identities of every MI6 currently working deep within terrorist organizations. In pursuit with the threat the man could get away, Bond is accidentally shot by a fellow agent when M (Judi Dench) fears the hard drive will get out in the open. Feared dead, Bond disappears, only reappearing months later when MI6 Headquarters is attacked in a terrorist bombing. The culprit? A former MI6 agent and brilliant mind with technology and computers, Silva (Javier Bardem). The former agent is looking for revenge, and his sights are set on M herself. Severely wounded in Turkey and wasting away via pills and booze, Bond has his work cut out for him if he hopes to stop Silva from releasing the list of MI6 agents on an international level.

Like any Bond movie, that plot synopsis is about as concise as I think I’m going to get it. Moral of the story? It’s a gem. After the average but mostly disappointing Quantum of Solace, the Bond franchise gets back to basics for its 50th anniversary and 23rd film overall. For starters, they found the right man for the job directing, Sam Mendes of American Beauty, Revolutionary Road, Jarhead, Road to Perdition and many other non-Bond like movies. He brings a different eye to the franchise. The script from a trio of writers as well is about as good as it gets, but more on that later. As a visual medium, ‘Skyfall’ is a stunner, not just a great-looking Bond movie, but a great-looking movie in general. Credit there goes to Roger Deakins, director of photography. Also worth mentioning, composer Thomas Newman’s score, nothing flashy, but it’s different enough to be interesting. Of course, having the James Bond theme from Monty Norman never hurt any score….EVER. So again, it’s the little things that we might not always think of, but the behind-the-camera angle works perfectly.

I have long said Sean Connery is the best James Bond of the six actors who have portrayed him with Craig (his legacy still to be decided) in close second. After Skyfall, that opinion has changed. I think it’s a push. As I mentioned in the Casino Royale and Quantum of Solace reviews, Craig is able to make James Bond, 007 himself, a real-life, 3-D human being. He’s not some indestructible hired killer without emotion or feeling. Following the thrilling pre-credit sequence where Bond is shot, we see James at his lowest. When he comes back to MI6, we see an agent who has lost some of his edge, his hard-earned ability gone. Now, he must fight his way back to some sort of 007 normalcy. The story develops, and we see more of his character as Bond gets some development, including the first-ever (that I can think) revelation about his childhood. No real spoilers here, but the final 30-45 minutes delves into the myth of the Bond character like no others have even tried. I can’t wait to see where the character goes next.

This next statement is nothing new. Countless other reviews have made the point, but it’s key. It’s 2012. There is no Cold War, no enemy Russians hell-bent on destroying the free world. Worldwide, international villains are harder to identify. So what is MI6 supposed to do? It’s not Russkies vs. Brits anymore. These villains are different. M, her actions, and MI6 come under fire in ‘Skyfall.’ What’s the point of them even being around? Does a modern world need individual agents patrolling the world in the shadows (as M so simply and eloquently puts it)? Bond fans can now answer in unison…YES. So in that sense, Mendes, Craig and Co. get back to basics. In a world unlike anything we’ve seen before, maybe we need agents like Bond more than ever. That’s where I think Skyfall is special. Much of that extraneous “stuff” (for lack of a better word) is stripped away. This is Bond at his simplest. A highly-trained agent with a gun and a radio transmitter, nothing else. No gadgets, no gimmicks. The best part? Nothing else is needed.

So let’s dive in. Mendes assembled one impressive cast to work with here. Craig as mentioned is basically perfect as the very-human Bond. Judi Dench is given her most fleshed-out part as M, MI6 head of agents who must now defend every single one of her actions. Not surprisingly, Dench does not disappoint with more screentime. Already previously identified as one of the great villains of all-time from No Country for Old Men, Bardem is a breath of fresh air in the Bond villain department. His Silva quickly moves into the top 3 or 4 Bond villains. It’s not a stereotypical bad guy part though. We learn more about his back story, more about who he is and what drives him. Also making Bond aficionados happy, Ben Whishaw is cast as Q, Bond’s quartermaster, supplying him with everything he needs. Ralph Fiennes plays Gareth Mallory, a government higher-up associated with MI6 and working to help M. Naomie Harris plays Eve, another agent working with Bond while Berenice Marlohe is memorable in an underused part as Severigne, a link to Silva. Rory Kinnear is solid too as Tanner, M's assistant who works with Bond to get back his edge.

With a story focused on character development and a great visual appeal, fans need not worry. The action is incredible. The pre-credit sequence chase via foot-motorcycle-train gets things going at a lightning pace. Adele’s theme song – Skyfall, listen HERE – is a winner too. What works about the action is that it flows so well and effortlessly with the story. Bond fights a rival assassin in Shanghai in a back-lit skyscraper in a sequence that seems almost art-house in style. I don’t want to give too much away in terms of the action, but I’ll leave it at this. It works. It just does. It is stylish without being flashy, and thankfully leaves that hyper-active editing behind with Quantum. We can see the action, and that makes all the difference. The best is the end, a showdown with Bond, M, and Kincaid (Albert Finney, a scene-stealer as a man from Bond’s past) shooting it out western-style at an isolated Scottish manor house with Silva’s small army of machine gun-wielding henchmen.

In making Skyfall, I think the producers/creators made a wise decision. They didn’t try and change a successful franchise. They take what works and build off it. In that way, it comes across as a quasi-homage to the best Bond movies while still carving out its own identity. We see Bond’s original Aston Martin (ejector seat included), we learn more about Bond, and in the end, we have a final scene with two key points and sort-of twists. Again, no real details here. Enjoy and discover the movie for yourself. The point though is simple. While advancing the series, franchise and character, they’re sticking to what works. There is a simple perfection when these movies work well (Goldfinger, From Russia With Love, Casino Royale, Goldeneye, The Spy Who Loved Me), and Skyfall gets it done on a huge scale. A great movie, and another great Bond story. I can’t wait to see where 007 heads next. Check out the trailer below.

Skyfall (2012): ****/****