In the age of the epic in the 1950s and 1960s, there wasn't a historical
era not covered by Hollywood ranging from ancient times in Ben-Hur and
Spartacus to more modern times like Around the World in 80 Days and
Lawrence of the Arabia. Not quite on the scale of those movies but just
as entertaining, 1958's The Vikings is an underrated epic that is as much fun now as it was over 50 years ago.
Leading a raid on an English camp, Viking warrior/chief Ragnar (Ernest Borgnine)
rapes the English queen who secretly gives birth to a son nine months
later. Almost 20 years pass and Ragnar is still leading his Viking
warriors, his son, Einar (Kirk Douglas), at his side. Neither are aware that the son, Erik (Tony Curtis),
has been among them for the last 20 years, living as a slave to the
Vikings, unaware he is Ragnar's son and Einar's half-brother. Erik has
an intense rivalry with Einar -- each one wanting to kill the other --
and it is ratcheted up even further when Ragnar's warriors kidnap the
young woman, Morgana (Janet Leigh),
promised to the king in marriage. Both men fall in love with her as the
Vikings prepare a surprise attack on the King's castle.
The appeal of many epics is the scale. They aren't always fun
movies, just big movies. From director Richard Fleischer, this is an exception. At 116 minutes, it isn't as long as
so many 3-plus hour epics, but it is fun, entertaining and still manages
to present an impressive scale of the time of the Vikings. It was filmed in the fjords of Norway while also visiting Germany, France
and Croatia, the locations providing an accurate and stunningly
beautiful backdrop for the adventure story. The music is especially
memorable from composer Mario Nascimbene, including the main theme (listen HERE) that you'll be whistling for days. What's so fun about it all is Fleischer and his cast and
crew committing to being accurate as possible. The sets look like actual Viking villages. Three
Viking warships were built from actual blueprints of Vikings ships, and
the shots of these ships, packed with warriors, making their way up the
sun-lit fjords is a stunning visual. The movie shows the day-to-day
lives of these people. We see some of their rituals, their beliefs, their
parties, and it feels authentic from the very start.
Working together for the first time -- they'd reunite two years
later in another epic, 1960s's Spartacus -- Douglas and Curtis are great
leads, the half-brothers who are unaware they're related. Douglas isn't
a villain, but he clearly isn't the good guy either, his Einar an
anti-hero if he's anything. It's a big, showy part for Douglas, the type
of role he excelled at. Curtis gets the less-interesting character, but
his intense part as Erik is still worthwhile. Mrs. Tony Curtis -- Janet
Leigh -- is the eye candy, the beautiful Morgana who finds herself in a
love triangle and must choose who she truly loves. If you're going to
do a love triangle, do it right like 'Vikings' did here. Life and death,
an intense rivalry where the stakes are high, not just a happy winner
and a mopey loser. Also be careful not to poke your eyes out with Janet Leigh's pointiest of bras.
My favorite character though is from Ernest Borgnine as Viking chief
Ragnar. It's funny that he's cast as Douglas' father because in
real-life he's actually two months younger than his movie "son." Just
like Douglas is perfectly cast as Einar, so is Borgnine. Heavily bearded
and spouting his love for the Viking god Odin, Ragnar is an
exaggerated, scene-stealing part for Borgnine. I can't think of a better
duo to play these larger-than-life ancient heroes. For a topper,
Ragnar's death scene is one of the all-time greats, a man literally
laughing death in the face. Also look for James Donald as Egbert, an English lord secretly working with the Vikings, and familiar epic bad guy Frank Thring as Aella, the weakly English king, and Eileen Way as Kitala, the Viking medicine woman who is in touch with all the Viking gods.
From the time I first saw this movie as a kid, it was the action
sequences that stuck with me. I remembered Douglas' Einar running across
the rigid oars of the Viking ships as they returned to the village, but
the high point is the finale, a Viking assault on Aella's heavily
guarded castle on the English coast (actually Fort-la-Latte
in France). A real castle, it is a gorgeous setting for the attack in
all its scale, seemingly hundreds of Vikings bursting through the gates
and scaling the walls. Einar's entrance to the castle -- climbing up a
ladder of thrown axes into the raised drawbridge -- stands out, Douglas
doing some of his own stunts. It concludes with an epic showdown at the
top of one of the castle's towers, Einar dueling with Erik. Both Douglas
and Curtis handled much -- if not all -- of their stunts, making the
dangerous fight scene a couple hundred feet up even more impressive. Action galore, the ending is
a whopper of a climax.
Part of the appeal here is of childhood memories, but it stands the
test of time. It isn't remembered as well as many other historical
epics, but it's just as fun and probably more entertaining than many
more. Big story, memorable theme, great cast, and can you really go
wrong with those bloodthirsty, fun-loving Vikings? I submit that you
cannot. The movie is available to watch at Youtube, but it's 111 minutes while the DVD runs 116 minutes so something's missing.
The Vikings <---trailer (1958): *** 1/2 /****
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