The Sons of Katie Elder

The Sons of Katie Elder
"First, we reunite, then find Ma and Pa's killer...then read some reviews."
Showing posts with label Maud Adams. Show all posts
Showing posts with label Maud Adams. Show all posts

Saturday, January 9, 2010

Rollerball

Since the earliest science fiction movies were made, viewers have been treated to pictures and ideas of what the future holds for us. Some are in other universes created in someone's imagination, but then there is those movies that are just a presentation of what Earth and its population will look like down the road. Now, some 30 and 40 years later it's interesting to look at these movies because many were based in the first quarter of the 21st century, like Soylent Green, Death Race 2000, and even to a certain extent Planet of the Apes. So how 'off' were some of these movies thinking about what the future holds for us? Not too far in some cases.

Take 1975's Rollerball which is set in 2018 when there are no more countries, just corporations who rule cities around the world. To help control the population, the corporations have developed a game called Rollerball, an odd combination of basketball, roller derby, football, and hand-to-hand combat with motorcycles thrown in for good measure, which appeals to the masses and gives them something to not only root for and support, but to get some of their bloodlust out and flowing.

Leading the defending champion Houston team, superstar and 10-year veteran Jonathan E (James Caan) is the face of the sport and known all around the world for his play. But just a few games away from another championship, Jonathan is approached by RCI Energy's CEO, Mr. Bartholomew (John Houseman), with a proposition. All the CEOs want him to retire and leave the game behind with no reason or excuse given. The rollerball superstar bristles at the thought, he loves the game he's become a star in and doesn't want to leave, but of course it's not that simple. The corporation CEOs want and need him out and are prepared to do whatever it takes to get Jonathan to leave, even if that means changing the rules of the game to make it even more dangerous.

Right off the bat, I was impressed with the creation of the game of rollerball. Sports movies typically have an advantage right away because viewers are familiar with the game being presented. That way, if the sports scenes are handled well, it's easier to suck the viewer in. But with rollerball, there's no background, no previous knowledge so we're forced to pick it up on the fly. Simply put, the game is something else. Three main sequences -- 3 different games as Houston battles Madrid, Tokyo, and New York -- highlight the story and instantly sucked me in. Imagine gladiators on roller skates. The games start off brutal enough, but are taken to a whole new level once the rules are changed. Here's SPOILERS a cool fanmade video highlighting some of the games.

With some obvious variations, one way or another these futuristic sci-fi movies present a dystopian society. This 2018 society doesn't so look bad, but everyday life is completely controlled by these corporations, everything from reading books to watching television (certain people are given "privileges"). Like 1984, there's a sense of Big Brother all over Rollerball's story. That sense of impending doom grows as Jonathan refuses to retire. He becomes paranoid, questioning to what point the corporations will take it? All of that worry and unease builds to the championship game where there are no penalties and no substitutions. The ending itself (check it out HERE) is the perfect finale, a sequence done with little dialogue as the game unfolds.

When I reviewed Thief late last summer, I revealed my man-crush on James Caan, one of my favorite actors around. Alongside The Godfather and maybe even the TV show Las Vegas, Rollerball is probably Caan's most well-known role and for good reason. His Jonathan E. is Michael Jordan, Babe Ruth, Wayne Gretzky, and Walter Payton rolled into one. He's a sports star playing a game he loves, just trying to figure out why the powers that be want him out. It's a great performance and one that dominates the movie. With a small but key part, Houseman is incredibly intimidating as Bartholomew, Houston's CEO. Other key supporting parts include scene-stealing John Beck as Moonpie, Jonathan's teammate (think of a hit man on skates), Moses Gunn as Clete, a former rollerball coach, Maud Adams as Ella, Jonathan's ex-wife, and Ralph Richardson as the Librarian.

An iconic movie from the 1970s but for all the right reasons. It's an action movie with a message, a deeper sense of the story other than just athletes on skates beating the crap out of each other. The Rollerball sequences are great, surprisingly captivating, and it is all aided by some strong casting, especially Caan in the lead.

Rollerball <----trailer (1975): *** 1/2 /****

Sunday, May 3, 2009

Octopussy

I can't help but think that Ian Fleming giggled when he thought of the title "Octopussy" for his final Bond novel. I'd like to think the creators got a chuckle out of the name too when the movie was made. All I know is that anytime it's mentioned around guys, old and young, it gets a laugh. We're lucky then that 1983's Octopussy is a really strong entry into the Bond story.

One of Bonds' fellow agents, 009, has been murdered in East Berlin but not before leaving a clue at the British Embassy; a perfectly made faberge egg but it's a duplicate. MI6 thinks duplicates are being made and auctioned off in order to fund a terrorist attack. Following the trail of one of the buyers, Bond discovers a smuggling ring that leads to bigger things. The woman at the head of the smugglers, Octopussy, may not be completely evil but it looks like she's being played by a partner and a rogue Russian general. It's only at the last minute that Bond figures out their plan, blow up a nuclear bomb on an American Air Force base in Germany and in the world-wide chaos that follows, the Russian army sweeps across Europe.

After the god-awful Moonraker, the Bond series was back on the track with 1981's For Your Eyes Only and then this 1983 entry. I try not to compare the Bond movies, especially right after I watch one, but I can't help it. Behind The Spy Who Loved Me, this is easily the 2nd best Roger Moore Bond movie. I'm appreciating Moore a little more with each movie. A lot of Bond fans don't approve of him or even dislike him, but I started to like his movies more when I realized 'hey, this guy isn't Sean Connery.' He puts a completely different spin on the character, and by Octo, his 6th of 7, he knows the character in and out.

One of the reasons this gets a high ranking for me is that it's somewhat based in reality. The villains intend to steal millions and take over the world, but their plan at least makes sense. No huge space lasers or anything of the sort. In her second Bond movie but as a different character, the gorgeous Maud Adams is older than your typical Bond girl as Octopussy, but that's what is interesting about the character. It stretched the imagination too much that a 40-some Moore could so easily seduce so many women half his age. Adams and Moore are a more likely pair. The character Octopussy is a bad guy of sorts, but she's in that middle ground. Not evil but not good either. She is a smuggler after all.

Other villains include Kamal Khan (Louis Jourdan), a smuggler always looking for an easy buck, and General Orlov (Steven Berkoff), a power hungry Russian general who wants the Soviets to show off their power and not negotiate with NATO. Khan is the real villain here with his lead henchman, Gobinda (Kabir Bedi). More than a little wooden, Kristina Wayborn plays Magda, a woman seemingly working for all sides. And what would a Bond film be without some quirky casting of a villain or henchmen like Jaws or Oddjob? Here we get two knife-wielding acrobatic twins, played by David and Tony Meyers.

One of the keys to a good Bond movie is the pre-credit action sequence. It doesn't have to be great, but it surely can derail the movie. Octopussy's goes right into my top 5, check it out here. The action across the board is top-notch here, including a car chase through the crowded streets of Delhi and the crazy finale as Bond jumps on-board a small plane before it takes off. It's such a cool stunt with the plane clearly flying several thousand feet up that you won't even care that it's a stuntman. Props to that stunt man. Of course, I can't find any video for it so I'll say just go see it.

Like the other good Moore entries, this one doesn't try too hard to be an action movie or a tongue-in cheek spoof with a ton of forced humor. Entertaining from start to finish with Moore at the top of his game at the head of a great cast of Bond girls, villains, and henchmen. Definitely check Octopussy out, and yes, I am giggling like a little boy as I type that. Here's the trailer.