The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."
Showing posts with label Paul Greengrass. Show all posts
Showing posts with label Paul Greengrass. Show all posts

Friday, October 11, 2013

Captain Phillips

It was a breaking news story that seemed surreal in its reality. An American cargo ship hijacked by pirates? It sounded like a story that should have come from tall ships in the 1700s and 1800s more than a breaking news story in 2009, but there it was just the same; Somali pirates hijacking an American cargo ship, an international incident that captivated viewers for days as it unfolded. Like any worthy story, it's now a feature film, one that's easy to recommend, 2013's Captain Phillips.

The captain of the Maersk Alabama, a U.S. cargo ship out of Norfolk, Richard Phillips (Tom Hanks) heads to Africa for another voyage. This time he is transporting food, water and relief supplies around Africa and with a new crew to boot. The trip is only expected to take three days, but the route is through dangerous waters, even more dangerous when Phillips continues to receive warnings that there are are pirates in the area. The Maersk Alabama is able to turn back one pirate attack, but a Somali pirate named Muse (Barkhad Abdi) is persistent in his attacks and manages to get on-board Phillips' ship. Muse and three other pirates claim control of the ship and all its cargo, seeking a lucrative payday in front of them. Their plan doesn't go quite as planned though, forcing Muse and his three fellow hijackers to improvise. Phillips is taken hostage in demand for a huge ransom, but the U.S. Navy and a Seal team have been called in. Now, it's just a matter of time. Can Phillips be rescued before the Somali pirates kill him?

As I mentioned earlier, it's hard to believe this is a true story. Not that it isn't realistic or believable in the facts, it's just difficult to imagine this happening in any sort of modern world. The facts are the facts though, and it happened. Read more about it HERE, director Paul Greengrass (of the Bourne movies) sticking pretty close to the truth. The adaptation of the facts works so well because Greengrass films in an almost documentary style. We're not given a bigger picture of what's going on in the world, of so many behind the scenes issues. This is an American ship being hijacked, its captain being taken prisoner, and the rescue effort to get him back. There is a profundity in its simple, straightforward quality. However or whatever you remember from the 2009 incident, the movie itself is a gem.

Where else to start? Ads and critics alike are pushing Tom Hanks' performance as his best in years, and it's hard to disagree. What I came away most impressed with is how easy Hanks makes it look. Playing Capt. Phillips, he is calm, intelligent and always trying to think several steps ahead of him and his captors. Death stares him in the face, and still, he is able to keep eerily calm. He's trying to save the lives of his men, his own life, at all costs. What sets Hanks' performance a step above is the final half hour as the hostage situation comes to its terrifyingly real conclusion. Now, Phillips begins to see that maybe no matter how calm he stays, this could still end with his death. We see some horrifyingly real moments from Hanks, desperation taking over, wonder at what's happening, and that pure terror that takes over with his own death possibly hanging over him. I don't know who will get nominated for Best Actor at the Oscars, but Hanks certainly deserves to be in the discussion.

The most dynamic thing to come from the movie -- a tad long at 134 minutes -- is the cat and mouse game that develops between Hanks' Captain Phillips and Abdi as Muse, the young Somali pirate who leads the hijackers aboard the Maersk, and eventually the ship's 28-foot lifeboat. Phillips works to get his crew and himself out safely while Muse sees the chance for riches, fame, notoriety, all of them just out of reach. To do so, Muse knows he must keep Phillips alive. Phillips on the other hand, knows this, and is trying to keep his Somali captor searching for what to do. It's uncomfortably perfect to watch, this dynamic between Hanks and Abdi (in his first feature role). They both try to one-up each other, keep the other off balance, Muse dubbing Phillips "Irish" while Phillips simply calls him Captain. Who will win out in the end? Hopefully, you know the answer, but getting there can be a lot of fun.

The three other pirates working with Muse are Bilal (Barkhad Abdirahman), the youngest of the four who questions what they've gotten themselves into, Najee (Faysal Ahmed), the paranoid, fiery pirate sure that they're being tricked and Elmi (Mahat M. Ali), the pirate and boat driver. All four actors are making their acting debuts, all of them delivering impressive performances in their variety. They're not presented as uniformly evil either, a wise decision I thought in making the hostage situation far more uncomfortable. We see each of them react in different ways to the escalating situation. As for the crew of the Maersk, there's Michael Chernus as first mate, Shane, with David Warshofsky, Corey Johnson and Chris Mulkey the recognizable faces from the crew. Catherine Keener has a quick part as Phillips' wife. 

While it is a true story, Greengrass and screenplay writer Billy Ray manage to make a true story play almost like a thriller. Supported by Henry Jackman's adrenaline-pumping musical score, the story is one tension-packed scene on top of another. We see a foiled attempt to hijack the ship only to see the return of the Somali pirates the next day. On board the Maersk Alabama, it's a cat and mouse game, only to eventually see Phillips kidnapped and brought aboard the lifeboat. It's there the story drags a little bit (a little, not a deal breaker by any means), but that tension and energy get ratcheted up in the final half hour. Even knowing how the real-life incident ended, it's still unbelievably real to see it happening. The finale is emotionally draining and moving, Hanks really showing off his chops. I very much liked this one, and I loved the last 30-45 minutes. Well worth checking out.

Captain Phillips (2013): *** 1/2 /****

Monday, September 13, 2010

Green Zone

After the highly successful The Bourne Identity, director Paul Greengrass stepped in and did something rare with the trilogy.  The three movies got better with each new movie, thanks to a frenetic shooting style and the always reliable, always cool Matt Damon as super spy and hit man Jason Bourne. The movies were so good in fact that when Greengrass teamed up with Damon for 2010's Green Zone, it looked like Bourne visting Iraq for a tour of duty. Unfair? Maybe, but at its heart it is a popcorn thriller that reeks of professionalism and style.

What worked against any possible success this movie could have had was that the story is based in 2003 Iraq just weeks after the U.S. invaded the country.  In the years since 9/11 and the subsequent events, there hasn't been a movie dealing with those topics in the Middle East that hit theaters and just dominated the box office.  The memories are still fresh, and as viewers we can still look on the evening news for reports of what's going on.  Add to that issue that many Americans don't believe we should have ever gotten involved in Iraq and Afghanistan, and Greengrass is really up against it with this movie.  A movie about a war we should never have been involved in has been like box office poison over the last nine-plus years.  But give this one a chance on DVD. It's more than worth it.

Leading an Army team in Baghdad assigned the mission of finding weapons of mass destruction in Iraq, Chief Warrant Officer Roy Miller (Damon) thinks something is up.  Intelligence reports keep coming in telling where to find these WMDs, but Miller and his team keep coming up empty.  Fed up with the failure, Miller seeks additional information.  Is everything being done that can be done, or do these weapons actually exist?  He gets more suspicious when a Dept. of Defense official (Greg Kinnear) tells him to drop it. With some help from a CIA agent (Brendan Gleeson) who knows more than he's letting on, Miller starts his own investigation and begins to think a huge cover-up is to blame for the lack of any evidence of Iraqi WMDs.

With a story about weapons of mass destruction in Iraq, only people completely clueless to recent history don't know how this movie is going to end. Now in 2010, the events taking place seem like they're from a long time ago, and Greengrass doesn't shy away from showing the idiocy of U.S. involvement in Iraq.  He has some fun with President Bush's Mission Accomplished speech as the war continues in Baghdad and casualties continue to mount. There's no way to tell this story without a cynical view because we do know the end result of the search for WMDs.  The government here is trying to cover things up, the soldiers on the ground are the ones paying for it, and the truth is a sidebar that no one really seems interested in.

About halfway through the movie, I thought of what the cast reminded me of, Sergio Leone's The Good, the Bad, and the Ugly.  Damon is the good, Kinnear the bad, and Gleeson the ugly.  (No offense, Brendan, I meant more about motivation than appearance).  Damon is an ideal choice to play Chief Miller.  He dives into the role as always and convinces us as viewers that he knows what he's doing.  Drama or comedy, I don't know if there's a better actor out there right now.  Kinnear is that sneaky, sketchy government official you know has an ulterior motive.  Gleeson is underused but still makes a strong character, a CIA agent playing things close to his chest.  Also in the cast is Amy Ryan as a journalist duped liked everyone else, Jason Isaacs as a Special Forces soldier going up against Miller, and Khalid Abdalla as Freddy, Miller's Iraqi translator.

My biggest pet peeve about the Bourne movies was Greengrass' ultra-hyper shooting style that makes what's on screen impossible to keep up with.  Fight and chase scenes are a blur with just hints of what's going on.  I've always felt like showing everything in a manageable fashion is an obvious way to impress the viewer.  If something cool is on-screen, show us!  Don't cut it to the point of making in indecipherable mess.  Green Zone continues that trend, but it's not awful, just noticeable.  That said, the last 20 minutes are fast-paced and chaotic (in a good way) with some great action as Miller races through Baghdad at night in hopes of capturing an Iraqi general who may hold the key to the WMD problem.  The aggressive shooting style certainly does give the movie a realistic, right there with the soldier feel, but pulling back even a little couldn't hurt.

So for an exciting, well-made thriller that only grossed $35 million in theaters, what could have been changed? Basically change the setting, and you've got a hit.  It is exciting from the word go, and the pacing never slows as the mystery begins to unravel.  But it is still uncomfortable watching a movie about the conflict and fighting in Iraq when it feels like we're still so wrapped up in it all.  Maybe like so many Vietnam movies, it will just take a grace period before people can appreciate the quality of the movies.  Green Zone is definitely one worth checking out though.

Green Zone <---trailer (2010): ***/****